Wilms: The Piano Concertos, Vol. 2 Ronald Brautigam, Die Kölner Akademie & Michael Alexander Willens

• Johann Wilhelm Wilms (1772 - 1847): Piano Concerto in F Major, Op. 32 (Ed. R. Brautigam):
• 1 Wilms: Piano Concerto in F Major, Op. 32 (Ed. R. Brautigam): I. Allegro 13:40
• 2 Wilms: Piano Concerto in F Major, Op. 32 (Ed. R. Brautigam): II. Adagio 05:14
• 3 Wilms: Piano Concerto in F Major, Op. 32 (Ed. R. Brautigam): III. Rondo 06:44
• Piano Concerto in E-Flat Major, Op. 55 (Ed. R. Brautigam):
• 4 Wilms: Piano Concerto in E-Flat Major, Op. 55 (Ed. R. Brautigam): I. Adagio - Allegro 17:44
• 5 Wilms: Piano Concerto in E-Flat Major, Op. 55 (Ed. R. Brautigam): II. Adagio 06:15
• 6 Wilms: Piano Concerto in E-Flat Major, Op. 55 (Ed. R. Brautigam): III. Rondo 09:02
• Total Runtime 58:39

Info for Wilms: The Piano Concertos, Vol. 2

Born in the vicinity of Cologne, only two years after and some sixty km distant from Beethoven, Johann Wilhelm Wilms was once a musical force to be reckoned with. In Amsterdam, where he lived from the age of 19, his music was actually performed more frequently than Beethoven’s at one period, and his orchestral works were played in such musical centres as Leipzig. Besides chamber music and solo sonatas, Wilms composed several symphonies and concertos, among them piano concertos for his own use.

But already during his lifetime Wilms began to retreat from the public eye and by the time of his death in 1847, he was remembered almost exclusively as the composer of the then national anthem. In time for the 250th anniversary of Wilms’ birth, Ronald Brautigam has edited the five extant piano concertos by ‘the Dutch Beethoven’. A first volume (BIS-2504) with the three earlier concertos has been released, earning a five star review in BBC Music Magazine for ‘performances of lightness and transparency, matched by the recording’s clarity.’ On this second and final instalment, with Concertos Nos 4 and 5, Ronald Brautigam again receives spirited support from the Kölner Akademie and Michael Alexander Willens.

Ronald Brautigam, fortepiano Kölner Akademie Michael Alexander Willens, conductor

Ronald Brautigam
has deservedly earned a reputation as one of Holland’s most respected musicians, remarkable not only for his virtuosity and musicality but also for the eclectic nature of his musical interests. He has received numerous awards including the Nederlandse Muziekprijs, the highest Dutch musical award. A student of the legendary Rudolf Serkin, Ronald Brautigam performs regularly with leading orchestras including the Royal Concertgebouw Orchestra, BBC Philharmonic Orchestra, City of Birmingham Symphony Orchestra, Hong Kong Philharmonic Orchestra, Orchestre National de France and Gewandhausorchester Leipzig. Among the distinguished conductors that he has performed alongside are Riccardo Chailly, Charles Dutoit, Bernard Haitink, Marek Janowski, Sir Roger Norrington, Marin Alsop, Sir Simon Rattle and Iván Fischer.

Besides his performances on modern instruments Ronald Brautigam has established himself as a leading exponent of the fortepiano, working with orchestras such as the Orchestra of the Age of Enlightenment, Tafelmusik, the Freiburg Baroque Orchestra, the Wiener Akademie, Concerto Copenhagen and l’Orchestre des Champs-Elysées.

In 1995 Ronald Brautigam began what has proved a highly successful association with the Swedish label BIS. His discography of over 60 recordings to date includes the complete works for solo keyboard of Beethoven, Mozart and Haydn on the fortepiano, as well as an 11-disc series of Mozart’s complete piano concertos on the fortepiano with the Kölner Akademie, playing on period instruments. Among his most recent releases are two discs with Mendelssohn’s complete Lieder ohne Worte. His recordings have received prestigious awards such as the Edison Klassiek Award, Diapason d’Or de l’année, MIDEM Classical Award and the Jahrespreis der Deutschen Schallplattenkritik. Ronald Brautigam is a professor at the Hochschule für Musik in Basel.

Booklet for Wilms: The Piano Concertos, Vol. 2