Bigaglia: Cantate per soprano e continuo I Solisti Ambrosiani

• Diogenio Bigaglia (1676 - 1745): Ah, Santi Numi:
• 1 Bigaglia: Ah, Santi Numi 07:25
• Aure dolci, erbe molli, ameni fiori:
• 2 Bigaglia: Aure dolci, erbe molli, ameni fiori 08:41
• Bel piacer d’un amante:
• 3 Bigaglia: Bel piacer d’un amante 08:11
• Dove vai mio ben crudele:
• 4 Bigaglia: Dove vai mio ben crudele 07:19
• Ecco perfida Irene:
• 5 Bigaglia: Ecco perfida Irene 07:41
• Erano ancor immote:
• 6 Bigaglia: Erano ancor immote 08:56
• Filli, che vedo o cieli:
• 7 Bigaglia: Filli, che vedo o cieli 06:45
• Gran crudeltà di stella:
• 8 Bigaglia: Gran crudeltà di stella 06:38
• Non lasciarmi o bella speme:
• 9 Bigaglia: Non lasciarmi o bella speme 06:31
• Total Runtime 01:08:07

Info zu Bigaglia: Cantate per soprano e continuo

Diogenio Bigaglia, ein heute weitgehend unbekannter Komponist, war in der ersten Hälfte des 18. Jahrhunderts in Venedig tätig und damit ein Zeitgenosse des weitaus bekannteren Tomaso Albinoni, von Alessandro und Benedetto Marcello und vor allem von Antonio Vivaldi, in dessen Werk es mehrere offensichtliche - und mehr oder weniger ausdrückliche - Bezüge zu Bigaglias Produktion gibt. Bigaglia ist also ein Komponist, der nicht nur wegen des musikalischen Wertes seiner Werke, sondern auch wegen des Einflusses, den seine Tätigkeit auf uns bekanntere Musiker hatte, von Interesse ist. Die hier vorgestellte Auswahl von Kantaten wird von der Sopranistin Tullia Pedersoli vorgetragen, die die musikalischen "Affetti", die der einfache und elegante Stil des Komponisten vorschlägt, gekonnt interpretiert. In einigen Punkten scheint er sogar Johann Sebastian Bach Anregungen gegeben zu haben, der sich bekanntlich intensiv mit der italienischen und venezianischen Sprache auseinandergesetzt hat. Alle Kantaten handeln von der Liebe und greifen häufig auf die für diese Gattung typischen literarischen Topoi zurück.

I Solisti Ambrosiani
Tullia Pedersoli, Sopran
Claudio Frigerio, Cello
Serena Agostini, Cembalo

Tullia Pedersoli
Graduated with full marks and honors in Musical Dramaturgy at the Department of History of the Arts, Music and Performing Arts of the Faculty of Modern Letters of the University of Milan, she undertook vocal studies under the guidance of BM Casoni and D. Gioia, obtaining a Licentiate in opera singing at the Novara Conservatory under the guidance of Maestro A. Pizzoli. You have attended masterclasses and seminars with L. Serra and C. Vilalta.

Light soprano voice, particularly versed in the Renaissance and Baroque repertoire, she has deepened their executive practice under the guidance of Cristina Miatello, Evelyn Tubb and Michael Fields (International Academy of Music).

His musical training also includes the Conservatory diploma in piano (traditional system, equivalent to a second level degree).

As a soloist she is often invited to give concerts in collaboration with various organizations and associations, including I Solisti Ambrosiani , In-canto, La Classica, Ars Nova, Diletto Armonico, Associazione Musicale Villa Bossi, Cultural Center of Castanese, Circolo Spettacoli, and is often a guest of exhibitions and music festivals(Musica Sibrii, XIV Culture Week, Hidden Treasures, European Heritage Days 2012 and 2013, XXXIV Segni Barocchi Foligno Festival, LakeComo Festival IX ediz., Suoni del Garda Festival, several times TodiMusicAntica Festival, XIV The harpsichord in S. Marco, La Season of Affections of Novara, VIII, IX and X Alessandria Barocca, XXII Antiqua, XV Un Ponte di note, IV Da Vinci Baroque Festival, XIX Montesardo Festival, XXIV and XXV Altolivenza Festival, XVIII Albino Classica, SEVIQC Brezice Festival (Slovenia) , European Baroque Festival and many more.

She also performs concert activity as an instrumentalist , in various chamber ensembles and with various orchestras (in the past Microkosmos, of which she was one of the founders, and later CameratEstense, Poseidon Ensemble, Music'attiva, Prometeo Chamber, Ensemble Serenata); you have collaborated with well-known artists, including Katia Ricciarelli, Lorena Campari, Maria Josè Lomonaco, Marco Rizzi, Maja Jokanovich, Luca Maggiore, Emanuele Segre. In June 2013 you performed as second harpsichord soloist (first harpsichord Enrico Barbagli), the Concerto for two harpsichords and orchestra in C minor BWV 1062 by JS Bach, at the Church of S. Antonio alla Motta in Varese.

I Solisti Ambrosiani
is an Italian ensemble specialized in the ancient repertoire and in the philological performance on original instrumentation, founded in 2008 by the soprano Tullia Pedersoli and the violinist Davide Belosio.

The group finds its own style in the temperament of the individual components and in the flexibility of the formation – from the duo to the small chamber orchestra.

The ensemble consists of musicians who perform concerts in Italy and abroad (Slovenija, Austria, Germany, France, Spain, Switzerland, Russia, Brazil, Canada). I Solisti Ambrosiani have been guesting in prestigious festivals and musical seasons in several occasions, including: International Festival of Baroque Music (2021) , Albino Classica 2020, SEVIQC Brezice Festival 2019, Altolivenza Festival (2018, 2019), Segni Barocchi Foligno Festival (XXXIV 2013 edition), Todi Music Festival “Paolo Antonio Rolli” (2014, 2015, 2016, 2017), LakeComo Festival (14th edition 2014), “La Stagione degli Affetti” (Novara 2015), “Un Clavicembalo in S. Marco” (Milan 2015), Culture Week, Alessandria Barocca (2017, 2018, 2019), Antiqua – Rassegna Internazionale di Musica Antica (XXII 2017 Edition), “Un Ponte di Note” (XV Edition 2017), Da Vinci Baroque Festival (IV Edition 2018), Festival Il Montesardo (XIX edition 2018), several times European Heritage Days, Highlight Festival 2018 (XXIV Edition) and others .

In 2012 the Ensemble created the Musica Sibrii Festival. The Festival, since its foundation, has received the patronage of Ministry of Cultural Heritage and Activities and Tourism, Ministry of the Interior, Presidency of the Council of Ministers, Representative Medal of the President of the Republic (editions 2012, 2013), as well as the presidential adhesion (2014).

In 2022 the ensemble was invited to the Como Conservatory music season for a concert with the Institute’s Chamber Choir.

The Ensemble has made recordings that have been well reviewed by the critics, including the recording of the intermezzo “La Dirindina”, in the dual version by D. Scarlatti and G. B. Martini (world premiere), Edizioni Bongiovanni Bologna 2016. Also the last two CDs released – “Lontan da te mia vita” with music by Tomaso Albinoni published by Urania Records, 2018 and “Antonio Caldara Sonatas and Cantatas for Violin, Soprano & continuo” with music by Antonio Caldara published by Urania Records, 2019 – include several sonatas for violin and cantatas for soprano, some of them as a first world recording.

In 2020 the group recorded a new CD on Bartolomeo Bernardi (1660-1732) “Qual di Feroce Tromba” (Urania Records, 2020) containing all the surviving works for violin, soprano and basso continuo.

Booklet für Bigaglia: Cantate per soprano e continuo