Obsidian: Mika Sasaki plays Clara Schumann Mika Sasaki & Petteri Iivonen

• Clara Schumann (1819 - 1896): Deuxième scherzo in C Minor, Op. 14:
• 1 Deuxième scherzo in C Minor, Op. 14 04:32
• Clara Schumann: 3 Preludes & Fugues, Op. 16:
• 2 3 Preludes & Fugues, Op. 16: Prelude No. 1 in G Minor 01:56
• 3 3 Preludes & Fugues, Op. 16: Fugue No. 1 in G Minor 01:45
• 4 3 Preludes & Fugues, Op. 16: Prelude No. 2 in B-Flat Major 02:09
• 5 3 Preludes & Fugues, Op. 16: Fugue No. 2 in B-Flat Major 01:46
• 6 3 Preludes & Fugues, Op. 16: Prelude No. 3 in D Minor 02:16
• 7 3 Preludes & Fugues, Op. 16: Fugue No. 3 in D Minor 02:11
• Clara Schumann: Variations on a Theme by Robert Schumann, Op. 20:
• 8 Variations on a Theme by Robert Schumann, Op. 20: Theme 01:06
• 9 Variation 1 00:49
• 10 Variation 2 01:04
• 11 Variation 3 01:13
• 12 Variation 4 01:04
• 13 Variation 5 01:13
• 14 Variation 6 01:14
• 15 Variation 7 04:17
• Johannes Brahms (1833 - 1897): Variations on a Theme by Robert Schumann, Op. 9:
• 16 Variations on a Theme by Robert Schumann, Op. 9: Theme 01:23
• 17 Variation 1 01:18
• 18 Variation 2: Poco più moto 00:30
• 19 Variation 3: Tempo di tema 01:11
• 20 Variation 4: Poco più moto 00:45
• 21 Variation 5: Allegro capriccioso 00:55
• 22 Variation 6: Allegro 00:54
• 23 Variation 7: Andante 00:53
• 24 Variation 8: Andante (non troppo lento) 01:50
• 25 Variation 9: Schnell 00:39
• 26 Variation 10: Poco Adagio 02:17
• 27 Variation 11: Un poco più animato 00:45
• 28 Variation 12: Allegretto, poco scherzando 00:49
• 29 Variation 13: Non troppo Presto 00:43
• 30 Variation 14: Andante 01:26
• 31 Variation 15: Poco Adagio 01:42
• 32 Variation 16: Adagio 02:06
• Clara Schumann: 3 Romances, Op. 22:
• 33 3 Romances, Op. 22: No. 1. Andante molto 02:59
• 34 3 Romances, Op. 22: No. 2. Allegretto 02:48
• 35 3 Romances, Op. 22: No. 3. Leidenschaftlich Schnell 04:05
• Max Grafe (b.1988): Obsidian Liturgy:
• 36 Obsidian Liturgy 10:22
• Clara Schumann: Soirées musicales Op. 6:
• 37 Soirées musicales Op. 6: II. Notturno 04:58
• Total Runtime 01:13:53

Info zu Obsidian: Mika Sasaki plays Clara Schumann

Es ist noch nicht so lange her, da hatte jede Einspielung von Musik Clara Schumanns Raritätencharakter. Heute gehört zumindest ihr großartiges Klavier-OEuvre schon beinahe zum etablierten Repertoire. Und so lange es so gelungene Neueinspielungen wie dieses Album der US-amerikanischen Pianistin Mika Sasaki (ja, trotz des Namens geboren in New Jersey) gibt, kann das für Clara Schumanns Musik nur vorteilhaft sein. Dass das Album von Yarlung Records als, man möchte fast sagen goldbeschichtete High End-Klangskulptur angeboten wird, macht die Sache nur noch schöner. Sehr warme Empfehlung!!!

Mika Sasaki, Klavier
Petteri Iivonen, Violine

Mika Sasaki
has established herself as a sought-after chamber musician, soloist, and emerging educator. Since her solo debut with the Sinfonia of Cambridge at age seven, she appeared twice with the New Jersey Symphony Orchestra, and more recently with the 92Y Orchestra in New York City, playing Beethoven’s Fourth Piano Concerto. Mika has performed frequently in the U.S., Europe and Japan, at venues including the Weill Recital Hall at Carnegie, Steinway Hall, Alice Tully Hall, 92nd Street Y, New Jersey Performing Arts Center, Palazzo Chigi Saracini (Italy), Minatomirai Hall (Japan), Tokyo Bunka Kaikan (Japan), Seiji Ozawa Hall at Tanglewood, and live on WQXR radio. She recently recorded her debut album with Yarlung Records--"Obsidian: Mika Sasaki plays Clara Schumann" celebrates a selection of works by Clara Schumann, Johannes Brahms, and Max Grafe, and is scheduled for release at the end of 2016.

A versatile pianist praised for her musicianship, Mika has collaborated in diverse ensembles, sometimes serving as rehearsal pianist for choruses, score-reader for conductors’ classes, vocal coach and accompanist, or as pianist, celesta player, or harpsichordist in solo settings, chamber groups, and orchestras. As an accomplished chamber musician, she was recently invited to Music@Menlo as an international program artist, as well as the Tanglewood Music Center as a Leonard Bernstein Fellow, where her interpretation of Schubert’s “Grand Duo” for four-hands was hailed as a “colorful reading of the work … [with] nuance and sensitivity to Schubert’s music.” (Boston Musical Intelligencer). Most recently, she performed and taught as Artist in Residence at the pianoSonoma at Juilliard winter workshop in New York City, and pianoSonoma's summer festival in Sonoma County, California, in July.

Other festival appearances include the Estherwood Music Festival (U.K.), Aspen Music Festival, Yellow Barn Young Artists Program, Mannes Beethoven Institute, Icicle Creek Chamber Music Festival, Accademia Musicale Chigiana (Italy), Taos School of Music, ChamberFest at Juilliard, and the Focus! Festival. Her former mentors and coaches include members of the Avalon, Shanghai, Borromeo, and Brentano Quartets, Phyllis Bryn-Julson, Yoheved Kaplinsky, Robert McDonald, Tom Sauer, Ignat Solzhenitsyn, Peter Serkin, Yo-Yo Ma, Emanuel Ax, Wu Han, David Finckel, and Gilbert Kalish.

Mika grew up in Demarest, New Jersey, and began her studies with Olegna Fuschi at the Juilliard Pre-College division at the age of seven. Moving to Tokyo, Japan, in 2001 with her family, she returned to the U.S. to pursue her Bachelor and Master of Music degrees at the Peabody Conservatory under the tutelage of Benjamin Pasternack. A recipient of several awards in piano and chamber music including the Tony & Tina Guilder Scholarship Award in Piano, William H. Kaltenbach Jr. Endowed Scholarship, and Clara Asherfeld Award for Accompanying, she was invited to join the U.S. national music honor society, Pi Kappa Lambda, and received the Peggy & Yale Gordon Accompanist Recognition Prize, and Sidney Friedberg Prize in Chamber Music upon graduation.

Mika is currently pursuing a Doctor of Musical Arts degree as a C. V. Starr Doctoral Fellow at the Juilliard School, where she studied with Joseph Kalichstein as a recipient of the Isidore Kleppel Scholarship, Ryoichi Sasakawa Young Leaders Fellowship, Celia and Joseph Ascher Fund for Piano, and the C. V. Starr Doctoral Fellowship. At Juilliard, she has held several teaching fellowships and faculty assistantships (Piano Literature, Sight-Reading, Keyboard Skills, Secondary Piano, Music Theory), and taught undergraduate and graduate courses in Keyboard Skills and Piano Topics as a part-time faculty member. She is currently on the piano and keyboard skills faculty of the Juilliard Evening Division, and recently began her two-year fellowship as a pianist in Ensemble Connect (formerly Ensemble ACJW, or the Academy)--a program of Carnegie Hall, The Juilliard School, and Weill Institute in partnership with the New York City Department of Education.

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