Fire Fortellinger Lars Fredrik Frøislie

• 1 Rytter av dommedag 16:56
• 2 Et sted under himmelhvelvet 06:53
• 3 Jærtegn 06:27
• 4 Naturens katedral 16:36
• Total Runtime 46:52

Info zu Fire Fortellinger

Debut solo album from Wobbler’s Lars Fredrik Frøislie! Fitting perfectly into the 70s prog-rock tradition where the keyboardist makes a solo album between the band albums, this is music Frøislie has been doing, mostly alone, during the pandemic. Had it not been for the pandemic, much of the material would probably have ended up on a new Wobbler album - but then run through the Wobbler grinder and with English lyrics. In other words, this is unpeeled and raw, as spontaneous as possible without going through too many rounds of processing. Trying to preserve the impulsive - much of what you hear is improvised, and one-takes (preferably with playing errors and piano strings that break and the like). Trying to preserve the human aspect to a large extent, avoiding click tracks, auto-tune, MIDI or too much technology. Expect lots of old analogue keyboards such as cembalo, Mellotron, MiniMoog, Yamaha CP70 and Hammond organ.

Four tunes; Four stories: The first song "Rytter av dommedag" is themed around Ragnarok, when King Rakne awakens in his large burial mound outside Romerike and, together with the old gods, creates real mischief.

The second song “Et sted under himmelhvelvet” is dreamy, possibly set in a Renaissance garden near Florence or Arcadia. But in principle it can be anywhere where it feels good to be. It is partly about travelling to a place and feeling that you have been there before - only to find out that you had ancestors who lived there long ago.

The third song "Jærtegn" opens in a frenzy, with a horse and cart speeding through the forest. The wagon overturns at the same time as there is a solar eclipse, and the riders become eternal wanderers in the dark forest, only visible to us now and then like the northern lights, as they vainly stretch their arms towards the sun in the hope of finding their way home.

The final song “Naturens Katedral” is a depiction of the Norwegian mountains in winter where the cold is bitter, and blizzards and avalanches abound. It is also a search for bygone times when life was more basic out in the wilderness.

"To say I was not expecting how bloody good this album was going to be is an utter understatement. It may be presented as musical musings during lockdown but what Lars Fredrik Frøislie has created is one of the best 70’s influenced prog-rock keyboard albums of recent years. ‘Fire Fortellinger’ is that good that it will have you growing your hair, wearing flares and wondering why there are more than three channels on the TV. 2023 is proving to be yet another fantastic year for music and this record could just prove to be the best of the lot." (progradar.org)

Lars Fredrik Frøislie, drums vocals, Hammond C3 w/Leslie 147, Mellotron M400, Minimoog Model D, Chamberlin M-1, Hohner Clavinet D6, Yamaha CP70B, William de Blaise spinett, Arp Pro Soloist, Arp Axxe, Solina String Ensemble, Tremoloa, Fender Rhodes MKII, Wurlitzer 200, recorder
Nikolai Hængsle, Rickenbacker 4003, Fender Precision bass, Fender jazz bass

Keine Biografie vorhanden.

Dieses Album enthält kein Booklet