Clair de lune Menahem Pressler

• Claude Debussy (1862 - 1918): Deux Arabesques, L. 66:
• 1 No. 1 Andante con moto 05:30
• Rêverie, L. 68:
• 2 Rêverie, L. 68 05:28
• Suite bergamasque, L. 75:
• 3 3. Clair de lune 06:18
• Children's Corner, L. 113:
• 4 5. The Little Shepherd 03:19
• Préludes / Book 1, L. 117:
• 5 La plus que lente, L. 121 05:57
• Préludes / Book 1, L. 117:
• 6 1. Danseuses de Delphes 03:51
• 7 2. Voiles 05:03
• 8 8. La fille aux cheveux de lin 03:15
• 9 10. La cathédrale engloutie 07:39
• 10 12. Minstrels 02:37
• Gabriel Fauré (1845 - 1924):
• 11 Barcarolle No.6 In E Flat Major, Op.70 05:33
• Maurice Ravel (1875 - 1937):
• 12 Pavane pour une infante défunte, M. 19 07:50
• Miroirs, M. 43:
• 13 2. Oiseaux tristes 05:16
• Total Runtime 01:07:36

Info for Clair de lune

Menahem Pressler, a living legend of piano, records his first ever solo album for Deutsche Grammophon, with repertoire by Debussy, Fauré and Ravel.

An homage to French music and musicians who have played a determining role in the development of his career ever since he was awarded First Prize at the 1946 Debussy Competition in San Francisco. Menahem Pressler is a founding member and pianist of the legendary Beaux Arts Trio and has established himself among the world’s most distinguished and honored musicians, with a career that spans almost six decades.

Now, at 94 years old, he continues to captivate audiences throughout the world as performer and pedagogue, performing solo and chamber music recitals to great critical acclaim while maintaining a dedicated and robust teaching career.

The album is dedicated to Lady Annabelle Weidenfeld, who has been an essential support to his life as soloist: “I first met Annabelle when she was a young girl working for the manager of the Beaux Arts trio in London. She later moved to Madrid and often brought the trio to Spain. This recording is dedicated to her with all my love and gratitude.”

Menahem Pressler, piano

Menahem Pressler
founding member and pianist of the Beaux Arts Trio, has established himself among the world’s most distinguished and honored musicians, with a career that spans almost six decades. Now, at 89 years old, he continues to captivate audiences throughout the world as performer and pedagogue, performing solo and chamber music recitals to great critical acclaim while maintaining a dedicated and robust teaching career.

Born in Magdeburg, Germany in 1923, Pressler fled Nazi Germany in 1939 and emigrated to Israel. Pressler’s world renowned career was launched after he was awarded first prize at the Debussy International Piano Competition in San Francisco in 1946. This was followed by his successful American debut with the Philadelphia Orchestra under the baton of Maestro Eugene Ormandy. Since then, Pressler’s extensive tours of North America and Europe have included performances with the orchestras of New York, Chicago, Cleveland, Pittsburgh, Dallas, San Francisco, London, Paris, Brussels, Oslo, Helsinki and many others.

After nearly a decade of an illustrious and praised solo career, the 1955 Berkshire Music Festival saw Menahem Pressler’s debut as a chamber musician, where he appeared as pianist with the Beaux Arts Trio. This collaboration quickly established Pressler’s reputation as one of the world’s most revered chamber musicians. With Pressler at the Trio’s helm as the only pianist for nearly 55 years, The New York Times described the Beaux Arts Trio as “in a class by itself” and the Washington Post exclaimed that “since its founding more than 50 years ago, the Beaux Arts Trio has become the gold standard for trios throughout the world.” The 2007-2008 season was nothing short of bitter-sweet, as violinist Daniel Hope, cellist Antonio Meneses and Menahem Pressler took their final bows as The Beaux Arts Trio, which marked the end of one of the most celebrated and revered chamber music careers of all time. What saw the end of a one artistic legacy also witnessed the beginning of another, as Pressler continues to dazzle audiences throughout the world, both as piano soloist and collaborating chamber musician, including performances with the Juilliard, Emerson, American, and Cleveland Quartets, among many others. Of his recent solo performance in Austria, Die Presse wrote: “he struck a tone that was long believed lost already, a tone we perhaps last heard from Wilhelm Kempff.” His upcoming solo concertizing engagements include performances with the Berlin Philharmonic, the Orchestra de Paris and the Concertgebow Orchestra, among others.

For nearly 60 years, Menahem Pressler has taught on the piano faculty at the world-renowned Indiana University Jacobs School of Music where he currently holds the rank of Distinguished Professor of Music as the Charles Webb Chair. Equally as illustrious as his performing career, Professor Pressler has been hailed as “Master Pedagogue” and has had prize-winning students in all of the major international piano competitions, including the Queen Elizabeth, Busoni, Rubenstein, Leeds and VanCliburn competitions among many others. His former students grace the faculties of prestigious schools of music across the world, and have become some of the most prominent and influential artist-teachers today. In addition to teaching his private students at Indiana University, he continuously presents master classes throughout the world, and continues to serve on the jury of many major international piano competitions.

Among his numerous honors and awards, Pressler has received honorary doctorates from the Manhattan School of Music, the University of Nebraska, the San Francisco Conservatory of Music and the North Carolina School of the Arts, six Grammy nominations (including one in 2006), lifetime achievement awards from Gramophone magazine and the International Chamber Music Association, Chamber Music America’s Distinguished Service Award, the Gold Medal of Merit from the National Society of Arts and Letters. He has also been awarded the German Critics “Ehrenurkunde” award, and election into the American Academy of Arts and Sciences. In 2007 Pressler was appointed as an Honorary Fellow of the Jerusalem Academy of Music and Dance in recognition of a lifetime of performance and leadership in music. In 2005 Pressler received two additional awards of international merit: the German President’s Deutsche Bundesverdienstkreuz (German Cross of Merit) First Class, Germany’s highest honor, and France’s highest cultural honor, the Commandeur in the Order of Arts and Letters award. His more recent honors and awards include the prestigious Wigmore Medal (2011), the Menuhin Prize given by the Queen of Spain (2012), inductions into the American Classical Music and Gramophone Magazine Halls of Fame (2012), and the Music Teachers National Association Achievement Award.

In addition to recording nearly the entire piano chamber repertoire with the Beaux Arts Trio on the Philips label, Menahem Pressler has compiled over thirty solo recordings, ranging from the works of Bach to Ben Haim.

Booklet for Clair de lune