Where Stories End (Remastered 2022) Darkwater

• 1 Breathe (Remastered 2022) 04:37
• 2 Why I Bleed (Remastered 2022) 08:14
• 3 Into the Cold (Remastered 2022) 06:31
• 4 A Fools Utopia (Remastered 2022) 05:44
• 5 Queen of the Night (Remastered 2022) 06:13
• 6 In the Blink of an Eye (Remastered 2022) 06:12
• 7 Fields of Sorrow (Remastered 2022) 06:38
• 8 Without a Sound (Remastered 2022) 06:50
• 9 Walls of Deception (Remastered 2022) 06:51
• Total Runtime 57:50

Info for Where Stories End (Remastered 2022)

The second album from the melodic progressive metal band Darkwater. Mixed and mastered by Fredrik Nordström and Henrik Udd (In Flames, Hammerfall, Dimmu Borgir) at Studio Fredman. “Where Stories End” is a master piece of melodic progressive metal, and will not leave any fans of the band or the genre disappointed.

Darkwater was formed late 2003 in the western parts of Sweden. During the first years of existence they only did a few selected shows in Sweden while working on the material for their debut album. During summer and fall 2006, Darkwater recorded and mixed the album, and early 2007 a deal was inked with the Swedish label Ulterium Records.

“Calling the earth to witness” was released in May 2007 and received extremely good reviews from all around the world. Darkwater’s perfect blend of melodic and progressive metal was something the scene was craving for, and while taking inspiration from bands like Symphony X, Dream Theater and Evergrey, Darkwater have for sure created a sound of their own.

In May 2008 Darkwater recorded and released a music video for the track “The play II” and in June they went did their first show in the US, at the Bay Area Rock Fest together with Liquid Tension Experiment, Jeff Scott Soto among others.

During 2009 the band parted ways with their bass player Karl Wassholm, and stepping in as bass player for the band is Simon Andersson [ex. Pain of Salvation].

In April 2010 Darkwater started to record their new album “Where stories end”. The famous Studio Fredman was chosen for the mix and mastering of the album, and during summer the album was completed. The band also recorded a music video for the opening track of the album “Breathe”.

With all the great reviews and response for their debut album, Darkwater surely felt some pressure to produce a great follow-up album, which they managed to do without any doubts.

“Where Stories End” is a master piece of melodic progressive metal, and will not leave any fans of the band or the genre disappointed.

Henrik Båth, vocals, guitar
Markus Sigfridsson, lead guitars
Magnus Holmberg, keyboards
Karl Wassholm, bass
Tobias Enbert, drums

Digitally remastered by Jacob Hansen (Evergrey, Volbeat, Amaranthe)

Darkwater
are a progressive metal quintet from Sweden whose intensely melodic signature is given form in intricate, hooky compositions, though the soaring clear tenor vocals of guitarist Henrik Båth have always set them apart from their European peers. Darkwater records only sporadically; they labor over what ends up on albums for years -- the gap between the acclaimed Where Stories End and Human was nearly a decade. Their twin guitar- and keyboard-driven attack is lush, balancing heaviness with an orchestral sense of drama more often than not.

Darkwater formed in 2003 in western Sweden. Its membership -- Båth, vocals/guitars; Magnus Holmberg, keyboards; Markus Sigfridsson, guitars; Tobias Enbert, drums; Karl Wassholm, bass -- spent four years together experimenting with and establishing a sound, playing only a few select shows in Sweden. Toward the end of 2006, they began writing and arranging the material that would end up on their 2007 debut offering, Calling the Earth to Witness, a self-funded effort that they offered to Sweden's prestigious metal label Ulterium Records. The label dropped four subsequent singles from the album, spreading the band's reputation at home and in the rest of Europe.

Released in May, the set received universally positive reviews, and the outfit's seamless meld of harmonic and progressive metal was something the European scene was craving. Darkwater took inspiration from American bands such as Dream Theater, Symphony X, and Gothenburg's Evergrey, but created a balanced sound uniquely and distinctly their own. In addition to playing shows across Europe in support of the album, Darkwater recorded and released a music video for the track "The Play II" and in June left home for their first North American gig at the Bay Area Rock Fest, sharing a stage with Liquid Tension Experiment, Jeff Scott Soto, and others.

Wassholm left the band in 2009 and was replaced by ex-Pain of Salvation bassist Simon Andersson. Between April and September of 2010 Darkwater recorded, mixed, and mastered the full-length Where Stories End, and produced a music video for opening track and first single, "Breathe." The album leaned hard on progressive sounds without sacrificing their particular brand of heaviness. It garnered even better reviews than its predecessor and provided the band with more opportunities to tour -- which they did like road dogs; they spent years traveling with only short breaks between stints. In September 2011, Darkwater participated in the 12th edition of ProgPower USA and toured the country afterwards before going on to the U.K., where they wowed audiences, sharing stages with Opeth and Amaranthe.

In the spring of 2013, Darkwater announced they were writing their third album, which they anticipated would be released in 2015. Creative and practical delays, the band's trademark creative stubbornness, tours, and personal issues saw that deadline come and go several times. It took until the beginning of 2019 for album number three to come to fruition. Titled Human, the self-produced set offered songs at once heavier, even more melodic, and multi-dimensionally atmospheric than ever before. Its ten tracks (that clock in at over 76 minutes) were mixed and mastered by Jacob Hansen (Volbeat, Amaranthe). Human was released by Ulterium at the beginning of March, nearly a decade after Where Stories End. The band hit the road for a world tour upon the record's release. (Thom Jurek, AMG)

This album contains no booklet.