I Robot (Remastered) The Alan Parsons Project

• 1 I Robot 06:02
• 2 I Wouldn't Want to Be Like You 03:23
• 3 Some Other Time 04:06
• 4 Breakdown 03:50
• 5 Don't Let It Show 04:26
• 6 The Voice 05:25
• 7 Nucleus 03:31
• 8 Day After Day (The Show Must Go On) 03:49
• 9 Total Eclipse 03:09
• 10 Genesis Ch.1. V.32 03:31
• Total Runtime 41:12

Info for I Robot (Remastered)

Perfectionism, Innovation, Complexities, and Reference-Grade Production Make Alan Parsons Project's Conceptual I Robot a Timeless Classic: Sci-Fi Arrangements Steeped In Drama and Moodiness

Mastered from the original master tapes, I Robot comes to life like never before on this numbered limited-edition reissue. Boasting immaculate highs and lows, generous spaciousness, and see-through transparency that takes you into the studio with Parsons and creative partner Eric Woolfson at Abbey Road, this superlative edition has been lovingly restored with the intention of demonstrating the full-range capabilities of the world's best stereo systems. Put simply, there's more music, more information, more detail, more nuance, more everything.

Savor reference-grade soundstages, immersive smoothness, sought-after instrumental separation, three-dimensional imaging, and consummate tonal balances. Able to be played back at high volumes without compromise or fatigue, this album is a demonstration disc for the ages – the likes of which are no longer being made.

Inspired by and loosely based around the Isaac Asimov stories of the same name, I Robot delves into themes of artificial intelligence and technological dominance that make the record increasingly relevant in the 21st century. Lyrically, songs such as "The Voice" call into question human behavior – and their relationship to increasing robotic supremacy – in everyday life. Sonically, Parsons reflects the associated paranoia, dichotomy, and transformation via shifting sci-fi arrangements steeped in drama and moodiness.

I Robot's absorbing tunes also continue to fascinate due to their perfectionism and innovation. Borrowing from Pink Floyd's strategies, Parsons utilizes a looped sequence on the title track to create new downbeats. "Some Other Time" employs two different lead vocalists and yet gives the illusion only one is involved. Captivating strings, a piccolo trumpet, and bona fide pipe organ grace "Don't Let It Show." The origins of "Nucleus" stem from a unique analog keyboard concoction dubbed "the Projectron," devised by Parsons and electronic engineer Keith Johnson. Andrew Powell's orchestral and choral arrangements top it all off, with "Total Eclipse" arriving as an aptly frightening track that presages the climactic "Genesis Ch. 1 V. 32."

„Alan Parsons delivered a detailed blueprint for his Project on their 1975 debut, Tales of Mystery and Imagination, but it was on its 1977 follow-up, I Robot, that the outfit reached its true potential. Borrowing not just its title but concept from Isaac Asimov's classic sci-fi Robot trilogy, this album explores many of the philosophies regarding artificial intelligence -- will it overtake man, what does it mean to be man, what responsibilities do mechanical beings have to their creators, and so on and so forth -- with enough knotty intelligence to make it a seminal text of late-'70s geeks, and while it is also true that appreciating I Robot does require a love of either sci-fi or art rock, it is also true that sci-fi art rock never came any better than this. Compare it to Jeff Wayne's War of the Worlds, released just a year after this and demonstrating some clear influence from Parsons: that flirts voraciously with camp, but this, for all of its pomp and circumstance, for all of its overblown arrangements, this is music that's played deadly serious. Even when the vocal choirs pile up at the end of "Breakdown" or when the Project delves into some tight, glossy white funk on "The Voice," complete with punctuations from robotic voices and whining slide guitars, there isn't much sense of fun, but there is a sense of mystery and a sense of drama that can be very absorbing if you're prepared to give yourself over to it. The most fascinating thing about the album is that the music is restless, shifting from mood to mood within the course of a song, but unlike some art pop there is attention paid to hooks -- most notably, of course, on the hit "I Wouldn't Want to Be Like You," a tense, paranoid neo-disco rocker that was the APP's breakthrough. It's also the closest thing to a concise pop song here -- other tunes have plenty of hooks, but they change their tempo and feel quickly, which is what makes this an art rock album instead of a pop album. And while that may not snare in listeners who love the hit (they should turn to Eye in the Sky instead, the Project's one true pop album), that sense of melody when married to the artistic restlessness and geeky sensibility makes for a unique, compelling album and the one record that truly captures mind and spirit of the Alan Parsons Project.“ (Stephen Thomas Erlewine, AMG)

Alan Parsons, vocals, guitar, vocoder
David Paton, vocals, guitar, bass
Ian Bairnson, vocals, guitar
Eric Woolfson, vocals, keyboards
Stuart Tosh, vocals, drums, percussion
Allan Clarke, vocals
Steve Harley, vocals
Jack Harris, vocals
Jaki Whitren, vocals
Dave Townsend, vocals
Lenny Zakatek, vocals
B.J. Cole, steel guitar
Duncan McKay, keyboards
John Leach, cimbalom, kantele
Hilary Wetern, background vocals
Smokey Parsons, background vocals
Tony Rivers, background vocals
John Perry, background vocals
Stuart Calver, background vocals
The English Choral
The New Philharmonia Chorus

Recorded December 1976 – March 1977 at Abbey Road Studios, London, England
Produced by Alan Parsons

Digitally remastered

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This album contains no booklet.