Dig Miles Davis & Sonny Rollins

• 1 Dig 07:37
• 2 It's Only A Paper Moon 05:27
• 3 Denial 05:42
• 4 Bluing 10:00
• 5 Out Of The Blue 06:16
• Total Runtime 35:02

Info zu Dig

„Tenor saxophonist Sonny Rollins was present as a member of the Miles Davis sextet (alto saxophonist Jackie McLean, pianist Walter Bishop, bassist Tommy Potter, drummer Art Blakey) on Dig, which was part of a 10/5/51 session, all of which was also on a two-fer. I love this music, but I have to admit it sounds dated. This wasn't Miles Davis' best, but I've always appreciated it for McLean's cutting sax work.“ (Bob Rusch, AMG)

Miles Davis, trumpet
Jackie McLean, alto saxophone (on Davis originals only)
Sonny Rollins, tenor saxophone
Walter Bishop, Jr., piano
Tommy Potter, double bass
Charles Mingus, double bass (on 'Conception' only)
Art Blakey, drums

Recorded October 5, 1951 at Apex Studio, New York
Produced by Bob Weinstock

Digitally remastered

Please Note: we do not offer the 192 kHz version of this album, because there is no audible difference to the 96 kHz version!

Miles Davis (1926-1991)
is one of the world’s most iconic, influential and acclaimed figures in the history of jazz, 20th century music and beyond. During his five-decade career as trumpeter, bandleader and composer, he was a prime mover and trendsetter in the evolution of jazz as an art form. Davis recorded a number of classic albums on Prestige Records between 1951 and 1961, including his debut as a bandleader, The New Sounds (1951), which also introduced Miles as composer of future bebop jazz standard “Dig”, a composition that has been recorded by numerous other jazz artists including Sonny Rollins, Archie Shepp and Donald Byrd. Miles’ next album Blue Period (1953) featured “Out Of The Blue” and “Bluing”, both of which were recorded during the making of The New Sounds album and reappeared on the 1956 album Dig along with the title track itself. In 1954 came the Miles Davis Quartet album, which featured “Tune Up”, “Smooch”, “Miles Ahead” and jazz standards “Four” and “Blue Haze”. The Musings Of Miles album (1955) featured yet another Davis standard “Green Haze”. What followed in 1956 for Davis was a busy year of recordings and releases including Miles Davis And Horns, which featured the composition “Down”, and Collectors’ Items, which featured the “The Serpent’s Tooth” and “Compulsion”. It was on the 1957 album Walkin’ that one of Davis’ greatest compositions, modern jazz standard “Solar” first appeared. Covered by dozens of jazz greats including Bill Evans, Dave Holland and Jack DeJohnette, the first two bars of “Solar” adorn Davis’ tombstone. Always an explorer of unknown musical paths, Davis the composer was a creature of innate intellect, primal instinct and improvisational perfection.

Booklet für Dig