Liszt: Transcendental Etudes Haochen Zhang

• Franz Liszt (1811 - 1886): Transcendental Études, S.139:
• 1 Liszt: Transcendental Études, S.139 - I. Preludio 00:54
• 2 Liszt: Transcendental Études, S.139 - II. Molto vivace (in A minor) 02:16
• 3 Liszt: Transcendental Études, S.139 - III. Paysage 05:30
• 4 Liszt: Transcendental Études, S.139 - IV. Mazeppa 07:14
• 5 Liszt: Transcendental Études, S.139 - V. Feux follets 03:34
• 6 Liszt: Transcendental Études, S.139 - VI. Vision 05:44
• 7 Liszt: Transcendental Études, S.139 - VII. Eroica 05:52
• 8 Liszt: Transcendental Études, S.139 - VIII. Wilde Jagd 05:01
• 9 Liszt: Transcendental Études, S.139 - IX. Ricordanza 11:50
• 10 Liszt: Transcendental Études, S.139 - X. Allegro agitato molto (in F minor) 04:47
• 11 Liszt: Transcendental Études, S.139 - XI. Harmonies du soir 08:10
• 12 Liszt: Transcendental Études, S.139 - XII. Chasse-neige 05:52
• Total Runtime 01:06:44

Info for Liszt: Transcendental Etudes

The Transcendental Études form a cycle of twelve pieces whose composition began in 1826 and was completed in 1851. Starting from the idea of an encyclopædic collection which, in the manner of Johann Sebastian Bach’s Well-Tempered Clavier, Liszt’s Transcendental Études became something of a seismograph of his compositional aesthetic, first strongly under the influence of Paganini, later more in the style of character pieces. These études are among the most difficult works ever written for the piano. Together with Chopin’s Études, they serve as a basis for piano technique, some of them already prefiguring musical impressionism, and they had a significant influence on subsequent piano music, most notably that of Debussy, Rachmaninov, Bartók, and Ligeti.

In 2009, Haochen Zhang was the youngest pianist ever to receive the Gold Medal at the Van Cliburn International Piano Competition. Since then, he has captivated audiences worldwide with a unique combination of deep musical sensitivity, fearless imagination and spectacular virtuosity. After two releases devoted to concertos (Prokofiev and Tchaikovsky, BIS-2381 and Beethoven, BIS-2581), Zhang returns to the solo recital with this disc devoted to some of the most important works in the repertoire of modern pianists.

Haochen Zhang, piano

Haochen Zhang
Since his gold medal win at the Thirteenth Van Cliburn International Piano Competition in 2009, 26-year-old Chinese pianist Haochen Zhang has captivated audiences in the United States, Europe, and Asia with a unique combination of deep musical sensitivity, fearless imagination and spectacular virtuosity.

He has already appeared with many of the world’s leading festivals and concert series and following his performance of Liszt Concerto No. 1 at the BBC Proms with Yu Long and the China Philharmonic received rave reviews: ‘He made the Allegretto dance with Mendelssohnian lightness and Lisztian diablerie, and played the melody of the Quasi Adagio with melting softness.’ Ivan Hewitt, The Telegraph.

A popular guest soloist for many orchestras in his native China, Haochen made his debut in Munich with the Munich Philharmonic and the late maestro Lorin Maazel in April 2013, preceding their sold-out tour. Haochen has also toured in China with the Sydney Symphony and David Robertson, in Tokyo, Beijing and Shanghai with the NDR Hamburg and Thomas Hengelbrock and following a performance in December 2014 with Valery Gergiev and the Mariinsky Orchestra in Beijing, Mo. Gergiev immediately invited him to his Easter Festival in Moscow, Russia.

Highlights of the 16/17 season include a new recital CD, to be released by BIS in February, which includes works of Schumann, Brahms, Janacek and Liszt; extensive recital and concerto tours in Asia with performances in China, Hong Kong and Japan; return engagements with Philadelphia Orchestra, Osaka Philharmonic, Singapore Symphony and the Pacific Symphony Orchestra. Haochen will also give recitals in San Francisco, Palma de Malloca, Imola, Helsingborg, among others. He makes his debuts with the RTV Slovenia and Asturias Symphony Orchestras, and will tour Europe with the Hangzhou Philharmonic Orchestra having been their resident artist in the previous season.

In past seasons, Haochen Zhang has performed with the Philadelphia Orchestra, Munich Philharmonic, San Francisco Symphony, LA Philharmonic, Pacific Symphony, Kansas City Symphony, Seattle Symphony, Israel Philharmonic, Sydney Symphony, London Symphony, Japan Philharmonic Singapore Symphony and Hong Kong Philharmonic orchestras. In recital he has performed at Spivey Hall, La Jolla Music Society, Celebrity Series of Boston, CU Artist Series, Cliburn Concerts, Krannert Center, Wolf Trap Discovery Series, Lied Center of Kansas and UVM Lane Series, among others. International tours have taken him to cities including Beijing, Hong Kong, Tokyo, Tel Aviv, Berlin, Munich, Paris, Dresden, Rome, Tivoli, Verbier, Montpellier, Helsingborg, Bogota and Belgrade. Haochen is also an avid chamber musician, collaborating with colleagues such as the Shanghai String Quartet, Benjamin Beilman and is frequently invited by chamber music festivals in the US.

Haochen’s performances at the Cliburn Competition were released to critical acclaim by Harmonia Mundi in 2009. He is also featured in Peter Rosen’s award-winning documentary chronicling the 2009 Cliburn Competition, A Surprise in Texas. His complete competition performances are available on www.cliburn.tv.

Haochen is a graduate of the Curtis Institute of Music in Philadelphia where he studied under Gary Graffman. He was previously trained at the Shanghai Conservatory of Music and the Shenzhen Arts School, where he was admitted in 2001 at the age of 11 to study with Professor Dan Zhaoyi.

Booklet for Liszt: Transcendental Etudes