A Piazzolla Trilogy Karen Gomyo, Orchestre National des Pays de la Loire & Stephanie Jones

• Astor Piazzolla (1921 - 1991): 4 Estaciones Porteñas (Arr. L. Desyatnikov for Violin & Orchestra):
• 1 Piazzolla: 4 Estaciones Porteñas (Arr. L. Desyatnikov for Violin & Orchestra): No. 4, Verano Porteño 06:50
• 2 Piazzolla: 4 Estaciones Porteñas (Arr. L. Desyatnikov for Violin & Orchestra): No. 1, Otoño Porteño 08:10
• 3 Piazzolla: 4 Estaciones Porteñas (Arr. L. Desyatnikov for Violin & Orchestra): No. 2, Invierno Porteño 07:17
• 4 Piazzolla: 4 Estaciones Porteñas (Arr. L. Desyatnikov for Violin & Orchestra): No. 3, Primavera Porteña 06:22
• 6 Tango Etudes (Version for Solo Violin) [Excerpts]:
• 5 Piazzolla: 6 Tango Etudes (Version for Solo Violin) [Excerpts]: No. 3, Molto marcato e energico 03:54
• 6 Piazzolla: 6 Tango Etudes (Version for Solo Violin) [Excerpts]: No. 4, Lento meditativo 04:12
• 7 Piazzolla: 6 Tango Etudes (Version for Solo Violin) [Excerpts]: No. 5, Quarter Note = 120 02:17
• Histoire du Tango (Version for Violin & Guitar):
• 8 Piazzolla: Histoire du Tango (Version for Violin & Guitar): I. Bordel 1900 04:10
• 9 Piazzolla: Histoire du Tango (Version for Violin & Guitar): II. Café 1930 07:49
• 10 Piazzolla: Histoire du Tango (Version for Violin & Guitar): III. Nightclub 1960 06:06
• 11 Piazzolla: Histoire du Tango (Version for Violin & Guitar): IV. Concert d'aujourd'hui 04:56
• Total Runtime 01:02:03

Info for A Piazzolla Trilogy

From the moment Karen Gomyo first heard Astor Piazzolla on disc, at the age of fourteen, she was spellbound: ‘I had never heard such a combination of sensuality, fierceness, playfulness, sadness and nostalgia.’ As a violinist she found the role of the violin in Piazzolla’s music especially inspiring, and soon started playing it herself – first in various group combinations, and eventually together with Piazzolla’s longtime pianist Pablo Ziegler and his Tango Quartet. For the present disc she has chosen to record strings-only versions of three works originally for tango quintet (Seasons), guitar and flute (Histoire), and solo flute (Études).

Piazzolla’s Cuatro Estaciones were initially conceived neither as a suite nor as a tribute to Vivaldi’s Four Seasons. Verano porteño (Summer) was composed first, as part of the incidental music for a play, with the other three following several years later. If the Seasons provide a soundtrack to the year as it unfolds in Buenos Aires, Histoire du Tango describes the development of the tango itself in four chapters – from the brothels around year 1900 to the concert halls where Piazzolla himself performed his tango nuevo. These two works frame three of Piazzolla’s Tango Études, which Karen Gomyo performs solo, while otherwise being partnered by the strings of the Orchestre National des Pays de la Loire (Seasons) and the guitarist Stephanie Jones (Histoire).

Karen Gomyo, violin, direction
Stephanie Jones, guitar
Orchestre National des Pays de la Loire

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