Morricone: Cinema Rarities for Violin and String Orchestra Orchestra di Padova e del Veneto & Marco Serino

• Ennio Morricone (1928 - 2020): Notturno (From "La califfa"):
• 1 Morricone: Notturno (From "La califfa") 03:46
• La cena (From "La califfa"):
• 2 Morricone: La cena (From "La califfa") 02:26
• Mauro Bolognini Suite:
• 3 Morricone: Mauro Bolognini Suite: Intro 03:52
• 4 Morricone: Mauro Bolognini Suite: Per le antiche scale's Main Theme (From "Per le antiche scale") 02:19
• 5 Morricone: Mauro Bolognini Suite: L’eredità Ferramonti (From "Ricordo d’amore") 03:34
• Quattro Adagi:
• 6 Morricone: Quattro Adagi: I. Chi (From "Maddalena") 03:31
• 7 Morricone: Quattro Adagi: II. Tema di Debora (From "Once Upon a Time in America") 03:25
• 8 Morricone: Quattro Adagi: III. Addio ai monti (From "I promessi sposi") 02:39
• 9 Morricone: Quattro Adagi: IV. Tema di Vatel (From "Vatel") 04:06
• Italian Theme (From "Le Clan des Siciliens"):
• 10 Morricone: Italian Theme (From "Le Clan des Siciliens") 03:34
• Quasi un Vivaldi (From "Revolver"):
• 11 Morricone: Quasi un Vivaldi (From "Revolver") 01:36
• Taviani Brothers Suite:
• 12 Morricone: Taviani Brothers Suite: Allonsanfàn (From "Ritorno a casa") 02:46
• 13 Morricone: Taviani Brothers Suite: Il prato's Main Theme (From "Il prato") 04:48
• Silvano Agosti Suite:
• 14 Morricone: Silvano Agosti Suite: La ragion pura (From "Dedicato a Maria") 04:07
• 15 Morricone: Silvano Agosti Suite: Quartiere (From "Romanza Quartiere") 03:15
• Man with a Harmonica (From "Once Upon a Time in the West"):
• 16 Morricone: Man with a Harmonica (From "Once Upon a Time in the West") 02:54
• Lolita's Main Theme (From "Lolita"):
• 17 Morricone: Lolita's Main Theme (From "Lolita") 02:53
• Total Runtime 55:31

Info zu Morricone: Cinema Rarities for Violin and String Orchestra

Die Idee zu diesem Album entstand während der Aufnahme des Vorgänger-Albums Cinema Suites (BBC Music Magazine's "Screen Choice", Album der Woche auf WDR3 etc.). Die Familie Morricone schickte Marco Serino eine Reihe von Raritäten, von denen sie hoffte, dass sie ebenfalls aufgenommen werden könnten, insbesondere "Dedicated to Maria" (aus dem Film The Sleeping Wife), das der Komponist seiner Frau gewidmet hatte. Diese Werke bilden zusammen mit anderen, die Serino in seinen eigenen Archiven wiederentdeckt hat, das Rückgrat von Cinema Rarities, einer idealen Fortsetzung der Cinema Suites. Nach zwanzig Jahren als Ennio Morricones Lieblingsgeiger beschäftigt sich Serino diesmal mit Kompositionen für Violine und Orchester fort, die nicht nur weniger bekannt sind, sondern auch einen gewissen Grad an " Italianità " aufweisen.

Den Kern des Programms bilden drei Suiten, die nach drei italienischen Filmregisseuren (Silvano Agosti, Mauro Bolognini und die Brüder Taviani) benannt sind, mit denen Morricone eng zusammenarbeitete. Obwohl die jeweiligen Filme nicht den internationalen Erfolg der Filme von Sergio Leone oder Giuseppe Tornatore erreichten, inspirierten sie den Komponisten zu neuen und unverwechselbaren Ideen, wie z. B. "Love Remembered" aus "The Inheritance", das von Marco Serino als eines der schönsten Stücke bezeichnet wird.

Ebenso typisch italienisch sind die beiden Auszüge aus der Filmmusik von The Lady Caliph unter der Regie von Alberto Bevilacqua, darunter das liebliche "Nocturne" und das kurze "Quasi un Vivaldi" (aus dem Film Revolver von Sergio Sollima).

Einen besonderen Platz nehmen die Four Adagios ein, eine Sammlung von vier vom Komponisten selbst ausgewählten Stücken. Four Adagios" ist Serino gewidmet und wurde unter der Leitung von Morricone weltweit aufgeführt. Es zeugt von der künstlerischen Partnerschaft zwischen dem Komponisten und dem Geiger, von ihrem gegenseitigen professionellen Respekt und ihrer tiefen Freundschaft.

Orchestra Di Padova E Del Veneto
Marco Serino, Violine, Leitung

Marco Serino
completed his musical studies at the S. Cecilia Conservatory in Rome, obtaining diplomas in violin and chamber music with full marks and honors.

Afterwards he studied at the Hochschule für Musik in Vienna with Gunter Pichler; the ProQuartet in Paris with the Amadeus, Melos, Berg, and La Salle Quartets; the Royal College of London and the Geneva Conservatory with Corrado Romano, where he was awarded the ‘Premier Prix de virtuosité’.

In 1990, he founded the Bernini Quartet and has been a member of the famous ensemble, ‘I Musici’; as a soloist and chamber musician he collaborates with some of the most famous performers, including, just to name a few, Giuliano Carmignola, Christophe Coin, Wladimir Mendelssohn, Mario Brunello, Giovanni Sollima, Francesco Cera, Bruno Canino, Gérard Caussé, Hector Passarella, and Alessandro Carbonare.

He performs as a soloist and chamber musician in the most prestigious halls around the world, including the Berlin and Köln Philharmonic, Herkulessaal and Prinzregententheater in Munich, Musikverein in Vienna, Queen Elizabeth Hall in London, Tchaikovsky Hall in Moscow, Theater Mariinsky of St. Petersburg, Suntory Hall of Tokyo, Arts Performance Center of Seoul, National Theater of Beijing, Shanghai Theater, Mozarteum Salzburg, Rome Auditorium S. Cecilia, Milano Società del Quartetto, Venice Biennale, etc. He was devoted the works of Important composers: worth remembering are the collaborations with Ennio Morricone, Luis Bacalov, Matteo D’Amico, Alessandro Sbordoni, Gideon Lewinshon, Steve Reich, Ada Gentile, and Pascal Dusapin.

As a soloist or second violin he has collaborated with important orchestras, including the National Academy of S. Cecilia; the Kammerorchester, Zürich; Haydn, Bolzano; La Stravaganza, Bucharest; the Abruzzese Symphony Orchestra; the Bellini Theater, Catania; Rome Sinfonietta; the ICO Orchestra, Lecce; the Regional Orchestra of Rome and Lazio; and others.

He has recorded for some prestigious record companies, including Decca, Amadeus, Foné, Tactus reviewed and awarded by the most important specialized magazines, such as Strad, Repertoire, Classica, and Amadeus.

In 1999, Ennio Morricone – of whom, since 2000 he has been the solo violin of all soundtracks – awarded him the prestigious “Michelangelo Prize”, previously awarded to Goffredo Petrassi, Bruno Cagli, Morricone himself, Renzo Piano, Alberto Sordi, and others, for having particularly distinguished himself in the dissemination of human and cultural values.

He is a tenured violin teacher at the Trento Conservatory and has held masterclasses in the United States at many universities in North America; at the Accademia für alte Musik in Brunico; at many Italian conservatories; at the Arts Academy; and at the Accademia Filarmonica Romana.

He also deals with musicological research, and recently his reconstructions of unpublished concertos for violin by J.S. Bach have been recorded for Deutsche Grammophon by Concerto Köln and Giuliano Carmignola.

He plays a violin by Niccolò Amati, Cremona, 1661.

Dieses Album enthält kein Booklet