Bruckner - Symphony No. 4 Bergen Philharmonic Orchestra & Thomas Dausgaard

• Anton Bruckner (1824 - 1896): Symphony No. 4 in E flat major, WAB 104:
• 1 Bruckner: Symphony No. 4 in E flat major, WAB 104: I. Bewegt, nicht zu schnell 16:54
• 2 Bruckner: Symphony No. 4 in E flat major, WAB 104: II. Andante quasi Allegrettto 14:41
• 3 Bruckner: Symphony No. 4 in E flat major, WAB 104: III. Scherzo 09:58
• 4 Bruckner: Symphony No. 4 in E flat major, WAB 104: IV. Finale 19:37
• Total Runtime 01:01:10

Info zu Bruckner - Symphony No. 4

Nach gefeierten Einspielungen der Dritten ("Dausgaard... lässt die Musik vital und sogar revolutionär klingen", Fanfare) und Sechsten ("Dieses überzeugend gespielte Werk könnte nicht besser bedient werden", MusicWeb International) präsentieren Thomas Dausgaard und das Bergen Philharmonic Orchestra nun Anton Bruckners Vierte Symphonie "Romantisch" in ihrer zweiten Fassung (1878-1880), mit der dieses Werk weithin bekannt geworden ist.

"So etwas ist seit Beethoven nicht mehr geschrieben worden", soll der Dirigent Hans Richter nach der erfolgreichen Uraufführung von Bruckners Vierter Symphonie 1881 in Wien erklärt haben. Dieser Erfolg verschaffte dem 56-jährigen Komponisten endlich die Aufmerksamkeit und Anerkennung, die er so dringend brauchte, und man kann behaupten, dass Bruckner von diesem Tag an in Wien nach Jahren der öffentlichen Demütigung tatsächlich kultiviert wurde. Trotz ihres vom Komponisten selbst gegebenen Spitznamens drückt diese Symphonie keineswegs existenziellen Schmerz aus. Vielmehr bezieht sich die Romantik auf das Erleben der Natur - von erhabenem Waldzauber bis hin zu Jagdszenen -, das durch das Horn, das romantische Instrument schlechthin, das eine herausragende Rolle spielt, betont wird.

Philharmonisches Orchester Bergen
Thomas Dausgaard, Dirigent

Bergen Philharmonic Orchestra
One of the world’s oldest orchestras, the Bergen Philharmonic Orchestra dates back to 1765, and will celebrate its 250th anniversary in 2015. Edvard Grieg had a close relationship with the orchestra, serving as Artistic Director from1880–82.

Appointed Chief Conductor in 2003, Andrew Litton is the current Music Director, a post he will hold until October 2015. Principal Guest Conductor is, from August 2013, Edward Gardner. Under Litton’s direction the orchestra has raised its international profile considerably through recordings, extensive touring, and international commissions. Edward Gardner takes over as Chief Conductor in October 2015.

The Bergen Philharmonic has in recent seasons played at the Concertgebouw, Amsterdam, the BBC Proms at the Royal Albert Hall, the Wiener Musikverein and Konzerthaus, Carnegie Hall, New York and the Philharmonie, Berlin. The orchestra toured Sweden, Austria and Germany in 2011, and in 2012 they appeared at the Rheingau Festival and returned to the Concertgebouw. In February 2013 the orchestra toured the United Kingdom, with concerts in Usher Hall, Edinburgh, The Sage, Gateshead and Bridgewater Hall, Manchester.

The orchestra has an active recording schedule for three record companies; BIS, Chandos and Hyperion. Critics worldwide acknowledge its energetic playing style and full-bodied string sound. Recent and ongoing projects include Messiaen’s ‘Turangalîla-Symphonie’, ballets by Stravinsky, Barber’s Cello Concerto and a Prokofiev-cycle for BIS with Andrew Litton. The orchestra’s recording of the complete orchestral music of Grieg remains the reference point in a competitive field.

Currently recording Tchaikovsky’s three great ballets for Chandos with Neeme Järvi, the orchestra has also recorded works by Rimsky Korsakov, four critically acclaimed volumes of works by Johan Halvorsen, a series of the music of Johan Svendsen, and a recording of orchestral realisations by Berio conducted by Edward Gardner.

Enjoying longstanding artistic partnerships with some of the world’s finest musicians, the orchestra has recorded with Leif Ove Andsnes, James Ehnes, Alban Gerhardt, Vadim Gluzman, Stephen Hough, Freddy Kempf, Truls Mørk, Steven Osborne, and Lawrence Power, amongst others.

Thomas Dausgaard
Renowned for his creativity and innovation in programming, the excitement of his live performances, and an extensive catalogue of critically acclaimed recordings, Thomas Dausgaard has been the chief conductor of the Swedish Chamber Orchestra since 1997. He is also the principal guest conductor of the Seattle Symphony and honorary conductor of the Danish National Symphony Orchestra, having served as its principal conductor from 2004 until 2011, and will become chief conductor of the BBC Scottish Symphony Orchestra in 2016. He regularly appears with many of the world’s leading orchestras including the Leipzig Gewandhaus Orchestra, Bavarian Radio Symphony Orchestra, Vienna Symphony Orchestra, Chamber Orchestra of Europe, Philharmonia Orchestra, London Symphony Orchestra and the Orchestre Philharmonique de Radio France.

Dausgaard began his North American career assisting Seiji Ozawa, and has since appeared with the Cleveland Orchestra, Boston Symphony Orchestra, Los Angeles Philharmonic, Washington National Symphony Orchestra, Toronto Symphony Orchestra and Montreal Symphony Orchestra. He is also a regular visitor to Asia and Australia. Festival appearances have included the BBC Proms, the Salzburg Festival, Mostly Mozart and Tanglewood. Thomas Dausgaard has been awarded the Cross of Chivalry in Denmark, and is a member of the Swedish Royal Academy of Music.

Booklet für Bruckner - Symphony No. 4