Expectation and Experience Shawn Maxwell

• 1 Expectation 01:39
• 2 J.C. Jones 03:10
• 3 Empty Shelf 03:46
• 4 Quiet House 04:10
• 5 The Great Divide 03:35
• 6 Feeling Remote 03:38
• 7 Breathe 02:17
• 8 A Change of Climate 01:06
• 9 Alternative Facts 04:17
• 10 Every Day Is Monday 01:42
• 11 No Peace Without Justice 02:48
• 12 The Show Can't Go On 02:20
• 13 Empty Stage 01:19
• 14 Six Hundred 02:39
• 15 Lockdown 03:00
• 16 The New Abnormal 03:15
• 17 Experience 01:24
• Total Runtime 46:05

Info for Expectation and Experience

Seventeen compositions written during a global pandemic. Recorded remotely – thirty musicians, individually, most in their own homes. A lot happened during this year, personally, professionally, nationally, globally. This music represents my thoughts on and reactions to these events: 2020 in hindsight.

Chicago-based saxophone composer Shawn Maxwell did what many artists do to cope.

He created, reflecting an inner and outer world in turmoil, reaching for happiness and hope regardless, holding onto moments that distracted from, hyper-focused on, and despaired the consequences of this one life on this one lonely planet — buffeted relentlessly with the byproduct of technology, ego, and creature comforts.

Maxwell and his gifted contemporaries touch on death’s vast, unpredictable scepter, social and economic injustice (George Floyd and BLM), climate change, political warfare, and immense pain in 17 disjointed, beautiful, and wondrous original tracks under the instrumental jazz umbrella of Expectation & Experience.

Shawn Maxwell, alto saxophone, soprano saxophone, clarinet
Stephen Lynerd, vibraphone
Marielle de Rocca Serra, violin
Michael Barton, bass
Phil Beale, drums
Collin Clauson, keyboards
Tim Seisser, bass ...and many more.

Shawn Maxwell
As a composer, recording artist and performer, saxophonist Shawn Maxwell has endeavored to express his own unique voice. From his latest album Millstream (Jazzline, 2020) to his debut Originals (self-released, 2005), he has released nine albums of original compositions. The traditions of jazz form the foundation for Shawn’s music; he builds on that with material from the music he grew up with – rock, funk, hip hop, R&B, classical. The result, as Hrayr Attarian wrote in Chicago Jazz Magazine, “is refreshingly distinct yet recognizably Maxwellian”. He’s not intent on following any rules – or on breaking them – but on continually expanding what his music encompasses.

“…a composer who’s confident in his artistic vision, and comfortable with the wide array of colors on his instrumental palette.” – Bobby Reed, Downbeat Magazine

For the past three years, Shawn has been touring the U.S. with his quintet Shawn Maxwell’s New Tomorrow. Their first album, Shawn Maxwell’s New Tomorrow (OA2/Origin, 2016), was named one of Downbeat Magazine’s “Best Albums of 2017”. The follow-up, Music in My Mind (OA2/Origin, 2018), was highly praised by critics and enthusiastically received by radio stations. It was chosen as a Downbeat Magazine Editor’s Pick in June 2018.

“…jaunty, angular melodies, deceptive time signatures, and metronomic rhythm arrangements – sound as if inhabited by the ghost of Zappa…” – Neil Tesser

Shawn Maxwell’s Alliance (Chicago Sessions, 2014) was the eponymous album from another of his projects. A ten-piece ensemble including voice, two French horns, two upright basses and vibraphone, they were praised by jazz critics (another Downbeat Editor’s Pick) and named on several “best of the year” lists. So unusual was the music that publications as diverse as Folk and Acoustic Music Exchange picked it up; “Not exactly the sort of band you’re likely to hear in anyone’s notion of the mainstream and thus highly attractive to progressive ears”.

Alliance followed up with an E.P. later that year, Bridge (Chicago Sessions, 2014), which expanded on the sound of the group. “…a brief album full of rich musical ideas, colorful passages, and unique musical constructs.” said Dan Bilawky (AllAboutJazz.com).

“These days, Shawn Maxwell sounds like Shawn Maxwell, and that’s a great thing…” – Paul Abella, Chicago Jazz Magazine

Shawn’s groups also include a quartet, featured on his earliest recordings, Urban Vigilante, Maxwell’s House (Chicago Sessions 2011, 2009), Originals II and Originals (self-released, 2008, 2005).

“an exciting figure on the Chicago jazz landscape” – Michael Barris, Downbeat Magazine

As a Vandoren and Conn-Selmer artist, Shawn is a favorite of students from college age through elementary school, combining his pedagogical skills with a performer’s sensibility in Master Classes and guest appearances.

“This is bold music. Maxwell isn’t afraid to try out new ideas and take chances.” – Frank Alkyer, Downbeat Magazine

Shawn’s style began to form in the school music programs of Joliet, Illinois. A celebrated performer in the Joliet Central High School band program, he went on to earn a B.A. in Music from Millikin University.

This album contains no booklet.