Mahler Lieder Bernarda Fink and Raphaël Pichon

• 1 Im Lenz 02:50
• 2 Winterlied 03:25
• 3 Ablösung im Sommer 01:59
• 4 I. Wenn mein Schatz Hochzeit macht 03:59
• 5 II. Ging heut' morgen über's Feld 03:49
• 6 III. Ich hab' ein glühend Messer 03:07
• 7 IV. Die zwei blauen Augen 05:00
• 8 Wo die schönen Trompeten blasen 06:49
• 9 Nicht wiedersehen! 04:36
• 10 I. Nun will die Sonn' so hell aufgehn 05:48
• 11 II. Nun seh' ich wohl, warum so dunkle Flammen 04:51
• 12 III. Wenn dein Mütterlein 04:44
• 13 IV. Oft denk' ich, sie sind nur ausgegangen 02:45
• 14 V. In diesem Wetter 06:29
• 15 Frühlingsmorgen 01:56
• 16 Ich atmet' einen linden Duft 02:27
• 17 Liebst du um Schönheit 02:11
• 18 Um Mitternacht 05:19
• 19 Ich bin der Welt abhanden gekommen 05:48
• Total Runtime 01:17:52

Info for Mahler Lieder

Can one really grasp the whole of Mahler’s symphonic output without knowing his songs? Not only do they extensively irrigate the first four symphonies, often known as „Wunderhorn symphonies“; they also encapsulate the fundamental principles of his worldview. Bernarda Fink explores the Mahler cycles from three different angles: the traditional format with piano naturally has its counterpart in the orchestral song, culminating in the Kindertotenlieder and the Rückertlieder, but this album also offers the opportunity to hear the chamber ʻreductionsʼ of the Lieder eines fahrenden Gesellen made by Schoenberg for the Association for Private Musical Performances in Vienna.

'Fink can adopt a variety of vocal 'faces', from ingénue to earthy, digging into her chest voice with an intensity that is both visceral and anguished... these performances are idiomatic and thrilling.' (The Sunday Times)

Bernarda Fink, mezzo-soprano
Anthony Spiri, piano (tracks 1-3, 9, 15, 17-18)
Gustav Mahler-Ensemble (tracks 4-7)
Tonkünstler-Orchester Niederösterreich (tracks 8, 10-14, 16, 19)
Andrés Orozco-Estrada, conductor

Bernarda Fink
Born in Buenos Aires, mezzo-soprano Bernarda Fink studied at the Arts Institute of the Teatro Colón. In 1985, she won Argentina’s New Lyric Voices prize and moved to Europe. Fink has sung with the Vienna Philharmonic Orchestra, the Berlin Philharmonic Orchestra, the Bavarian Radio Symphony Orchestra, the London Philharmonic, the Chamber Orchestra of Europe, the Dresden Staatskapelle and the Cleveland Orchestra under the direction of such conductors as Sir John Eliot Gardiner, Nikolaus Harnoncourt, René Jacobs, Sir Neville Marriner, Riccardo Muti and Sir Simon Rattle. She has appeared in opera productions throughout Europe and at the Teatro Colón. In 2002, Fink won a Grammy Award for her solos in the St Matthew Passion recorded under Nikolaus Harnoncourt. She sang the arias from the first chorus with the Royal Concertgebouw Orchestra in the March 2008 Passion performances with Iván Fischer. She gave a 2002 solo performance with the orchestra in Falla’s El amor brujo conducted by Mariss Jansons.



Anthony Spiri
is one of the most versatile and highly-regarded among today's lied accompanists, chamber music pianists and solists. Born in the USA, he studied in Cleveland and Boston until a grant enabled him to continue his training in Europe. He obtained his diploma with special distinction from the 'Mozarteum' in Salzburg. Among his teachers, Erika Frieser, Hans Leygraf, Rudolf Firkusny, Erik Werba and Nikaolaus Harnoncourt were the most influential. Anthony Spiri's repertoire extends from the17th the 21st century and includes many unusual and lesser-known compositions. Spiri has given world premieres of compositions by Sofia Gubaidulina, Rainer Bishof, York Höller, Wolfgang Rihm, and other prominent composers of our time.

He has performed with many of today's most prominent singers and instrumentalists. Among his regular Lied partners have been Bernarda Fink, Edith Mathis, Peter Schreier, Marjana Lipovsek, and Angelika Kirchschlager. His chamber music partners include some of today's most prominent instrumentalists and ensembles (the Ensemble Wien-Berlin, Gidon Kremer, and the Hagen Quartet for example). As soloist he has appeared with the Chamber of Orchestra of Europe, the Mozarteum Orchestra Salzburg, the Camerata Academica Salzburg, the Basel Chamber Orchestra and many other orchestras.

His extensive recording catalogue spans numerous labels: harmonia mundi, cpo, Orfeo, OehmsClassics, BMG and Camerata Tokyo among others. Notable is the continuing series of CDs with works by Johann Sebastian, Johann Christian, Wilhelm Friedemann and Carl Philip Emanuel Bach, in which his many years of experience with historical instruments – harpsichord, fortepiano and organ – show to best advantage. Alfredo Casella's piano concerto 'Scarlattiana', piano works by Eduard Marxsen, Gabriel Fauré and J. S. Bach, songs of Schumann, Schubert, Strauss and Joseph Marx.

In addition to publications concerning Alessandro Scarlatti and the sons of J. S. Bach, he is also engaged in researching the nature of Ancient Roman music and the performance practice of Gregorian chant. From 1988 to 1993 he acted as teaching assistant to Nikolaus Harnoncourt. Since 2001 has been professor of piano chamber music at the Musikhochschule in Cologne. He gives master classes and lectures worldwide.

Booklet for Mahler Lieder