Schoenberg: Pelleas und Melisande & Verklärte Nacht Orchestre symphonique de Montréal & Rafael Payare

• Arnold Schoenberg (1874 - 1951): Pelleas und Melisande, Op. 5:
• 1 Schoenberg: Pelleas und Melisande, Op. 5: Ia. Introduction (A Forest). Ein wenig bewegt, zögernd 04:05
• 2 Schoenberg: Pelleas und Melisande, Op. 5: Ib. Principle Theme. Golaud marries Mélisande and brings her to the castle. Heftig 03:20
• 3 Schoenberg: Pelleas und Melisande, Op. 5: Ic. Second Theme. Mélisande sees Pelléas - Awakening of love. Lebhaft 04:24
• 4 Schoenberg: Pelleas und Melisande, Op. 5: IIa. Scene by the spring in the park. The ring falls into the water - Golaud is thrown from his horse. Sehr rasch 03:27
• 5 Schoenberg: Pelleas und Melisande, Op. 5: IIb. Scene at the Castle Tower (Mélisande's Hair) - Scene in the Castle Vaults. Sehr langsam 03:38
• 6 Schoenberg: Pelleas und Melisande, Op. 5: IIIa. At the spring in the park. Ein wenig bewegt 01:21
• 7 Schoenberg: Pelleas und Melisande, Op. 5: IIIb. Goodbye and Love Scene - Golaud interferes and kills Pelleas. Langsam 03:19
• 8 Schoenberg: Pelleas und Melisande, Op. 5: IIIc. Reprise. Ein wenig bewegter 04:24
• 9 Schoenberg: Pelleas und Melisande, Op. 5: IVa. Sehr langsam. 04:47
• 10 Schoenberg: Pelleas und Melisande, Op. 5: IVb. Etwas bewegt. 02:11
• 11 Schoenberg: Pelleas und Melisande, Op. 5: IVc. Mélisande's death chamber. In gehender Bewegung 02:18
• 12 Schoenberg: Pelleas und Melisande, Op. 5: IVd. Epilogue. Breit 05:53
• Verklärte Nacht, Op. 4:
• 13 Schoenberg: Verklärte Nacht, Op. 4: Grave 06:30
• 14 Schoenberg: Verklärte Nacht, Op. 4: Molto rallentando 06:09
• 15 Schoenberg: Verklärte Nacht, Op. 4: Pesante - Grave 02:10
• 16 Schoenberg: Verklärte Nacht, Op. 4: Adagio 06:23
• 17 Schoenberg: Verklärte Nacht, Op. 4: Poco adagio 03:44
• 18 Schoenberg: Verklärte Nacht, Op. 4: Adagio. Molto tranquillo 04:17
• Total Runtime 01:12:20

Info for Schoenberg: Pelleas und Melisande & Verklärte Nacht

The Orchestre symphonique de Montreal and its Music Director Rafael Payare celebrate Arnold Schoenberg's 150th birthday with a recording of two of his late-Romantic masterworks: Verklarte Nacht and Pelleas und Melisande. Both pieces are based on stories evolving around love, jealousy, acceptance and forgiveness, and showcase Schoenberg's expressive harmonic language and scintillating, multifarious orchestration. The album booklet features unique photography and paintings by Arnold Schoenberg, sketching a vivid picture of this extraordinarily versatile artist. After their acclaimed PENTATONE recordings of Mahler's Fifth Symphony (2023), as well as his Ruckert-Lieder and Strauss's Ein Heldenleben (2024), Payare and the orchestra further explore this late-Romantic repertoire that fits them like a glove.

Orchestre symphonique de Montreal
Rafael Payare, conductor

Rafael Payare
The 21-22 season will mark Rafael Payare’s third season as Music Director of San Diego Symphony and already their relationship has been recognised as one of the most dynamic in North America.

Rafael was previously Principal Conductor and Music Director of the Ulster Orchestra from 2014 – 2019 with whom he appeared twice at the BBC Proms in 2016 and 2019. He now holds the title of Conductor Laureate in recognition of the vast artistic contribution he gave to the Orchestra and City of Belfast during his three year tenure.

In January 2021, Payare was announced as the next Music Director of Orchestre Symphonique de Montreal from the 22-23 season.

His profound musicianship, technical brilliance and charismatic presence on the podium has elevated him as one of the most sought-after conductors. During the 14-15 season Payare made his acclaimed debut with the Vienna Philharmonic Orchestra conducting concerts at the Vienna Musikverein and Théâtre des Champs Elysées in Paris and also saw his London debut with the London Symphony Orchestra at the Barbican Centre and debuts with the Munich Philharmonic Orchestra and Chicago Symphony at the Ravinia Festival.

During the 2015-16 season he made his first appearance with the Mahler Chamber Orchestra at the Cologne Philharmonie and returned to London to make his debut at the Southbank Centre with the Philharmonia Orchestra with whom he has continued a close association. Other notable debuts that season included the Czech Philharmonic Orchestra and the Sinfonieorchester de Bayerischen Rundfunk in Munich and at the Bad Kissingen Festival.

During the 2018-19 season, he returned to the Vienna Philharmonic Orchestra to make his debut at the Wiener Konzerthaus and on a Baltic tour with mezzo soprano, Elina Garanca. Other leading ensembles Payare has enjoyed working with include Staatskapelle Dresden, Pittsburgh Symphony, Boston Symphony Orchestra, Los Angeles Philharmonic, Tonhalle Orchestra Zurich, Leipzig Gewandhaus Orchester, Orchestra dell’Accademia Nazionale di Santa Cecilia and the Cleveland Orchestra. Soloists with whom he has enjoyed collaborations include Daniil Trifonov, Frank Peter Zimmerman, Gil Shaham, Jean-Yves Thibaudet, Nikolai Lugansky, Christiane Karg , Alisa Weilerstein, Nikolaj Znaider, Piotr Anderszewski, Elisabeth Leonskaja, Sergey Khachatryan, Emmanuel Ax, Yefim Bronfman, and Dorothea Röschmann.

Payare kicks off the 21-22 season with his San Diego Symphony, to inaugurate the Rady Shell at Jacobs Park, their stunning new open-air venue. He then looks forward to giving his first concerts as Music Director Designate of Orchestre Symphonique de Montreal, opening their season with concerts at La Maison Symphonique as well as Montreal’s Olympic Stadium. Further highlights in the 21-22 season include debuts with the Chamber Orchestra of Europe, Houston Symphony as well as his subscription debut with the Philadelphia Orchestra.

As an opera conductor, he made his acclaimed debut at Glyndebourne Festival in 2019 conducting Barbiere and has conducted Madame Butterfly and La Boheme for Royal Swedish Opera and a new production of La Traviata at Malmo Opera. During the 21-22 season, Payare will make his debut at the Danish Opera conducting Tosca. In July 2012, he was personally invited by his mentor, the ate Lorin Maazel, to conduct at his Castleton Festival in Virginia and in July 2015 he was appointed Principal Conductor and conducted performances of Gounod 'Romeo and Juliette’ and a performance of Beethoven Symphony No 9 in memory of Lorin Maazel.

An inspiration to young musicians, Payare has forged a close relationship with the Royal College of Music in London where he visits every season to lead their Symphony Orchestra and has led projects with the Chicago Civic Orchestra, Orchestra of the Americas and the Filarmonica Joven de Colombia.

Born in 1980 and a graduate of the celebrated El Sistema in Venezuela, Payare began his formal conducting studies in 2004 with José Antonio Abreu. He has conducted all the major orchestras including the Simón Bolívar Orchestra. Having also served as Principal Horn of the Simon Bolivar Orchestra, he took part in many prestigious tours and recordings with conductors including Giuseppe Sinopoli, Claudio Abbado, Sir Simon Rattle and Lorin Maazel.

In May 2012, Payare was awarded first prize at the Malko International Conducting Competition.

Booklet for Schoenberg: Pelleas und Melisande & Verklärte Nacht