Vaughan Williams: Symphonies Nos. 4 & 6 London Symphony Orchestra & Antonio Pappano

• Ralph Vaughan Williams (1872 - 1958): Symphony No. 4 in F Minor:
• 1 Symphony No. 4 in F Minor: I. Allegro 08:37
• 2 Symphony No. 4 in F Minor: II. Andante moderato 09:56
• 3 Symphony No. 4 in F Minor: III. Scherzo. Allegro molto 05:19
• 4 Symphony No. 4 in F Minor: IV. Finale con epilogo fugato. Allegro molto 08:45
• Symphony No. 6 in E Minor:
• 5 Symphony No. 6 in E Minor: I. Allegro 07:39
• 6 Symphony No. 6 in E Minor: II. Moderato 09:50
• 7 Symphony No. 6 in E Minor: III. Scherzo. Allegro vivace 06:25
• 8 Symphony No. 6 in E Minor: IV. Epilogue. Moderato 11:32
• Total Runtime 01:08:03

Info for Vaughan Williams: Symphonies Nos. 4 & 6

Sir Antonio Pappano leads the London Symphony Orchestra in a pair of symphonies by Ralph Vaughan Williams that span the build-up and aftermath of the Second World War.

Throughout the Fourth Symphony Vaughan Williams channels tension and power through the music in amongst moments of light and clarity. It evokes a sense of hardship and persistence, perhaps suggesting the ever-present threat of war in the 1930s.

Written in 1947, the composer's Sixth Symphony also seems to reflect the hardships and devastation wrought by World War II. Melancholic in some movements, ferocious in others.

London Symphony Orchestra
Antonio Pappano, conductor

Antonio Pappano
Currently Music director of the Royal Opera House, Covent Garden and the Orchestra of the Accademia Nazionale di Santa Cecilia in Rome, Antonio Pappano was born in London of Italian parents. At the age of 13 he moved with his family to the United States, where he continued his studies in piano, composition and conducting. Work as a repetiteur and assistant conductor rapidly led to his engagement in theatres throughout the world: New York City Opera, Gran Teatro del Liceu (Barcelona), Frankfurt Opera, Lyric Opera of Chicago and the Bayreuth Festival, where he was assistant to Daniel Barenboim for Tristan und Isolde, Parsifal and the Der Ring des Nibelungen.

In 1987 Pappano made his debut as an opera conductor with La Bohème at Den Norske Opera in Oslo and was appointed Music Director there in 1990. During this period, he also made his conducting debuts at Covent Garden (La Bohème, June 1990), English National Opera, San Francisco Opera, Lyric Opera of Chicago, Théâtre du Châtelet and Berlin Staatsoper.

At the age of 32 Pappano was named Music Director of the Théâtre Royal de la Monnaie and remained in this post for ten years. In 1993, Pappano made a notable debut at the Vienna Staatsoper, replacing Christoph von Dohnànyi at the last minute in a new production of Wagner’s Siegfried, for which he received unanimous acclaim. He made his debut at the Metropolitan Opera, New York, in 1997 with a new production of Eugene Onegin and in 1999 at the Bayreuth Festspiele conducting a new production of Lohengrin. From 1997 – 99 he was Principal Guest Conductor of the Israel Phiharmonic Orchestra.

Pappano has also conducted the Chicago Symphony, the Philadelphia Orchestra, the Cleveland Orchestra, the Boston Symphony, the New York Philharmonic Orchestra, the London Symphony Orchestra, the Philharmonia Orchestra, the Vienna Philharmonic, the Münchner Philharmonie, the Berlin Philharmonic Orchestra, the Royal Concertgebouw Orchestra and the Orchestra de Paris.

He has recorded Don Carlo for EMI Classics (CD and DVD, which received the “Performance of Year Award” from Gramophone) as well as La Bohème, Guillaume Tell, La Rondine (awarded Best Recording of the Year by Gramophone Magazine), Il Trittico, Massenet’s Werther and Manon, Madama Butterfly, Tosca, Il Trovatore, Tristan und Isolde and the Verdi Requiem. His orchestral recordings with the orchestra of Santa Cecilia include Tchaikovsky Symphonies 4, 5 & 6 and Respighi’s Roman Trilogy, Rossini’s Stabat Mater (“Editor’s Choice Award” from Gramophone) and he has also partnered Hanna Chang, Leif Ove Andsnes and Maxim Vengerov in concerto recordings and Ian Bostridge in recital. Antonio Pappano’s Roman orchestra, the Academia di Santa Cecilia, have won Critics’ Choice at the Classical BRIT Awards for their recording of the Verdi Requiem. A more complete discography can be found on the IMG Artists website.

He was awarded ‘Artist of the Year 2000’ by Gramophone, the 2003 Olivier Award for Outstanding Achievement in Opera and the Royal Philharmonic Society Music Award 2004. In May 2012 Antonio Pappano was made a Cavaliere di Gran Croce by of the Republic of Italy. He was recently awarded the Bruno Walter prize by the Académie du Disque Lyrique in Paris.

In recent seasons, Antonio Pappano made his operatic debut at the Salzburg Festival (Don Carlo) and the Teatro alla Scala (Les Troyens) as well as new productions of Parsifal, Les Vêpres Siciliennes and Manon Lescaut at the Royal Opera House.

This coming season, he conducts both the London Symphony Orchestra and the Accademia di Santa Cecilia on tours in Europe and Japan. At the Royal Opera House, he conducts new productions of Guillaume Tell and King Roger.

In January 2012 Antonio Pappano received a Knighthood for his services to music.

Booklet for Vaughan Williams: Symphonies Nos. 4 & 6