Couperin: Concerts royaux Stephen Schultz, Jory Vinikour, Alexa Haynes-Pilon, Mindy Rosenfeld

• François Couperin (1668 - 1733): Concerts royaux, Deuxième concert in D Major:
• 1 Couperin: Concerts royaux, Deuxième concert in D Major: I. Prélude 02:18
• 2 Couperin: Concerts royaux, Deuxième concert in D Major: II. Allemande fuguée 02:07
• 3 Couperin: Concerts royaux, Deuxième concert in D Major: III. Air tendre 02:57
• 4 Couperin: Concerts royaux, Deuxième concert in D Major: IV. Air contrefugué 02:52
• 5 Couperin: Concerts royaux, Deuxième concert in D Major: V. Échos 03:33
• Concerts royaux, Troisième concert in A Major:
• 6 Couperin: Concerts royaux, Troisième concert in A Major: I. Prélude 03:40
• 7 Couperin: Concerts royaux, Troisième concert in A Major: II. Allemande 02:10
• 8 Couperin: Concerts royaux, Troisième concert in A Major: III. Courante 02:14
• 9 Couperin: Concerts royaux, Troisième concert in A Major: IV. Sarabande grave 03:08
• 10 Couperin: Concerts royaux, Troisième concert in A Major: V. Gavotte 01:42
• 11 Couperin: Concerts royaux, Troisième concert in A Major: VI. Musette 03:02
• 12 Couperin: Concerts royaux, Troisième concert in A Major: VII. Chaconne légère 03:25
• Concerts royaux, Premier concert in G Major:
• 13 Couperin: Concerts royaux, Premier concert in G Major: I. Prélude 02:25
• 14 Couperin: Concerts royaux, Premier concert in G Major: II. Allemande 01:59
• 15 Couperin: Concerts royaux, Premier concert in G Major: III. Sarabande 02:58
• 16 Couperin: Concerts royaux, Premier concert in G Major: IV. Gavotte 00:57
• 17 Couperin: Concerts royaux, Premier concert in G Major: V. Gigue 02:13
• 18 Couperin: Concerts royaux, Premier concert in G Major: VI. Menuet en trio 01:21
• Concerts royaux, Quatrième concert in E Minor:
• 19 Couperin: Concerts royaux, Quatrième concert in E Minor: I. Prélude 01:42
• 20 Couperin: Concerts royaux, Quatrième concert in E Minor: II. Allemande 01:39
• 21 Couperin: Concerts royaux, Quatrième concert in E Minor: III. Courante française 01:56
• 22 Couperin: Concerts royaux, Quatrième concert in E Minor: IV. Courante à l'italienne 03:01
• 23 Couperin: Concerts royaux, Quatrième concert in E Minor: V. Sarabande 02:53
• 24 Couperin: Concerts royaux, Quatrième concert in E Minor: VI. Rigaudon 01:24
• 25 Couperin: Concerts royaux, Quatrième concert in E Minor: VII. Forlane 03:00
• Total Runtime 01:00:36

Info zu Couperin: Concerts royaux

Following on the success of their widely acclaimed Music & Arts release J.S. Bach: Sonatas for Flute and Harpsichord, Stephen Schultz (Baroque flute) and Jory Vinikour (harpsichord) are joined by Alexa Haynes-Pilon (viola da gamba), and Mindy Rosenfeld (Baroque flute) in superlative performances of François Couperin’s four Concerts Royaux; works which stand among the pinnacles of the Golden Age that was French music during the reign of Louis XIV. No instrumental collection, not even further masterpieces by the same composer, can fairly be said to build on the peaks of beauty and elegance that Couperin achieved in the Concerts Royaux. This state-of-the-art recording was produced and engineered at Skywalker Sound by two-time Grammy Award winner Jack Vad (2012, 2021).

Stephen Schultz, baroque flute
Jory Vinikour, harpsichord
Alexa Haynes-Pilon, viola da gamba
Mindy Rosenfeld, baroque flute

Stephen Schultz
called “among the most flawless artists on the Baroque flute" by the San Jose Mercury News and “flute extraordinaire” by the New Jersey Star-Ledger, plays solo and Principal flute with the Philharmonia Baroque Orchestra and Musica Angelica and performs with other leading Early music groups such as Tafelmusik Baroque Orchestra, Apollo's Fire, Portland Baroque Orchestra, Wiener Akademie, and Chatham Baroque. Concert tours have taken him throughout Europe and North and South America with featured appearances at the Musikverein in Vienna, Walt Disney Concert Hall in Los Angeles, Royal Albert Hall in London, Concertgebouw in Amsterdam, Teatro Colón in Buenos Aires, Carnegie Hall, and the Library of Congress.

A graduate of the Royal Conservatory of Music in Holland, Schultz also holds several degrees from the California Institute of the Arts and the California State University of San Francisco. Currently he is an Associate Teaching Professor in Music History and Flute at Carnegie Mellon University and director of the Carnegie Mellon Baroque Orchestra. Mr. Schultz has also been a featured faculty member of the Jeanne Baxtresser International Flute Master Class at Carnegie Mellon University and has taught at the Juilliard School and the International Baroque Institute at Longy School of Music.

In 1986, Mr. Schultz founded the original instrument ensemble American Baroque. This unique group brings together some of America's most accomplished and exciting baroque instrumentalists, with the purpose of defining a new, modern genre for historical instruments. The group's adventurous programs combine 18th-century music with new works, composed for the group through collaborations and commissions from American composers.

As solo, chamber, and orchestral player, Schultz appears on over fifty recordings for such labels as Dorian, Naxos, Harmonia Mundi USA, Centaur, NCA, and New Albion. Schultz has produced and edited forty CDs for his colleagues and has also performed and recorded with world music groups such as D'CuCKOO and Haunted By Waters, using his electronically processed Baroque flute to develop alternative sounds that are unique to his instrument. He has been very active in commissioning new music written for his instrument and in 1998, Carolyn Yarnell wrote 10/18 for solo, processed Baroque Flute and dedicated it to Mr. Schultz. The Pittsburgh composer Nancy Galbraith wrote Traverso Mistico, which is scored for electric Baroque flute, solo cello, and chamber orchestra. It was given its world premiere at Carnegie Mellon University in April 2006 and this highly successful collaboration was followed in 2008 with Galbraith's Night Train, Other Sun in 2009, and Effervescent Air in 2012.

Jory Vinikour
is recognized as one of the outstanding harpsichordists of his generation. Born in Chicago, he came to Paris on a Fulbright scholarship to study with Huguette Dreyfus and Kenneth Gilbert. First Prizes in the International Harpsichord Competitions of Warsaw (1993) and the Prague Spring Festival (1994) brought him to the public’s attention, and he has since appeared in festivals and concert series, and as soloist with major orchestras, throughout much of the world. He has appeared as conductor/harpsichordist with the Juilliard415 Baroque orchestra at Carnegie Hall, as well as with the Los Angeles Chamber Orchestra, Hong Kong Philharmonic, Korea Chamber Orchestra, etc. He has collaborated with many of the most prominent singers of today, notably Swedish mezzo-soprano Anne Sofie von Otter, Rolando Villazon. His solo recordings have been widely praised in the international press. His recording of the complete works of Jean-Philippe Rameau (Sono Luminus, 2012) was nominated for a Grammy in the field of Best Classical Solo Instrumental Recording.

Alexa Haynes-Pilon
Recently described by Early Music America as “a special artist with a brilliant future,” Alexa Haynes-Pilon has quickly established herself in the early music scene, performing on baroque cello, viola da gamba, baroque bassoon and dulcian. She is the principal cellist of Musica Angelica Baroque Orchestra, a core member of Musica Pacifica, and a co-founder of Ensemble Bizarria, a Los Angeles-based early music chamber ensemble. She has performed with numerous American ensembles, including the American Bach Soloists, Los Angeles Chamber Choir, Opera NEO, Burning River Baroque, the Albany Consort, the American Contemporary Ballet, Los Angeles Baroque Players, and Con Gioia. In Toronto, she was a founding member of the early music ensemble, Rezonance, and performed with Accenti Vocali and played in Handel's Hercules with Tafelmusik Baroque Orchestra. Recent concerts and tours have taken her all over the United States and Canada, as well as Bogotà, Columbia, and Mexico City, Mexico. Recent recordings include American Bach Soloists, Aryeh Nussbaum Cohen Sings Gluck, Handel, & Vivaldi, as well as Agostino Steffani duets under the Musica Omnia label titled Agostino Steffani: A son trés-humble service, Duets for Sophie Charlotte of Hanover. She has recorded for the TV show, Hannibal, and was the featured solo cellist on the soundtrack to the highly acclaimed 2017 documentary That Never Happened: Canada's First National Internment Operations.

After completing her BMus and MMus in cello performance at Brandon University, Alexa Haynes-Pilon earned a performance certificate from the University of Toronto in connection with the Tafelmusik Baroque Orchestra, studying cello with Christina Mahler and viola da gamba with Joëlle Morton. Alexa recently completed her doctoral studies at the University of Southern California, where she studied baroque cello and viola da gamba with William Skeen, and baroque bassoon and dulcian with Charlie Koster. She has participated in most of the major Early Music festivals and workshops in North America including the Tafelmusik Winter and Summer Institutes, the American Bach Soloists Academy in San Francisco, the Vancouver Early Music Festival, the Twin Cities Early Music Festival, and the Boston and Berkeley Early Music Festivals.

Alexa’s passion is to create music and connect with members of the community, and because of this, she co-founded and is co-Artistic Director of Los Angeles Baroque (LAB), a community baroque orchestra based in South Pasadena, CA. In addition, she has introduced thousands of elementary and secondary school students to Renaissance and baroque winds and viols through her work with the Crumhorn Collective, in collaboration with Ars Lyrica Houston’s outreach program in Houston. Alexa has been a guest conductor for the Orange County Recorder Society, the Pacifica Viola da Gamba Society, and the Southern California Recorder Society. She has been a faculty member at the San Francisco Early Music Society (SFEMS) Recorder workshop, as well as a faculty member (viola da gamba and dulcian) at the Road Scholar Hidden Valley Workshop in Carmel Valley, CA. This past summer, she was on faculty (viola da gamba) at the Port Townsend Early Music Workshop near Seattle.

Mindy Rosenfeld
Fluent in the music of several eras, Mindy Rosenfeld is a founding member of the highly respected Baltimore Consort, with whom she tours extensively, and since 1989, of San Francisco’s Philharmonia Baroque Orchestra (“the nation’s premier early music ensemble”—New York Times), where she has performed under director Nicholas McGegan and guest conductors William Christie, Jordi Savall, Gustav Leonhardt, Andrew Parrott, Andrew Manze, Bernard Labadie and Trevor Pinnock; recorded extensively; and appeared in Lincoln Center’s Mostly Mozart Festival, the Berkeley Early Music Festival, BBC Proms (Royal Albert Hall), Concertgebouw (Amsterdam) and both Carnegie and Disney Halls. Principal Flutist and soloist with both the Symphony of the Redwoods (California) and the Mendocino Music Festival (California), as a guest artist Mindy has performed with American Bach Soloists (San Francisco), Portland’s Trinity Consort, Magnificat (San Francisco), the San Jose Symphonic Choir, San Francisco Bach Choir, Golden Gate Men’s Choir, Ukiah Symphony (as soloist), Modesto Symphony and numerous other Bay Area ensembles.mindy-early-flute-small The mother of five boys, with a BA in Flute Performance from the Peabody Conservatory (Baltimore) and an MA in Modern and Baroque Flute Performance from San Francisco Conservatory, Mindy divides her time between performing, touring, teaching, dancing, her family, and their garden.

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