Ferruccio Buson: Musical Landscapes and Avant-Garde Visions Giuseppe Mariotti

• Ferruccio Busoni (1866 - 1924): Suite Campestre Op. 18
• 1 Busoni: Suite Campestre Op. 18: Canzone Villereccia del Mattino 02:18
• 2 Busoni: Suite Campestre Op. 18: La Caccia 01:15
• 3 Busoni: Suite Campestre Op. 18: L‘Orgia 02:18
• 4 Busoni: Suite Campestre Op. 18: II ritorno 03:07
• 5 Busoni: Suite Campestre Op. 18: Preghiera della sera 02:34
• Fantasia nach Johann Sebastian Bach:
• 6 Busoni: Fantasia nach Johann Sebastian Bach 11:52
• Indianisches Tagebuch:
• 7 Busoni: Indianisches Tagebuch: Allegretto affettuoso, un poco agitato 02:32
• 8 Busoni: Indianisches Tagebuch: Vivace 01:38
• 9 Busoni: Indianisches Tagebuch: Andante 03:58
• 10 Busoni: Indianisches Tagebuch: Maestoso ma andando 03:13
• Sonatina seconda:
• 11 Busoni: Sonatina seconda 09:15
• Vierte Ballet-Szene Op. 33a:
• 12 Busoni: Vierte Ballet-Szene Op. 33a 08:00
• Sonatina in diem nativitatis Christi MCMXVII:
• 13 Busoni: Sonatina in diem nativitatis Christi MCMXVII 07:52
• Drei Albumblätter:
• 14 Busoni: Drei Albumblätter: (Zürich) Andantino sostenuto 03:01
• 15 Busoni: Drei Albumblätter: (Roma) Andante 01:41
• 16 Busoni: Drei Albumblätter: (Berlin) In der Art eines Choralvorspiels. Sostenuto religioso 04:29
• Total Runtime 01:09:03

Info zu Ferruccio Buson: Musical Landscapes and Avant-Garde Visions

Ferruccio Busoni stands as a towering figure in the musical landscape of the turn of the century. His unbridled activity as a man and musician shaped his entire life, and his universal genius allowed him to reach absolute and, unfortunately often misunderstood, artistic heights. His impressive virtuosity never seemed imposing, and his avant-garde and highly original musical vision became legendary. Beloved by audiences since his youth, he often baffled critics. His later compositions in particular rank among the most important and brilliant of his time: his works for piano and especially those for orchestra and opera influenced an entire generation of musicians. He vehemently advocated for the performance and publication of works and critical essays of then-contemporary music. Arnold Schoenberg, for example, who succeeded him as teacher of the composition class at the Berlin Academy of Music, found great support in his work through Busoni. Busoni's literary education and keen intellect allowed him to write the text of his operas himself, to correspond with the greatest figures of his time, and to publish some essential works, of which the most significant is the Entwurf einer neuen Ästhetik der Tonkunst (Sketch of a New Aesthetic of Music) (1907), in which he describes pioneering intuitions, such as the dodecaphonic system, microtonality, and new notation systems, and even makes predictions about electronic music. He was the inspirer of a new piano construction, namely the Imperial model of the Viennese piano manufacturer Bösendorfer, which was also used for this recording.

Giuseppe Mariotti, piano

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