Metamorphose (Bachs verlorene Triosonaten - Rekonstruktionen der vermuteten Urfassungen von BWV 1015, 1028, 1029 und 1043) NeoBarock

• Joahann Sebastian Bach (1685 - 1750): Sonate G-Moll
• 1 Sonate G-Moll (Rekonstruktion der vermuteten Urfassungen für 2 Violinen und Basso continuo nach BWV 1029): I. Vivace 04:52
• 2 Sonate G-Moll (Rekonstruktion der vermuteten Urfassungen für 2 Violinen und Basso continuo nach BWV 1029): II. Adagio 05:06
• 3 Sonate G-Moll (Rekonstruktion der vermuteten Urfassungen für 2 Violinen und Basso continuo nach BWV 1029): III. Allegro 03:53
• Sonate D-Dur:
• 4 Sonate D-Dur (Rekonstruktion der vermuteten Urfassungen für 2 Violinen und Basso continuo nach BWV 1028): I. Adagio 01:50
• 5 Sonate D-Dur (Rekonstruktion der vermuteten Urfassungen für 2 Violinen und Basso continuo nach BWV 1028): II. Allego 03:44
• 6 Sonate D-Dur (Rekonstruktion der vermuteten Urfassungen für 2 Violinen und Basso continuo nach BWV 1028): III. Andante 04:23
• 7 Sonate D-Dur (Rekonstruktion der vermuteten Urfassungen für 2 Violinen und Basso continuo nach BWV 1028): IV. Allegro 04:20
• Sonate D-Moll
• 8 Sonate D-Moll (Rekonstruktion der vermuteten Urfassungen für 2 Violinen und Basso continuo nach BWV 1043): I. Vivace 03:30
• 9 Sonate D-Moll (Rekonstruktion der vermuteten Urfassungen für 2 Violinen und Basso continuo nach BWV 1043): II. Largo 05:54
• 10 Sonate D-Moll (Rekonstruktion der vermuteten Urfassungen für 2 Violinen und Basso continuo nach BWV 1043): III. Allegro 04:50
• Sonate A-Dur:
• 11 Sonate A-Dur (Rekonstruktion der vermuteten Urfassungen für 2 Violinen und Basso continuo nach BWV 1015): I. Dolce 03:14
• 12 Sonate A-Dur (Rekonstruktion der vermuteten Urfassungen für 2 Violinen und Basso continuo nach BWV 1015): II. Allegro 03:12
• 13 Sonate A-Dur (Rekonstruktion der vermuteten Urfassungen für 2 Violinen und Basso continuo nach BWV 1015): III. Andante un poco 02:43
• 14 Sonate A-Dur (Rekonstruktion der vermuteten Urfassungen für 2 Violinen und Basso continuo nach BWV 1015): IV. Presto 04:44
• Total Runtime 56:15

Info for Metamorphose (Bachs verlorene Triosonaten - Rekonstruktionen der vermuteten Urfassungen von BWV 1015, 1028, 1029 und 1043)

Bach‘s lost trio sonatas: As early as the 20th century, musicology found that some of Bach’s compositional structures clearly show that it is based on transcriptions. NeoBarock now makes these findings audible and presents the reconstructions of presumed original versions of the famous double concerto for two violins (BWV 1043), the violin sonata in A major (BWV 1015) and the two viola da gamba sonatas in D major and G minor (BWV 1028 and 1029). A groundbreaking new discovery in Bach’s chamber music oeuvre in the innovative interpretations of NeoBarock.

"… nothing except delight. In a substantial essay, the moving spirit of NeoBarock, Maren Ries, makes the case for the concerto version being a later adaptation, where nothing substantial is added to the doubling violin parts in the tuttis, and the viola adds only such harmonies as are implied by the bass, and indeed nothing is lost in their trio sonata version." (Early Music Review)

NeoBarock

NeoBarock
For NeoBarock historical performance is not an end in itself, a staging of past events, nor do they produce museum pieces as a musical backdrop to contemporary life. NeoBarock do not try to take today's listeners back into the Baroque era – they transpose that era's music into our present age. Based on profound knowledge of their source material, on constant research, employing exactly the kind of instruments a piece originally was written for, these readings are a conscious effort to get as close to a composer's intentions as possible, to reveal the music's timeless relevance. In thrilling, suggestive concert performances NeoBarock present rediscovered rarities or shed new light on well-known repertoire. With its unmistakable intensity of sound the ensemble is a regular guest in renowned concert halls and at important festivals. In their CD productions (honoured, amongst others, with the ECHO Klassik prize) NeoBarock repeatedly have focussed on Johann Sebastian Bach and his circle, and they have brought forgotten composers like Gottfried Heinrich Stölzel and Johann Philipp Kirnberger back to the attention of a modern audience.

»NeoBarock's musical performances are stylistically brilliant, dynamic, passionate and on the cutting edge of where Bach in the 21st century is heading.« (The Huffington Post, USA)

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