Marc-Antoine Charpentier: Pastorale sur la naissance de Notre Seigneur Jésus-Christ Ensemble Correspondances & Sébastien Daucé

• 1 Ouverture (Première version) 01:05
• 2 Que nos soupirs, Seigneur, réveille tes bontés (Première version) 01:33
• 3 Il est temps Seigneur que tu paraisses (Première version) 02:57
• 4 Ecoutez-moi, peuple fidèle (Première version) 02:18
• 5 Cieux, répandez notre rosée (Première version) 02:09
• 6 Simphonie de la Nuit (Première version) 04:21
• 7 Régnez, calme profond (Première version) 02:13
• 8 Dans ces lieux écartez (Première version) 03:02
• 9 De l'univers entier, apprenez le bonheur (Première version) 01:35
• 10 Célestes compagnons (Première version) 00:13
• 11 Gloire dans les hauts lieux (Première version) 01:15
• 12 Paix en terre (Première version) 02:22
• 13 Pasteurs, éveillez-vous (Première version) 00:27
• 14 Hélas, cette brebis si chère (Première version) 02:08
• 15 Heureuse, mille et mille fois (Première version) 00:34
• 16 Joignons nos flûtes (Première version) 01:01
• 17 Sont-ce pas nos bergers ? (Première version) 01:19
• 18 Cette nuit d'une vierge aussi pure que belle (Première version) 01:18
• 19 Oui le loup infernal (Première version) 00:28
• 20 Joignons nos flûtes (Première version) 01:01
• 21 Ritournelle (Première version) 00:48
• 22 C'est de l'homme aujourd'hui (Première version) 01:44
• 23 Grandes Antiennes O de l'Avent, H. 36-43: O Salutaris 02:03
• 24 Grandes Antiennes O de l'Avent, H. 36-43: O Sapienta 02:32
• 25 Grandes Antiennes O de l'Avent, H. 36-43: O Adonai 01:58
• 26 Grandes Antiennes O de l'Avent, H. 36-43: O Radix Jesse 01:43
• 27 Grandes Antiennes O de l'Avent, H. 36-43: Or nous dites Marie (Noël instrumental) 02:37
• 28 Grandes Antiennes O de l'Avent, H. 36-43: O Clavis David 02:03
• 29 Grandes Antiennes O de l'Avent, H. 36-43: O Oriens 01:50
• 30 Grandes Antiennes O de l'Avent, H. 36-43: O Rex Gentium 01:32
• 31 Grandes Antiennes O de l'Avent, H. 36-43: O Emmanuel 01:27
• 32 Grandes Antiennes O de l'Avent, H. 36-43: Or nous dites Marie (Ballard) 04:14
• 33 Heureux bergers (Deuxieme version) 02:30
• 34 Mais qui ne serait pas touché (Deuxieme version) 01:52
• 35 Non, l'haleine secourable (Deuxieme version) 02:22
• 36 Votre tendresse est équitable (Deuxieme version) 01:43
• 37 Chantez donc à l'envie (Deuxieme version) 00:50
• 38 Faisons de nos joyeux cantiques (Deuxieme version) 01:18
• 39 Menuet de la Bergère (Deuxieme version) 02:38
• 40 Ne laissons point sans louanges (Deuxieme version) 01:42
• 41 Le Soleil recommence à dorer nos montagnes (Troisième version) 02:13
• 42 Belle mais imparfaite figure (Troisième version) 00:49
• 43 Oui Seigneur (Troisième version) 00:46
• 44 Source de lumière et de grâce (Troisième version) 04:24
• Total Runtime 01:20:57

Info zu Marc-Antoine Charpentier: Pastorale sur la naissance de Notre Seigneur Jésus-Christ

In their first release on harmonia mundi France, Sébastien Daucé and his musicians present a sumptuous interpretation of the six-voice motets composed by Marc-Antoine Charpentier for the House of Guise. These works, headed by the Miserere, constitute an unexpected parenthesis in the music of the Grand Siècle. The creative genius, the inwardness and the intense fervour of a composer surrounded by his faithful company of singers and instrumentalists speak to us all the more intimately because Charpentier appears here as both copyist (the surviving scores are in his handwriting) and performer – he sang the haute-contre part.

Ensemble Correspondances
Sébastien Daucé, conductor

The ensemble Correspondances
presents mainly 17th century French sacred music; an era which saw produced a considerable number of masterpieces, some still unpublished, just waiting to be revived by young and passionate musicians.


Sébastien Daucé, the Artistic Director, and his musicians met while studying at the Conservatoire National Supérieur de Musique de Lyon. A dedicated collaboration blossomed to unearth rare and neglected musical treasures, revealing, through their interpretation, a whole range of emotions within these works.


Since its formation in 2009, the ensemble has performed in France, Switzerland, Germany, Italia, Japan and South-America. Its first recording for Zig-Zag Territoires, O Maria !, featuring motets by Marc-Antoine Charpentier was released in 2010 to great critical acclaim (Choc de Classica Diapason découverte, Coup de cœur de l'Académie Charles Cros, ***** Fonoforum and Supersonic in Pizzicato). This was followed by L'Archange et le Lys, a collection of motets by Antoine Boësset, the first recorded anthology of the composer.

The ensemble has recently appeared at the Saintes festival, OudeMuziek festival in Utrecht, Easter Festival in Fontevraud, Printemps des Arts de Nantes, Nuremberg, Paris, Rome and Fribourg. They have recorded extensively for the radio: Bayerischer Rundfunk, Radio-France and Radio Suisse Romande. Highlights of the forthcoming season include festival d’Ambronay, Abbaye de Royaumont, festival de Lanvellec, and a Asian tour in April 2013.

Sébastien Daucé
After a specialized program at the National Conservatory of Music of Lyon, Sébastien Daucé played under the direction of Kenneth Weiss (Didon and Aeneas, Madrigal of Monteverdi), of Gabriel Garrido (Ercole Amante of Cavailli, in the Academy of Baroque Opera at Ambronay, and recently for the recording of another Cavalli opera, Gli Amori d’Apollo e Datne,) of Raphaël Pichon (Pygmalion), of Toni Ramon (Radio France), of Françoise Lasserre (Akademia) and Geoffroy Jourdain (The Crys of Paris).

He was the assistant of Kenneth Weiss’s for the 2006 and 2007 academies at the Festival d’Art Lyrique in Aix en Provence (France).

In 2006, he founded the Ensemble Correspondances. The first concerts of this ensemble, made up of young musicians from the National Conservatory of music of Lyon and of Paris, took place in France and in Switzerland. During this time, they were recorded and aired on the radio. The Ensemble Correspondances toured Japon in December 2009 ; and have played in some prestigious festivals (Pontoise, Saintes, Utrecht). Their two firsts Cds have been recorded on the ZigZag Territories label : they both received notable press such as Choc de Classica and a Diapason découverte. Sébastien Daucé has worked, as well in the past few years, on Marc-Antoine Charpentier; in which he has published in the Abbesses Editions, three operas, in collaboration with William Christie. From 2012, he is a teacher at the Pole Supérieur Paris-Boulogne.

Booklet für Marc-Antoine Charpentier: Pastorale sur la naissance de Notre Seigneur Jésus-Christ