Imperfect Circle Hootie & The Blowfish

• 1 New Year's Day 03:32
• 2 Miss California 03:11
• 3 Wildfire Love 03:33
• 4 Hold On 03:21
• 5 Turn It Up 03:21
• 6 Not Tonight 03:20
• 7 We Are One 02:03
• 8 Everybody But You 03:30
• 9 Lonely On A Saturday Night 03:10
• 10 Why 03:18
• 11 Rollin' 03:17
• 12 Half A Day Ahead 03:23
• 13 Change 03:27
• 14 Losing My Religion 04:23
• Total Runtime 46:49

Info zu Imperfect Circle

As a summer of sold-out shows celebrated by fans and critics alike nears its celebratory three-night U.S. finale in Columbia, S.C., the band Billboard praises as “back and better than ever” will continue the excitement into the fall with today’s announcement of Imperfect Circle, the first new album from Hootie & the Blowfish in nearly 15 years.

“There’s something timeless about their sound,” proclaimed USA Today in a story breaking the news of the album. “From their stupendous 1994 debut Cracked Rear View, which is certified 21x Platinum (equivalent to 21 million certified units sold), to their anticipated reunion album, Imperfect Circle... Hootie & the Blowfish appear ready to pick up where they left off as a pop music phenomenon. Yet they haven’t forgotten where they began because, really, they never left that place.”

Despite a decade-long hiatus that followed their initial wave of success punctuated only by occasional charity shows, the band’s return to the spotlight with this year’s Group Therapy Tour has brought out the “highest attendance figures of their career,” according to Billboard’s Boxscore, proving that the two-time GRAMMY Award winners have withstood the test of time.

“Whatever the descriptive shorthand used — roots rock, alt-country, jangle-pop or country-rock — Hootie and the Blowfish’s material has aged extraordinarily well, fond remembrances aside,” noted the Dallas Observer at a recent show, proclaiming that “the honey-voiced Rucker is still, 25 years on, one of the best singers in any genre, full stop.”

“Rucker has — no exaggeration — one of the great voices in contemporary pop music, a dynamic and sophisticated baritone that’s full of gravity,” agreed the New York Times in a June Arts & Leisure cover story after sitting in on the recording process for Imperfect Circle. “The rest of the band makes spry work of otherwise staid idioms. Bryan is a patient decorator with guitar, never overpowering an arrangement, and as a rhythm section, Felber and Sonefeld are insistent but amiable.”

Hootie & The Blowfish

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