Marc Johnson & Eliane Elias
Biography Marc Johnson & Eliane Elias
Eliane Elias
Born in São Paulo, Brazil, Elias’ musical talents began to show at an early age. She started studying piano at age seven and at age 12 was transcribing solos from the great jazz masters. By the time she was 15, she was teaching piano and improvisation at one of Brazil’s most prestigious schools of music, CLAM. Her performing career began in Brazil at age 17, working with Brazilian singer/songwriter Toquinho and the great poet Vinicius de Moraes, who was also Antonio Carlos Jobim’s co-writer/lyricist. In 1981, she headed for New York and in 1982 landed a spot in the acclaimed group Steps Ahead. Her first solo album release was a collaboration with Randy Brecker in 1984 entitled Amanda. Shortly thereafter her solo career began, spanning 28 albums to date with the release of Love Stories. In her work, Elias has documented dozens of her own compositions, her outstanding piano playing and arranging and beautiful vocal interpretations. She started winning polls in 1988 when she was voted Best New Talent in Jazziz magazine Critic’s Poll.
Together with Herbie Hancock, she was nominated for a GRAMMY® in the Best Jazz Solo Performance category for her 1995 release Solos and Duets. This recording was hailed by Musician magazine as “a landmark in piano duo history.” In the 1997 DownBeat Readers Poll, her recording The Three Americas was voted Best Jazz Album. Elias was also named in five other categories: Beyond Musician, Best Composer, Jazz Pianist, Female Vocalist and Musician of the Year. Considered one of the great interpreters of Jobim’s music, Elias has recorded two albums solely dedicated to the works of the composer: Plays Jobim and Sings Jobim. Her 1998 release Eliane Elias Sings Jobim won Best Vocal Album in Japan, was the number one record on Japan’s charts for over three months and was awarded Best Brazilian Album in the Jazziz Critics Poll. Both of these albums are a part of Elias’ catalogue of fourteen Blue Note Records recordings.
Moreover, as a testament to the quality of her writing, the renowned Danish Radio Big Band has performed and recorded Elias’ compositions, arranged and conducted by the legendary Bob Brookmeyer. The CD recording of this project, entitled Impulsive, received a GRAMMY® nomination for Best Large Jazz Ensemble Album in 2001.That same year, Calle 54, the highly acclaimed documentary film by Oscar-winning Spanish director Fernando Trueba, featured Elias’ performance of “Samba Triste” and also received a GRAMMY® nomination for Best Latin Jazz Album.
On the Classical Side, recorded in 1993, demonstrated Elias’ classical skills with a program of Bach, Ravel and Villa Lobos. In 2002, Elias recorded with opera sensation Denyce Graves. For this recording, The Lost Days, she arranged two Brazilian classical pieces and wrote an original classical composition especially for Graves titled “Haabiá-Tupi.”
In 2002, Elias signed to the RCA Music Group/Bluebird label and released Kissed by Nature, an album consisting of mostly original compositions. Dreamer, her second recording for the label (released in 2004), was a fresh mix of tunes from the Great American Songbook, Brazilian bossa novas and two new originals, sung in English and Portuguese and supported by a full orchestra. Dreamer received the Gold Disc Award and was voted Best Vocal Album in Japan. It reached number 3 on the pop charts in France and number 4 on the Billboard charts in the U.S. Elias’ Around the City, released on RCA Victor in 2006, merges bits of bossa nova with shades of pop, jazz, Latin and even rock ’n’ roll. Around the City features Elias’ vocals and songwriting in collaborations with producers Andres Levin and Lester Mendez, as well as fresh takes on pop classics such as Tito Puente’s “Oye Como Va” and Bob Marley’s “Jammin’.” Elias returned to Blue Note/EMI in 2007 with Something for You, a tribute to the music of pianist Bill Evans. While touching the essence of the pianist/composer, she also brings her own unique gifts to the surface, as a composer, interpreter, outstanding instrumentalist and beguiling vocalist. This release won Best Vocal Album of the Year and the Gold Disc Award in Japan. This is also the third consecutive recording of Elias to receive these awards and her fourth overall. Something for You reached number 1 on the U.S. Jazz Radio charts, number 8 on Billboard and number 2 on the French jazz charts.
2008 marked the 50th anniversary of the birth of bossa nova. In celebration of this event, Elias recorded Bossa Nova Stories, featuring some of the landmark songs of Brazil with American classic and pop standards, exquisitely performed as only she can, with lush romantic vocals and exciting playing accompanied by a top-notch rhythm section and strings recorded at Abbey Road Studios in London. Destined to become a classic, Bossa Nova Stories achieved the following: number 1 on the French charts (2008), number 1 Vocal Album from Swing Journal in Japan (May-June 2008), number 1 iTunes Top Jazz Album (January 2009), number iTunes Top Latin Album (January 2009) and number 2 debut on Billboard’s Overall and Top Jazz Charts (January 2009). Bossa Nova Stories was also nominated by the Brazilian GRAMMYs (20th Prêmio da Música Brasileira, 2009) for Best Foreign Album.
In 2010, Blue Note Records and EMI Japan released Eliane Elias Plays Live, an all-instrumental trio album with bassist Marc Johnson and drummer Joey Baron of a live concert recorded in Amsterdam on May 31, 2002. This performance demonstrates modern jazz trio playing at the highest level and spotlights Elias’ inventiveness and command of the instrument on a collection of jazz standards and one original.
Light My Fire, released May 31, 2011, was the first album she recorded for Concord Records. It featured four compositions by Elias as well as covers of familiar works by songwriters as diverse as Jim Morrison and the Doors, pop icon Stevie Wonder and jazz saxophonist Paul Desmond. Backing Elias was a crew of 12 high-caliber players, including Brazilian icon, guitarist/vocalist Gilberto Gil and trumpeter Randy Brecker. On Light My Fire, Elias wore many hats—as singer, pianist, composer, arranger and producer. In September 2011, her song “What About the Heart (Bate Bate)” was nominated for a Latin GRAMMY® in the category of Best Brazilian Song.
On May 28, 2013, Concord Jazz presented Elias’ I Thought About You (A Tribute to Chet Baker), an album that offered her personalized spin on the work of a key American jazz artist while spotlighting her connection to the singer-instrumentalist tradition.
Long known for her native feel of Brazilian music, I Thought About You truly confirmed Elias’ expertise as an interpreter of American standards. In addition to receiving glowing critical praise, I Thought About You reached number 1 album in the U.S. and France in sales on Amazon.com, number 2 on iTunes in several countries including the U.S., France and Brazil, number 4 on Billboard’s jazz charts and top jazz radio charts.
Made in Brazil, released on March 31, 2015, on Concord Jazz, brought Elias her first GRAMMY® win in the category of Best Latin Jazz Album in 2016, after seven previous GRAMMY® nominations. In her long career as a solo artist, it results from the first time she’s recorded a disc in her native Brazil since moving to the United States in 1981.
It marked a musical homecoming for Elias. Her following album, Dance of Time, which debuted at number 1 on two Billboard charts, the iTunes Jazz Albums chart and the Amazon.com Brazilian and Latin Jazz charts, was also recorded in Elias’ homeland and took home a Latin GRAMMY® for Best Latin Jazz/Jazz Album.
On April 13, 2018, Elias followed up those wins with the all-instrumental Music from Man of La Mancha, also via Concord Jazz. Featuring nine individualized interpretations of songs composed by the late Mitch Leigh for the legendary 1960s Broadway musical Man of La Mancha, it was a project Elias undertook in 1995 that was waiting for it’s release having been stymied by past contractual issues.
Leigh himself tracked down Elias after hearing her ingenius arrangements of Jobim’s music and commissioned her to arrange and produce the recording. Honored by the offer, she accepted and recruited two different all-star trios — one featuring bassist Eddie Gomez and drummer Jack DeJohnette and the other Marc Johnson on bass and Satoshi Takeishi on drums, with Manolo Badrena joining on percussion. This album also reached the #1 position on the Billboard Jazz Charts and on iTunes in several countries.
In review of Elias’ unique gifts as a pianist, singer, composer and arranger as well as melding her immense talents in jazz, pop, classical and Brazilian music, the New York Times has described Elias’ live concert as “a celebration of the vitality of a culture overflowing with life and natural beauty” and Jazziz magazine has called her, “a citizen of the world” and “an artist beyond category.”
Elias’ intoxicating vocals emote the ambient calm of a forest after a soft rain; her vibrancy is a force unto itself. With powerful artistry, her naturally prodigious talent is even stronger as the years pass—a feat capable only by the true elites of the musical world.” ***** – DownBeat
“Love Stories is both substantial and relatable. The mood it creates and the place it takes you to are like a vacation you wish would never end.” ****1/2 – All About Jazz
“Eliane Elias is one of the queens of making the most out of less as she keeps it soft, simple and sotto on this orchestral album tribute to the classic summit meeting between Frank Sinatra and Antonio Carlos Jobim…Songs and moods that are tall, tan, young and lovely.” – Jazz Weekly
“The Brazilian pianist and singer Eliane Elias commands the keyboard with a forceful two-handed muscularity that belies her image as a blond older sister of the mythical Girl From Ipanema. The more percussive her pianism becomes, the more she opens up a song and reimagines it in what might be called a romantic carnival groove.” – The New York Times
“… what distinguishes Elias as one of today’s leading bossa nova interpreters is her superb musicianship, the way she floats above the rhythm and meshes her vocals with her robust jazz piano accompaniment. *****” – Associated Press
“Elias’ strength’s as a jazz artist, combined with her roots in São Paulo, make her one of the most impressive interpreters of jazz-linked bossa novas, sambas and choros…” – Los Angeles Times
“Eliane Elias is of a generation of aggressive pianists who attack music like a lioness attacking its prey, at the same time expressing a tenderness within the core of her passion that at times has brought me to tears.” – Herbie Hancock
