Ingolfur Vilhjalmsson, Duo Harpverk, Siggi String Quartet, CAPUT Ensemble & Gudni Franzson
Biographie Ingolfur Vilhjalmsson, Duo Harpverk, Siggi String Quartet, CAPUT Ensemble & Gudni Franzson
Ingólfur Vilhjálmsson
studied clarinet in Amsterdam with Herman Braune and Harmen de Boer as well as bass clarinet with Harry Sparnaay and Eric van Deuren. He plays all the clarinets and has a great preference for the bass clarinet which he performs regularly, also as a solo instrument. He received a scholarship as a member of the Ensemble Modern Academy in 2006-2007.
He is a member of Ensemble Adapter in Berlin. Ingólfur has worked with many composers of his generation and given concerts in Germany, The Netherlands, Finland and Iceland, including festivals like MärzMusik (Berlin), Ultraschall (Berlin), Dark Music Days (Reykjavik), Frum- (Reykjavík) and Darmstädter Ferienkurse für Neue Musik (Germany). Ingólfur has worked with known composers such as Hosokawa and with Lachenmann on his avant garde landmark piece Dal niente. His playing has been recorded by the WDR, The Icelandic Radio, SWR and the Hessische Rundfunk.
Ingólfur recorded the CD "Dualism" with percussionist Tobias Guttmann on the ITM label in 2008.
As a soloist Ingólfur toured the UK in 2015 and recorded his second CD in 2017 with solo bass clarinet and contrabass clarinet music. The new CD includes music by Franco Donatoni, Alistair Zaldua, Jesper Pedersen, Jakob Diehl and Thrainn Hjalmarsson. Vilhjálmsson's repertoire spans from the classics of the modern repertoire like Dialogue de l'ombre double by Boulez, Clair by Donatoni to the new solo works he regularly commissions and performs. Ingólfur has recorded all the solo clarinet works of Franco Donatoni.
In the classical field Ingólfur works with renowned violinist Judith Ingolfsson and pianist Vladimir Stoupel and performes often with them in Germany and France.
Gunnar Andreas Kristinsson
With his sensitive insight, Gunnar Andreas Kristinsson has developed a unique and personal style through the years. Typical for his music are unfolding processes, passages that transform smoothly from one texture to another, shifting between contrasting moods. Another characteristic is strictly constructed, multi-layered, continuous movements with musical elements being drawn in and out of the foreground through instrumen- tation and articulation. Textures woven out of rhythmic and melodic patterns, like patchwork, is yet another distinctive feature.
Gunnar has been described as a ‘strong Icelandic voice with a fresh and bold imagination’. His music has been praised for being vivid and inventive, highly original, pleasantly coherent, purposefully constructed, filled with mystique and magical power.
Gunnar Andreas Kristinsson was born in Reykjavik in 1976. He holds a BA degree from the Reykjavik College of Music and an MA from the Royal Conservatory in The Hague. During his studies in the Netherlands he received a scholarship from NUFFIC (Netherlands Universities Foundation for International Cooperation). His teachers through the years have included Kjartan Ólafsson, Atli Heimir Sveinsson, Krzysztof Meyer, Martijn Padding, Diderik Wagenaar and Clarence Barlow. Gunnar’s works have been featured at music festivals and major venues worldwide such as Nordic Music Days, Gaudeamus Festival, ISCM World Music Days, Ultima Festival and Darmstadt Summer Course. Gunnar has worked with many renowned ensembles and music groups in Iceland and abroad, including Nieuw Ensemble, De Ereprijs, The Iceland Symphony Orchestra, Ensemble Modelo62, Stockholm Saxophone Quartet, Nordic Affect, The Hamrahlid Choir, Schola Cantorum Reykjavicensis and Orkiestra Muzyki Nowej.
Gunnar’s first album, Patterns, received a Kraumur Award in 2013 and two of his pieces have been nominated for The Icelandic Music Awards; his orchestral work Angelic Mechanisms in 2013 and his string quartet Moonbow in 2017.
