Schoenberg: Pelleas und Melisande & Verklärte Nacht Orchestre symphonique de Montréal & Rafael Payare

• Arnold Schoenberg (1874 - 1951): Pelleas und Melisande, Op. 5:
• 1 Schoenberg: Pelleas und Melisande, Op. 5: Ia. Introduction (A Forest). Ein wenig bewegt, zögernd 04:05
• 2 Schoenberg: Pelleas und Melisande, Op. 5: Ib. Principle Theme. Golaud marries Mélisande and brings her to the castle. Heftig 03:20
• 3 Schoenberg: Pelleas und Melisande, Op. 5: Ic. Second Theme. Mélisande sees Pelléas - Awakening of love. Lebhaft 04:24
• 4 Schoenberg: Pelleas und Melisande, Op. 5: IIa. Scene by the spring in the park. The ring falls into the water - Golaud is thrown from his horse. Sehr rasch 03:27
• 5 Schoenberg: Pelleas und Melisande, Op. 5: IIb. Scene at the Castle Tower (Mélisande's Hair) - Scene in the Castle Vaults. Sehr langsam 03:38
• 6 Schoenberg: Pelleas und Melisande, Op. 5: IIIa. At the spring in the park. Ein wenig bewegt 01:21
• 7 Schoenberg: Pelleas und Melisande, Op. 5: IIIb. Goodbye and Love Scene - Golaud interferes and kills Pelleas. Langsam 03:19
• 8 Schoenberg: Pelleas und Melisande, Op. 5: IIIc. Reprise. Ein wenig bewegter 04:24
• 9 Schoenberg: Pelleas und Melisande, Op. 5: IVa. Sehr langsam. 04:47
• 10 Schoenberg: Pelleas und Melisande, Op. 5: IVb. Etwas bewegt. 02:11
• 11 Schoenberg: Pelleas und Melisande, Op. 5: IVc. Mélisande's death chamber. In gehender Bewegung 02:18
• 12 Schoenberg: Pelleas und Melisande, Op. 5: IVd. Epilogue. Breit 05:53
• Verklärte Nacht, Op. 4:
• 13 Schoenberg: Verklärte Nacht, Op. 4: Grave 06:30
• 14 Schoenberg: Verklärte Nacht, Op. 4: Molto rallentando 06:09
• 15 Schoenberg: Verklärte Nacht, Op. 4: Pesante - Grave 02:10
• 16 Schoenberg: Verklärte Nacht, Op. 4: Adagio 06:23
• 17 Schoenberg: Verklärte Nacht, Op. 4: Poco adagio 03:44
• 18 Schoenberg: Verklärte Nacht, Op. 4: Adagio. Molto tranquillo 04:17
• Total Runtime 01:12:20

Info for Schoenberg: Pelleas und Melisande & Verklärte Nacht

The Orchestre symphonique de Montreal and its Music Director Rafael Payare celebrate Arnold Schoenberg's 150th birthday with a recording of two of his late-Romantic masterworks: Verklarte Nacht and Pelleas und Melisande. Both pieces are based on stories evolving around love, jealousy, acceptance and forgiveness, and showcase Schoenberg's expressive harmonic language and scintillating, multifarious orchestration. The album booklet features unique photography and paintings by Arnold Schoenberg, sketching a vivid picture of this extraordinarily versatile artist. After their acclaimed PENTATONE recordings of Mahler's Fifth Symphony (2023), as well as his Ruckert-Lieder and Strauss's Ein Heldenleben (2024), Payare and the orchestra further explore this late-Romantic repertoire that fits them like a glove.

Orchestre symphonique de Montreal
Rafael Payare, conductor

Rafael Payare
With his innate musicianship, charismatic energy, gift for communication, and irresistibly joyous spirit, conductor Rafael Payare has “considerable grace and considerable swagger, making the two go unusually yet inexorably together” (Los Angeles Times). The 2025-26 season marks his fourth as Music Director of Canada’s Orchestre symphonique de Montréal (Montreal Symphony Orchestra/OSM) and his seventh as Music Director of California’s San Diego Symphony (SDS). Other current positions are Principal Conductor of Virginia’s Castleton Festival, a post he has held since 2015, and Conductor Laureate of Northern Ireland’s Ulster Orchestra, where he was Principal Conductor and Music Director from 2014 to 2019, making multiple appearances at London’s BBC Proms.

In the 2025–26 season, Payare and the SDS continue their ongoing performances of the complete cycle of symphonies by Shostakovich and Mahler, performing Shostakovich’s Eighth Symphony and Mahler’s Seventh. Other highlights include Bruckner’s Fourth Symphony; Sibelius’s Violin Concerto with soloist Augustin Hadelich; Beethoven’s First Symphony; Mendelssohn’s Third Symphony; a two-week Brahms festival in the spring encompassing the German Requiem, all four symphonies, and the Violin Concerto performed by Leonidas Kavakos; and Gabriela Ortiz’s new ecology-themed cello concerto, Dzonot, featuring dedicatee Alisa Weilerstein. The conductor opens his OSM season with Berlioz’s Damnation of Faust, followed in October by a Berlioz album release. Other season highlights include Mahler’s Fourth and Ninth Symphonies; Beethoven’s Piano Concerto featuring Emanuel Ax; Mozart’s The Marriage of Figaro; Tchaikovsky’s Piano Concerto performed by Bruce Liu; Stravinsky’s Rite of Spring; and much more. Payare makes his debut with the Royal Concertgebouw Orchestra in 2025–26 and appears as a guest conductor with the Cleveland and Philadelphia Orchestras, Pittsburgh Symphony Orchestra, London’s Philharmonia, and the NHK Symphony.

The 2024–25 season saw Payare and the SDS inaugurate San Diego’s newly renovated Jacobs Music Center with a star-studded opening night concert featuring a world premiere composed for the occasion by Texu Kim. The full roster of performances at the venue over the season included Mahler’s Second and Third Symphonies, the world premiere of Billy Childs’s Concerto for Orchestra, and multiple major works by Shostakovich and Strauss, among many others. With OSM, Payare led a season-opening account of Schoenberg’s monumental Gurre-Lieder to mark the composer’s 150th anniversary, a milestone also recognized by the release of an all-Schoenberg album that marked their third together on the Pentatone label, adding to a rapidly growing and critically acclaimed discography. Previous releases include Strauss’s Ein Heldenleben and Mahler’s Rückert-Lieder in 2024 and Mahler’s Fifth Symphony in 2023, which was named an Editor’s Choice by both Gramophone and BBC Music Magazine.

Since winning first prize at Denmark’s Malko Competition for Young Conductors in 2012, Payare has made debuts and forged longstanding relationships with many of the world’s preeminent orchestras. His U.S. collaborations include engagements with the New York Philharmonic, Philadelphia Orchestra, Boston Symphony, Chicago Symphony, Houston Symphony, Los Angeles Philharmonic, and Minnesota Orchestra, while his notable European appearances include dates with the Bavarian Radio Symphony, Chamber Orchestra of Europe, Leipzig Gewandhaus Orchestra, London Symphony Orchestra, Mahler Chamber Orchestra, Munich Philharmonic, NDR Elbphilharmonie Orchestra, Orchestra dell’Accademia Nazionale di Santa Cecilia, Orchestre National du Capitole de Toulouse, Orchestre Philharmonique de Radio France, Philharmonia Orchestra, Royal Stockholm Philharmonic, Tonhalle Orchestra Zurich, and Vienna Philharmonic, which he has led at the Vienna Konzerthaus and Musikverein, on a Baltic tour, and at Paris’s Théâtre des Champs-Élysées. Payare has undertaken concerto collaborations with soloists including Piotr Anderszewski, Yefim Bronfman, Elīna Garanča, Sergey Khachatryan, Gil Shaham, Jean-Yves Thibaudet, Frank Peter Zimmermann, and Nikolaj Znaider. Also a dedicated opera conductor, he debuted at both London’s Royal Opera House, Covent Garden and the Glyndebourne Festival with Il barbiere di Siviglia and has led Madama Butterfly and La bohème at Stockholm’s Royal Swedish Opera, Tosca at the Royal Danish Opera, Gounod’s Roméo et Juliette at the Castleton Festival, and a new production of La traviata in Malmö, Sweden.

Born in Barcelona, Venezuela, in 1980, Payare first discovered classical music at the age of 14, when he began playing horn in the El Sistema program. After just three weeks he joined the Symphony Orchestra of Anzoátegui, before becoming part of the National Children’s Orchestra of Venezuela, with which he toured Europe, Asia and the Americas. From 2001 to 2012 he served as Principal Horn of the Simón Bolívar Symphony Orchestra, taking part in prestigious tours and recordings with Gustavo Dudamel and other eminent conductors including Claudio Abbado, Lorin Maazel, Sir Simon Rattle, and Giuseppe Sinopoli, who first inspired Payare to conduct himself. Receiving conducting training from El Sistema founder José Antonio Abreu and from subsequent mentors Maazel and Krzysztof Penderecki, Payare went on to lead all of Venezuela’s major orchestras. Today he is himself an inspiration to younger musicians, continuing his long-standing involvement with El Sistema and the Simón Bolívar Symphony Orchestra and enjoying a close relationship with London’s Royal College of Music, where he conducts the symphony orchestra each season. He has also led youth projects with the Chicago Civic Orchestra, Orchestra of the Americas, and Filarmónica Joven de Colombia, conducted a tour with the National Youth Orchestra of Ireland, and founded the El Sistema OSM Program in Montreal in 2024. Payare resides in San Diego and Montreal with his wife, acclaimed cellist Alisa Weilerstein, and their two young children.

Booklet for Schoenberg: Pelleas und Melisande & Verklärte Nacht