Black Being Flutronix featuring Chicago Sinfonietta & Mei-Ann Chen

• Allison Loggins-Hull (b. 1982), Nathalie Joachim: Angels:
• 1 Loggins-Hull, Joachim: Angels 11:33
• Water Babies:
• 2 Loggins-Hull, Joachim: Water Babies 09:08
• Moonpies and Stardust:
• 3 Loggins-Hull, Joachim: Moonpies and Stardust 11:34
• Black Lights:
• 4 Loggins-Hull, Joachim: Black Lights 08:00
• Total Runtime 40:15

Info zu Black Being

Flutronix, the forward-thinking musical duo comprised of Nathalie Joachim and Allison Loggins-Hull, presents Black Being, a four-movement song cycle for flutes, electronics, and chamber orchestra that explores and reclaims the black female experience.

Black Being features Grammy-nominated performer and composer Nathalie Joachim, who has been praised as “a fresh and invigorating cross-cultural voice” (The Nation), and performer, composer, and producer, Allison Loggins-Hull, called a “powerhouse” by The Washington Post, with the Chicago Sinfonietta under the direction of conductor Mei-Ann Chen.

Praised at its premiere as “the most stunning live performance” and named among the Top 10 Classical Music Events of 2021 by the Chicago Tribune, the work incorporates evocative poetry by North Carolina Poet Laureate Jaki Shelton Green, revealing facets of the collaborators’ lives rarely shared within a classical-concert frame.

The opening movement, “Angels,” reflects on the terror and confusion of the American slave trade, its atmosphere shaped by looping flute textures and Joachim’s vocoder recitations. The second movement, “Water Babies,” casts harrowing light on those thrown overboard from slave ships.

A nostalgic shift arrives with “Moon Pies and Stardust,” a meditation on the comfort and memory of shared space with loved ones. The cycle concludes with “Black Lights,” an iterative finale that rises from the weight of the journey to affirm the breadth and radiance of Black womanhood across eras.

Originally introduced in a small-scale version at the Arts Club of Chicago in 2021, Black Being received its chamber orchestra premiere with the Cincinnati Symphony Orchestra (a co-commissioner with the Chicago Sinfonietta) in April 2022.

Black Being was produced by Elaine Martone (Sonarc Music) and engineered by Dan Nichols. The album was recorded on January 21–23, 2025, in the Mary Patricia Gannon Concert Hall at DePaul University.

Flutronix:
Nathalie Joachim, flute
Allison Loggins-Hull, flute
Chicago Sinfonietta
Mei-Ann Chen, conductor

Flutronix
is Nathalie Joachim and Allison Loggins-Hull, two distinguished performers and composers who are paving the way from their classical roots to the future of music. Founded in Brooklyn, NY, in 2007, the duo have evolved as influential creators and socially conscious changemakers. Their current large-scale projects rooted in this space include Discourse, an evening-length community-centered performance activism initiative, and Black Being, an immersive electro-acoustic song-cycle examining the complexities of black womanhood, featuring newly commissioned text by North Carolina poet laureate Jaki Shelton Green. In addition to their collaborative creations, the duo support each other regularly on individual projects, and as producers on recorded work, including Joachim’s GRAMMY-nominated Fanm d’Ayiti. Flutronix independently publishes their extensive catalog of chamber works, and are dedicated educators who have held appointments at Montclair State University, Carnegie Hall, The Juilliard School, University of Hartford, The Perlman Music Program and more. Joachim currently serves as Assistant Professor of Composition at Princeton University, and Loggins-Hull is The Cleveland Orchestra’s Daniel R. Lewis Composer Fellow.

Chicago Sinfonietta
Groundbreaking. Dynamic. Daring. A tenured orchestra and acclaimed cultural leader that champions diversity, equity, and inclusion by creating community through curated symphonic experiences, the award-winning Chicago Sinfonietta (CS) is a source of community through music, as well as ensuring and inspiring a continued investment in diversity and inclusivity in the genre of classical music to promote fairness and equity. With core values built around being culturally responsive and advocates of inclusivity in all aspects of the 37-year-old organization’s work, Chicago Sinfonietta’s unrelenting commitment to being at the forefront of innovation drives its high standard of symphonic experiences. CS takes pride in leading by example with immersive audience engagement activities, impactful career development, education, and extensive community outreach programs.

Mei-Ann Chen
Praised for her dynamic, passionate conducting style, Taiwanese American conductor Mei-Ann Chen is acclaimed for infusing orchestras with energy, enthusiasm and high-level music-making, galvanizing audiences and communities alike. Music Director of the 2016 MacArthur Award-winning Chicago Sinfonietta since 2011, Ms. Chen is highly regarded as a compelling communicator and an innovative leader both on and off the podium. Also a sought-after guest conductor, Ms. Chen continues to expand her relationships with orchestras worldwide (over 110 orchestras to date).

Upcoming highlights for 2020 – 2021 season include debut at Vienna’s Musikverein with Tonkünstler Orchester and debuts with Würth Philharmonic in Germany and Helsinki Philharmonic in Finland, as well as return engagements to San Francisco Symphony, Oslo Philharmonic in Norway, Norrlandsoperan in Sweden, and serving on the jury for the prestigious Malko Competition for Young Conductors in 2021. Debuts with New York Philharmonic & Carnegie Hall’s NYO2, Basque National Orchestra in Spain, and Staatsorchester Darmstadt in Germany, an engagement with the Netherlands Philharmonic Orchestra (Ms Chen was scheduled to conduct the opening season concert at Amsterdam’s Concertgebouw), and with the Taiwan Philharmonic have been postponed due to COVID.

Recent guesting highlights include England’s BBC Symphony in London, Finland’s Tampere Filharmonia, Germany’s NDR Radiophilharmonie Hanover, Netherland’s Residentie Orkest at The Hague, Sweden’s Gävle & Helsingborg Symphonies, Switzerland’s Luzerner Sinfonieorchester, Taiwan’s Kaohsiung Symphony Orchestra at Weiwuying (the world’s largest performing arts center since 2018), in addition to return engagements with symphonies of America’s Atlanta, Detroit, and Pacific.

Other North American guesting credits include appearances with symphonies of Baltimore, Cincinnati, Chicago, Houston, Indianapolis, National, Oregon, San Diego, Seattle, Toronto, Tucson, and Vancouver, to name a few. Amongst her overseas guesting credits are the symphonies of BBC Scottish; Brazil’s São Paulo (OSESP); Denmark’s National, Aalborg, Aarhus, Odense and Copenhagen Philharmonic; Germany’s Badische Staatskapelle Karlsruhe; Mexico’s National; Norway’s Radio and Trondheim; Sweden’s Gothenburg, Malmö and Norrköping; Switzerland’s Basel; and Turkey’s Bilkent.

As Music Director of Chicago Sinfonietta, Ms. Chen has made two recordings for Cedille Records: “Project W – Works by Diverse Women Composers” (March 2019, nominated for GRAMMY® Award for Producer of the Year, Jim Ginsburg) and “Delights and Dances” (June 2013). In 2018, Innova Records released River Oaks Chamber Orchestra’s debut album “ROCO: Visions Take Flight” (recognized with a GRAMMY® Award for Producer of the Year, Blanton Alspaugh) featuring 5 commissioned contemporary works conducted by Ms. Chen.

Past honors include being named one of the 2015 Top 30 Influencers by Musical America; the 2012 Helen M. Thompson Award from the League of American Orchestras; Winner, the 2007 Taki Concordia Fellowship founded by Marin Alsop; and 2005 First Prize Winner of the Malko Competition (she remains as the only woman in the competition history since 1965 to have won First Prize).

Named the first-ever Principal Guest Conductor of Austria’s Recreation Grosses Orchester Graz and the first-ever Artistic Partner of Houston’s River Oaks Chamber Orchestra (ROCO), both in September 2019, Mei-Ann Chen has served as Artistic Director & Conductor for the National Taiwan Symphony Orchestra Summer Festival since 2016. She is also Conductor Laureate of the Memphis Symphony Orchestra after serving as Music Director 2010 – 2016. Born in Taiwan, Ms. Chen came to the United States to study violin in 1989 and became the first student in New England Conservatory’s history to receive master’s degrees simultaneously in both violin and conducting, and she earned a Doctor of Musical Arts degree in conducting at the University of Michigan.

Dieses Album enthält kein Booklet