Hermitage Ron Sexsmith

• 1 Spring of the Following Year 02:51
• 2 Chateau Mermaid 02:29
• 3 Lo and Behold 02:07
• 4 Glow in the Dark Stars 04:07
• 5 Small Minded World 02:59
• 6 Winery Blues 02:30
• 7 When Love Pans Out 03:26
• 8 You Don't Wanna Hear It 03:09
• 9 Dig Nation 03:01
• 10 Whatever Shape Your Heart Is In 02:17
• 11 Apparently Au Pair 02:35
• 12 Is It or Isn't It 03:16
• 13 Morning Town 02:50
• 14 Think of You Fondly 02:14
• Total Runtime 39:51

Info for Hermitage

Im Alter von 56 Jahren machte Kanadas führender Troubadour eine ungewöhnliche Entdeckung: heimische Glückseligkeit – er war bequem geworden. Es stellte sich heraus, dass alles, was er tun musste, war, die Stadt, die er liebte zu verlassen.

Hermitage reflektiert das neue Selbstvertrauen, das Sexsmith gewonnen hat, und ist das erste Album, auf dem er beinahe alle Instrumente selbst spielte. Diese Idee stammte laut Sexsmith von Don Kerr, seinem Produzenten und langjährigen Drummer.

Das Resultat sind Songs, die das Selbstbewusstsein des Songwriters ausstrahlen – immer noch bezaubernd feinsinnig, doch mit stärkerem musikalischen Nachdruck.

"... der kanadische Songwriter Ron Sexsmith zeigt, dass anrührende Musik nicht mehr braucht, als Aufrichtigkeit, eine sympathische Stimme und ein Gespür für Melodien. (...) Großartig." (stereoplay)

Ron Sexsmith

Ron Sexsmith
At 56, Canada’s foremost well-heeled troubadour has made a most unlikely discovery: domestic bliss. All it took, it turns out, was leaving the city he loved.

Following 30 years as an emblem of Toronto’s west end, Ron Sexsmith reluctantly uprooted to the serene hamlet of Stratford, Ontario, and the melodic, playful, theatrically vivacious Hermitage came gushing out.

“Almost immediately after arriving here I just felt this kind of enormous stress cloud evaporate and all these songs started coming,” recalls Sexsmith. “I’d walk along the river every day into town and feel like Huckleberry Finn or something. It had a really great effect on my overall state of being.”

This new zen can be heard from the first moments of Kinks-esque album opener, “Spring of the Following Year,” as the serene sound of birds situate the listener into Sexsmith’s state of grace.

“We'd moved in the winter time and I was imagining how pretty it was going to be in the spring,” he explains. “We have this sort of idyllic kind of existence -- we have bunnies in the yard and are surrounded by trees on all sides, so we get tons of birds. Every morning I hear these cardinals and we had a duck in the yard; I'd never really noticed birds in Toronto.”

It’s not like he was planning to write his 16th long player as soon as he arrived, he adds. After all, Sexsmith was already quite busy turning his first novel, Deer Life, into a prospective musical. But when melodies as infectious as the Chi-Lights-inspired “You Don’t Want to Hear It” or the ear-worm inducing “Lo and Behold” entered his mind, he had to get them on record. Adding his signature mischievously astute worldplay (in “Dig Nation,” for example) to ground the album firmly in the Sexsmith oeuvre. Even the album’s title is a coy subversion of the 15 time Juno nominee’s own expectations upon arriving in Justin Bieber’s hometown. “I felt I'd reached the age where I could be a hermit finally, but it didn't really work out that way,” he laughs.

Further reflecting Sexsmith’s new confidence, Hermitage is the first album on which he played nearly all the instruments, an idea he credits to producer and longtime drummer Don Kerr. “Don said ‘Why don't you make one of those sort of Paul McCartney-type records?’ and it's like a light bulb went on over my head,” he says. “That had never occurred to me.”

The result is the songwriter’s most self-assured collection, still charmingly subtle yet increasingly full of musical vigor, as on “Chateau Mermaid,” an ode to his own Stratford Graceland, or the surprisingly hopeful “Small Minded World,” (originally penned for the Addams Family film), in which Sexsmith croons, Oh now don’t feel blue ‘cos they don’t get you, you’ll win this small minded world.

“I think it's a very upbeat album, lyrically,” he confirms. “It’s reflective of the sort of peacefulness that I'd recently felt. I'm getting more comfortable in my own skin.”

This album contains no booklet.