Concerto Köln & Pablo Heras-Casado feat. Bejun Mehta
Biography Concerto Köln & Pablo Heras-Casado feat. Bejun Mehta
Concerto Köln (COK)
For more than 25 years Concerto Köln has been one of the leading ensembles in the field of historical performance. Their energetic style of playing has earned them great popularity and regular invitations to appear in renowned concert halls and at festivals around the globe. Markus Hoffmann, Mayumi Hirasaki and Shunske Sato are the orchestra’s permanent concertmasters, with Martin Sandhoff as artistic director since 2005. A partnership with the leading High End Audio specialists, MBL, was established in October of 2009 . The ensemble receives additional support from the Minister for Family, Children, Youth, Culture and Sport of the State of North-Rhine Westphalia and the TÜV Rheinland. Since 2008 Concerto Köln and the Berlin Classics label have been working closely together. Their recording of Henri-Joseph Rigel’s Symphonies won an Echo Klassik Award in 2009 and the MI- DEM Classic Award in 2010.
With numerous works having been released earlier on other labels, Concerto Köln’s discography now extends to more than 60 albums, many of which have collected prizes such as the Echo Klassik, the Grammy Award, the German Record Critics’ “Preis der Deutschen Schallplattenkritik”, the MIDEM Classic Award, Choc du Monde de la Musique, Diapason d’Année and the Diapason d’ Or.
A trademark of the ensemble is the rediscovery of composers whose music has remained in the shadows of greater names. Henri- Joseph Rigel is not the only beneficiary of Concerto Köln’s efforts in this regard. Works by Joseph Martin Kraus and Evaristo Felice dall’Abaco have also enjoyed a Renaissance. The intermeshing of research and practice is especially important for the ensemble and plays a vital role in their musical approach. With this recording of the Brandenburg Concertos, Concerto Köln draws an arc to their 2010 release of Bach‘s Orchestral Suites. The reference to the Hofkapelle in Köthen acts as the golden thread bonding the two recordings. A special thank you goes out to the Kunststiftung NRW and to Deutschlandfunk whose help and support was fundamental in the realization of these projects.
