Dangerous Michael Jackson

• 1 Jam 05:39
• 2 Why You Wanna Trip on Me 05:25
• 3 In the Closet 06:32
• 4 She Drives Me Wild 03:41
• 5 Remember the Time 03:59
• 6 Can't Let Her Get Away 04:59
• 7 Heal the World 06:24
• 8 Black or White 04:16
• 9 Who Is It 06:35
• 10 Give in to Me 05:30
• 11 Will You Be There 07:40
• 12 Keep the Faith 05:57
• 13 Gone Too Soon 03:22
• 14 Dangerous 07:00
• Total Runtime 01:16:59

Info for Dangerous

With Dangerous released in November 1991, Michael Jackson's career really sustained its high. The album entered the Billboard 200 album chart at number 1 and sold over 32 million copies worldwide in the space of 17 years. The RIAA certified Dangerous 7x platinum for shipping 7 million copies in the United States.

„Despite the success of Bad, it was hard not to view it as a bit of a letdown, since it presented a cleaner, colder, calculated version of Thriller -- something that delivered what it should on the surface, but wound up offering less in the long run. So, it was time for a change-up, something even a superstar as huge as Michael Jackson realized, so he left Quincy Jones behind, hired Guy mastermind Teddy Riley as the main producer, and worked with a variety of other producers, arrangers, and writers, most notably Bruce Swedien and Bill Bottrell. The end result of this is a much sharper, harder, riskier album than Bad, one that has its eyes on the street, even if its heart gets middle-class soft on 'Heal the World.' The shift in direction and change of collaborators has liberated Jackson, and he's written a set of songs that is considerably stronger than Bad, often approaching the consistency of Off the Wall and Thriller. If it is hardly as effervescent or joyous as either of those records, chalk it up to his suffocating stardom, which results in a set of songs without much real emotional center, either in their substance or performance. But, there's a lot to be said for professional craftsmanship at its peak, and Dangerous has plenty of that, not just on such fine singles as 'In the Closet,' 'Remember the Time,' or the blistering 'Jam,' but on album tracks like 'Why You Wanna Trip on Me.' No, it's not perfect -- it has a terrible cover, a couple of slow spots, and suffers from CD-era ailments of the early '90s, such as its overly long running time and its deadening Q Sound production, which sounds like somebody forgot to take the Surround Sound button off. Even so, Dangerous captures Jackson at a near-peak, delivering an album that would have ruled the pop charts surely and smoothly if it had arrived just a year earlier. But it didn't -- it arrived along with grunge, which changed the rules of the game nearly as much as Thriller itself. Consequently, it's the rare multi-platinum, number one album that qualifies as a nearly forgotten, underappreciated record.“ (Stephen Thomas Erlewine)

'Collaborating with writer-prouder Teddy Riley on seven of its fourteen cuts, Jackson attempts to make his peace with modern dance music. It turns out that New Jack Swing - the melodic electro-groove patented by Riley - fits the thirtysomething Jackson like a glove.' (Rolling Stone)

Recorded from June 25, 1990 – October 29, 1991 at Ocean Way Studios and Record One Studios
Produced by Michael Jackson, Teddy Riley, Bill Bottrell, Bruce Swedien

Digitally remastered by Bernie Grundman (Bernie Grundman Mastering, Los Angeles, California)

No biography found.

This album contains no booklet.