Zwischen Demut und Disco Sankt Otten

• 1 Das endgültige Scheitern der Melancholie 06:49
• 2 Der Kaffee spricht zu mir 06:44
• 3 Einmal große Ernüchterung bitte 03:43
• 4 Zwischen Demut und Disco 12:00
• 5 Die Ballade vom salonfähigen Zynismus 05:59
• 6 Wir sind die Guten 04:10
• 7 Ich habe mit der Welt noch ein Hühnchen zu rupfen 04:00
• 8 Ein bisschen Mitschuld bringt dich nicht gleich um 05:08
• 9 Der Abend ist gelaufen 14:25
• Total Runtime 01:02:58

Info for Zwischen Demut und Disco

The duo SANKT OTTEN from Osnabrueck (Germany), founded in 1999 and consisting of Stephan Otten and Oliver Klemm, releases music on Denovali since 2009. After Männerfreundschaften und Metaphysik (2016), a collaboration record with experimental guitarist „N“, Sankt Otten finally release their first new album since Engtanz Depression (2015).

Their new record starts with Das endgültige Scheitern der Melancholie (en.: the final failure of melancholy), which seems to be unfamiliar due to its euphoric mood, but also shows that Sankt Otten consequently develop their music in a sovereign way. The title track Zwischen Demut und Disco (en.: Between humility and disco) then particularly brings to the fore the duo’s admiration of analog synthesizers - timeless instrumental music without nostalgic flashbacks to the past. Warm electronica, human being and machine hand in hand, infused by an almost danceable beat who induces head-nodding.

On their LP Messias Maschine (2013) Sankt Otten already released three tracks with drum-legend JAKI LIEBEZEIT (CAN) who meanwhile passed away. While sifting old recordings an unreleased drum-recording by Liebezeit emerged. Based on that hypnotic rhythm the melancholic but driving track Wir sind die Guten (en.: we are the good ones) came into existence. Shedding some tears is surely appropriate and allowed. Sad music can make you happy.

But also friends of the more pad-oriented compositions of Sankt Otten get their money's worth. Die Ballade vom salonfähigen Zynismus (en.: the ballad on the presentable cynicism) and Ein bisschen Mitschuld bringt dich nicht gleich um (en.: a bit of complicity won't kill you) both are sugar-sweet and snuggling, but at the same time almost threatening. The album closes with the more than 14-minute long Der Abend ist gelaufen (en.: the evening is all over), where the particularly powerful but always minimal-repetitive drumplay by Stephan Otten stands out, while Oliver Klemm's typical ebow-guitar-drones bring the track to float.

The lovingly chosen track-titles are again located in aphorism, sarcasm and pun, while the musical quality of the tracks is also absolutely homogen. It’s not easy to highlight particular tracks but one could fall in love with each of them. Altogether a jewel for admirers of the 80’s sounds and German electronic music. Zwischen Demut und Disco (en.: Between humility and disco) is the holy trinity of krautrock, ambient and contemporary electronics, but always stylistically confident and unmistakeably Sankt Otten.

Sankt Otten:
Stephan Otten, drums, keyboards, programming
Oliver Klemm, guitar, keyboards

Sankt Otten
In 1999, Stefan Otten founded the band together with Carsten Sandkämper. Shortly after the band's formation, the first 12" EP, "Stille Tage im Klischee," was released on "Eleganz" in 1999, followed by the first CD release, "Eine kleine Traurigkeit," that same year.

After Sandkämper left the band in 2001, guitarist and keyboardist Oliver Klemm joined the band.

Sankt Otten quickly gained a foothold in the small but globally active electronic music scene and released numerous albums. After switching from the "Eleganz" label to "Hidden Shoal Recordings," the band released a total of eight albums on "Denovali Records" from 2009 to 2020. The releases feature elaborate graphics and, to a certain extent, a corporate design. In addition to CDs, Sankt Otten places particular emphasis on the elaborate vinyl editions of their albums. With colored vinyl and audiophile-quality 180-gram weight, these limited editions reach an international audience. A collaboration between Klemm and "CAN" drummer Jaki Liebezeit on Phillip Boa & the Voodooclub led to the legendary Kraut-Rock drummer being invited as a guest musician for the 2013 album "Messias Maschine."

This album contains no booklet.