Blue Haze Remastered) Miles Davis

Cover Blue Haze Remastered)

Album info

Album-Release:
1956

HRA-Release:
24.03.2016

Label: Prestige

Genre: Jazz

Subgenre: Hard Bop

Artist: Miles Davis

Album including Album cover Booklet (PDF)

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  • 1 I'll Remember April 07:55
  • 2 Four In One 04:04
  • 3 Old Devil Moon 03:25
  • 4 Smooch 03:08
  • 5 Blue Haze 06:13
  • 6 When Lights Are Low 03:29
  • 7 Tune Up 03:56
  • 8 Miles Ahead 04:28
  • Total Runtime 36:38

Info for Blue Haze Remastered)

„Blue Haze documents two Prestige sessions from May 1953 and March 1954 (plus 'I'll Remember April,' with altoist Davey Schildkraut, from the April 3, 1954 session that yielded half of Walkin'). During this time, a resurgent Miles Davis began to zero in on his own style and sound, taking significant steps away from the rhythmic and harmonic devices of his mentor Dizzy Gillespie. Paralleling his recorded work for Blue Note, Davis was also working with some of the greatest rhythm players in the history of jazz. Blue Haze finds Davis the lone featured horn. 'When Lights Are Low' is one of Benny Carter's most famous melodies, and the song-like cadences suit the ripe, chipper tone of Davis' horn. John Lewis' Monk-ish chords signal the sprightly head to 'Tune Up,' as Percy Heath and Max Roach groove manfully along. 'Miles Ahead' is derived from Davis' earlier 'Milestones' (neither of which should be confused with subsequent titles and tunes for Columbia). Davis' loping solo illustrates his leisurely ease in constructing a melody, but his dancing eights with Roach illuminate what fires simmer beneath the surface. Cut by cut, this set documents the trumpeter's search for his ideal rhythm mates. Thanks to Heath, Art Blakey, and especially Horace Silver, Davis here sounds far more relaxed, swinging, and rhythmically complex on his famous melody 'Four.' Their interplay on 'Old Devil Moon' is a study in give and take, tension and release. And aroused as he is by Heath's booming blues beat, Blakey's ghostly sizzle cymbal, and Silver's taut accompaniment, Davis turns the title tune into as expressive a film noir blues as you're likely to hear this side of Raymond Chandler.“ (AMG)

Track #1 (April 3, 1954):
Miles Davis, trumpet
David Schildkraut, alto saxophone
Horace Silver, piano
Percy Heath, bass
Kenny Clarke, drums

Track #2, 3 and 5 (March 15, 1954):
Miles Davis, trumpet
Horace Silver, piano
Percy Heath, bass
Art Blakey, drums

Track #4, 6, 7 and 8 (May 19, 1953):
Miles Davis, trumpet
John Lewis, piano (not on 'Smooch')
Charles Mingus, piano ('Smooch' only)
Percy Heath, bass
Max Roach, drums

Recorded May 19, 1953 at WOR Studios, New York City; March 15 and April 3, 1954 at Van Gelder Studio, Hackensack, NJ
Engineered by Doug Hawkins, Rudy Van Gelder
Produced by Bob Weinstock, Ira Gitler

Digitally remastered

Please Note: we do not offer the 192 kHz version of this album, because there is no audible difference to the 96 kHz version!

No biography found.

Booklet for Blue Haze Remastered)

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