Tchaikovsky: Serenade for Strings in C Major, Op. 48, TH 48 & Other Works United Strings of Europe & Julian Azkoul

• Pyotr Ilyich Tchaikovsky (1840 - 1893): Serenade for Strings in C Major, Op. 48, TH 48:
• 1 Tchaikovsky: Serenade for Strings in C Major, Op. 48, TH 48: I. Pezzo in forma di sonatina 09:38
• 2 Tchaikovsky: Serenade for Strings in C Major, Op. 48, TH 48: II. Valse 03:44
• 3 Tchaikovsky: Serenade for Strings in C Major, Op. 48, TH 48: III. Elegia 09:04
• 4 Tchaikovsky: Serenade for Strings in C Major, Op. 48, TH 48: IV. Finale (Tema russo) 07:20
• String Quartet No. 1 in D Major, Op. 11, TH 111 (Arr. J. Azkoul for String Ensemble):
• 5 Tchaikovsky: String Quartet No. 1 in D Major, Op. 11, TH 111 (Arr. J. Azkoul for String Ensemble): II. Andante cantabile 06:43
• Souvenir de Florence, Op. 70, TH 118 (Arr. J. Azkoul for String Ensemble):
• 6 Tchaikovsky: Souvenir de Florence, Op. 70, TH 118 (Arr. J. Azkoul for String Ensemble): I. Allegro con spirito 10:55
• 7 Tchaikovsky: Souvenir de Florence, Op. 70, TH 118 (Arr. J. Azkoul for String Ensemble): II. Adagio cantabile e con moto 10:35
• 8 Tchaikovsky: Souvenir de Florence, Op. 70, TH 118 (Arr. J. Azkoul for String Ensemble): III. Allegretto moderato 06:21
• 9 Tchaikovsky: Souvenir de Florence, Op. 70, TH 118 (Arr. J. Azkoul for String Ensemble): IV. Allegro con brio e vivace 07:05
• At Bedtime, TH 70 (1941 Version) [Arr. J. Azkoul for String Ensemble]:
• 10 Tchaikovsky: At Bedtime, TH 70 (1941 Version) [Arr. J. Azkoul for String Ensemble] 04:39
• Total Runtime 01:16:04

Info zu Tchaikovsky: Serenade for Strings in C Major, Op. 48, TH 48 & Other Works

Nach zwei stilistisch unterschiedlichen Anthologien - In Motion und Renewal - haben die United Strings of Europe und ihr Leiter Julian Azkoul beschlossen, ihr neuestes Projekt einem einzigen Komponisten zu widmen: Pjotr Iljitsch Tschaikowsky. Sie eröffnen mit der Serenade des Komponisten, einer Hommage an Mozarts Divertimentos, aber durchdrungen von Tschaikowskys charakteristischem Pathos und Melancholie. Es ist eines seiner beliebtesten Werke, mit dem besonders beliebten Walzer als zweitem Satz und einem Finale mit russischen Volksliedern.

Die anderen Werke auf dieser Aufnahme sind Bearbeitungen, die Julian Azkoul für das Ensemble maßgeschneidert hat. Andante cantabile, der langsame Satz von Tschaikowskys erstem Streichquartett, ist ein Stück von großer emotionaler Kraft, das auf einem alten Volkslied basiert, das Tschaikowsky angeblich in der ukrainischen Stadt Kamenka gehört hat. Das nach einem Aufenthalt in Florenz komponierte Sextett ist von grüblerischem Temperament und trotz seines Titels wohl eher russisch als italienisch geprägt. Wie die Serenade bedient es sich klassischer Formen und Mittel, enthält aber auch Passagen, die an traditionelle russische Musik erinnern. Nach der Fertigstellung des Werks schrieb Tschaikowsky - der sonst sein schärfster Kritiker war -: "Es ist erschreckend zu sehen, wie zufrieden ich mit mir selbst bin". Das Album schließt mit At Bedtime, einer frühen Komposition für gemischten Chor mit einer meditativen Qualität, die an östlich-orthodoxe Gesänge erinnert und sich gut mit den Strukturen des Streichorchesters verträgt.

Vereinigte Streicher von Europa
Julian Azkoul, Leitung

United Strings of Europe
The United Strings of Europe is shaped by a multi-cultural background and a drive to develop experimental and engaging programming.

Praised for our original programming and ‘virtuosically expressive’ playing (★★★★ The Times), we commission and arrange music from a variety of musical cultures and backgrounds, and perform regularly in Europe and the Middle East. Our recordings for BIS Records have been celebrated for their ‘compelling programmes’ (BBC Music Magazine) and for being ‘supremely executed’ (★★★★1/2 Stereophile Magazine). Our new album 'Renewal' out earlier this year exploring themes of loss and transformation with soprano Ruby Hughes was Editor's Choice at Presto Music and was one of Apple Music's ‘10 Albums You Must Hear’ in February.

We believe that the power of music connects, crosses divides and promotes cross-cultural understanding.

Our lockdown film 'send back the echo', a commission from composer Jasmin Kent Rodgman featuring deaf actor Vilma Jackson, explores issues around disability and social alienation. It premiered on BBC Arts and was selected for the London Film Festival. In 2022 we are producing a ground-breaking show 'Apollo Resurrected' combining music, theatre and juggling. A retelling of Stravinsky’s 'Apollo' with new music by Joanna Marsh, the show will premiere at King’s Place on 28 October before heading to Leeds in November. This year sees us give debut performances at Wilton’s Music Hall in London and the Victoria Hall in Geneva, open the Byline Festival and Festival on the Close, and hold residencies at the Southrepps Music Festival and Hatfield House Chamber Music Festival. We will release our third album with BIS Records featuring new arrangements of works by Tchaikovsky in November 2022.

We are passionate about interdisciplinary projects, reaching new audiences, and engaging with different communities in the UK, across Europe and the Middle East.

Armed with the belief that music and ensemble playing can enrich people’s lives and promote cross-cultural understanding, we are committed to reaching new audiences through education work and initiatives that engage refugees and marginalised groups. We also seek ways to explore issues relevant to these communities through our artistic work.

Julian Azkoul
has appeared in over a dozen countries as a soloist, orchestral leader, and chamber musician. Invited to lead orchestras under Daniel Barenboim and the late Sir Colin Davis, he has featured as a soloist with the Lebanese National Philharmonic Orchestra, Cambridge University Symphony Orchestra, Hertfordshire Chamber Orchestra amongst others. Julian’s chamber music partners have included Walter Delahunt, Krysia Osostowicz, Ofer Falk, Joel Quarrington, Burt Wathen and Kate Whitley.

Since 2012, Julian is a member of the Verbier Festival Orchestras working with today’s most celebrated conductors and soloists. A regular guest, he leads Camerata Venia in Switzerland and has co-lead the Scottish Chamber Orchestra, Welsh National Opera, BBC Scottish Symphony Orchestra, Royal Philharmonic Orchestra, Hallé Orchestra and performs with the Orchestre de la Suisse Romande and the London Symphony Orchestra. He is a founding member of Trio Cardinale (1st Prize, Intercollegiate Piano Trio Competition 2013) with pianist Florian Mitrea and cellist Alexander Rolton. In the UK, Julian has appeared at the Spitalfields, Dartington, Latitude, Easter at King’s, Aldeburgh, Cowbridge and English Music festivals.

Julian read music at King’s College, Cambridge and obtained an MA (Distinction) at the Royal Academy of Music in London. His teachers included Stéphane Tran Ngoc, Ofer Falk and Mateja Marinkovic. He pursued further study with Lieke Te Winkel of the Universität fur Musik und darstellende Kunst in Vienna. Julian has a keen interest in Arabic music and has attended the Arabic Music Retreat in the USA on three occasions, working with masters Simon Shaheen, Bassam Saba and Charbel Rouhana.

Julian leads and manages the ensemble United Strings of Europe, a flexible group of twelve string players, under the baton of Franck Fontcouberte. He recently performed Arnold’s Concerto for Two Violins with the co-leader Ariel Lang. In 2016, the ensemble performed a new Double Concerto written for Julian and pianist Walter Delahunt by American composer David Winkler in France and Switzerland. Julian plays on a Dutch violin by Max Möller made in 1927. He has been a member of Camerata Alma Viva since 2014.

Booklet für Tchaikovsky: Serenade for Strings in C Major, Op. 48, TH 48 & Other Works