Bound to Nothing: The German Stylus Fantasticus Fantasticus XL

• Dieterich Buxtehude (c. 1637 - 1707): Sonata in A major, Op. 2, No. 5, BuxWV 263:
• 1 I. Allegro 01:02
• 2 II. Violin Solo 01:07
• 3 Concitato 01:55
• 4 Adagio 01:30
• 5 V. Allegro 03:51
• 6 VI. Allegro 01:07
• Philipp Heinrich Erlebach (1657 - 1714): Sonata II in E minor:
• 7 I. Adagio 01:41
• 8 II. Allegro 01:16
• 9 III. Adagio 01:03
• 10 IV. Allemande 01:26
• 11 V. Courante 01:00
• 12 VI. Sarabande 02:52
• 13 VII. Gigue 01:38
• Johann Philipp Krieger (1649 - 1725):
• 14 Sonata X in A major 05:24
• Johann Jacob Walther (c. 1650 - 1717):
• 15 Capriccio in C major 10:48
• Dieterich Buxtehude:
• 16 Praeludium in G minor, BuxWV 163 08:03
• August Kühnel (1645 - ca. 1700): Sonata VIII in A major:
• 17 I. Prelude 04:17
• 18 II. Aria 03:57
• 19 III. Adagio - Allegro 04:18
• Philipp Heinrich Erlebach: Sonata III in A major:
• 20 I. Adagio 01:02
• 21 II. Allegro 01:16
• 22 III. Allemande 02:19
• 23 IV. Courante 01:30
• 24 V. Sarabande 01:21
• 25 VI. Ciaconne 05:32
• Total Runtime 01:11:15

Info zu Bound to Nothing: The German Stylus Fantasticus

Gramophone Magazine Editor s Choice and BBC Music Magazine Chamber Choice Following on from the unanimous acclaim for their first two albums, Amsterdam-based Baroque trio Fantasticus return with their third ensemble recording. Presenting an elegant selection of chamber works from the German stylus fantasticus, the album, entitled Bound to Nothing , continues the group s survey of the new found freedoms of expression opened up during this early part of the Baroque era. In this engaging recital, Fantasticus chart these new and often virtuosic forms of purely instrumental music, featuring both well and less well-known composers Buxtehude, Erlebach, Krieger, Walther & Kühnel.

„Fantasticus have established themselves as a white-hot addition to the early music scene. Fantasticus by name, fantastic by nature!“ (BBC Music Magazine)

„The performances of Fantasticus are confident, stylish, beautifully articulated and convey a sense of genuine rapport a most delightful recital of early-18th-century French Baroque chamber music.“ (Gramophone Magazine)

„They combine discrete, soloistic virtuosity with a keen mutual rapport, conversing sensitively and adding complementary embellishment“ (The Strad)

Rie Kimura, violin
Robert Smith, viola da gamba
Guillermo Brachetta, harpsichord

Keine Biografie vorhanden.

Booklet für Bound to Nothing: The German Stylus Fantasticus