Into the Great Wide Yonder Trentemøller

Album info

Album-Release:
2010

HRA-Release:
03.03.2021

Label: In My Room

Genre: Electronic

Subgenre: Ambient

Artist: Trentemøller

Album including Album cover

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Formats & Prices

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FLAC 44.1 $ 8.80
  • 1 The Mash and the Fury 06:57
  • 2 Sycamore Feeling 06:02
  • 3 Past the Beginning of the End 06:17
  • 4 Shades of Marble 05:50
  • 5 ... Even Though You're with Another Girl 04:49
  • 6 Häxan 05:10
  • 7 Metamorphis 02:04
  • 8 Silver Surfer, Ghost Rider Go!!! 04:20
  • 9 Neverglade 04:29
  • 10 Tide 07:44
  • Total Runtime 53:42

Info for Into the Great Wide Yonder

Verglichen mit dem innigen, elektronisch stimmungsvollen Sound von "The Last Resort" verströmen die zehn Tracks des neuen Albums eine eher mystische und dramatische Atmosphäre mit viel Dynamik, verzerrten, treibenden Twang-Gitarren, echtem und elektronischem Schlagzeug vermischt mit eindringlichen Synthesizer-Sounds. Mit "Into The Great Wide Yonder" erforscht Trentemøller neue stimmungsvolle und atmosphärisch geladene Universen und beweist sein Gespür für lebendige Soundlandschaften. Der dänische Multi-Instrumentalist und Produzent legt ein ungeahntes Talent an den Tag, Sänger zu finden, die der Stimmung seiner Songs gerecht werden. Es gelingt ihnen, ihren eigenen Sound und Stil in das Album einzubringen, während ihr Gesang perfekt mit den atmosphärischen Songs von Trentemøller verschmilzt. "Into The Great Wide Yonder" ist ein Album, das immer mehr wächst und sich mit jedem Track heimlich unter die Haut des Zuhörers schleicht.

Trentemøller




Trentemøller
Copenhagen based musician Anders Trentemøller´s talent for heart wrenching melodic moments and exceptional productions, fused with his trademark sound somewhere between indie and electronic, has established him as one of the most respected and admired artists and remixers of this century. In 2006, following a line of 12” electronic EPs, Trentemøller released his groundbreaking debut album ‘The Last Resort’. High placements in several polls for best album of the year followed and established his name to a much broader audience.

In 2007 Trentemøller assembled his first full live band and since then played almost 300 shows around the world.

After two more studio albums, ‘Into The Great Wide Yonder’ (2010) and ‘Lost’ (2013), artist-compilations (‘The Trentemøller Chronicles’ (2007), ‘Reworked/Remixed’ (2011)) and more releases like ‘Harbour Boat Trips’ (2009) or ‘Late Night Tales’ (2011)

Trentemøller is about to release his fourth album ‘Fixion’ on his own label imprint In My Room in September 2016.

With ‘Fixion’, Anders has crafted a logical successor to 2013’s ‘Lost’ - a record that in many ways managed to truly capture the visceral live experience of Trentemøller as a full-band. In much the same manner that ‘Lost’ built on from the somber cinematic classic that was ‘Into The Great Wide Yonder’, ‘Fixion’ has embraced the Danish artist’s trademark melancholy and matured it into something uniquely atmospheric and darkly romantic.

Rather than attempting to completely reinvent himself, Anders has used his latest outing as an opportunity to highlight certain granular aspects of his signature sound and refine them into a much more organic - and at times perhaps more song-driven body of work. It’s a record that on first listen may seem less detailed but, as you’ll know by now, with Trentemøller, one should never be fooled by initial impressions. It’s the kind of record that will over time repeatedly unlock new intricacies and offer the listener an opportunity to understand the work differently upon each listen.

The album is still notably driven by the producer and multi-artist’s passion for experimentation and effortlessly succeeds in transcending a swathe of influences and unassuming genres­­ - yet all the while holding true to Trentemøller’s unique, and sometimes challenging vernacular. From the cascading minimalist synth-scapes to driving electropunk, each and every track on ‘Fixion’ is bound together with a contemplative melodic complexity.

This album contains no booklet.

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