Stravinsky: The Firebird Suite / Falla: El Amor Brujo; El Sombrero De Tres Picos Radio-Symphonie-Orchester Berlin & Lorin Maazel; Grace Bumbry

Album Info

Album Veröffentlichung:
1995

HRA-Veröffentlichung:
22.12.2011

Label: Deutsche Grammophon (DG)

Genre: Classical

Subgenre: Orchestral

Interpret: Radio-Symphonie-Orchester Berlin & Lorin Maazel; Grace Bumbry

Komponist: Igor Stravinsky (1882–1971), Manuel de Falla

Das Album enthält Albumcover

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  • 1 Introducción y escena 00:41
  • 2 En la cueva. La noche 02:00
  • 3 Canción del amor dolido 01:28
  • 4 El aparecido 00:13
  • 5 Danza del terror 01:56
  • 6 El círculo mágico 02:03
  • 7 A media noche. Los sortilegios 00:35
  • 8 Danza ritual del fuego, para ahuyentar los malos espí 03:53
  • 9 Escena 00:55
  • 10 Canción del fuego fátuo 01:48
  • 11 Pantomima 03:57
  • 12 Danza del juego de amor 02:59
  • 13 Final. Las campanas del amanecer 01:16
  • 14 Dance of the miller's wife 08:00
  • 15 Dance of the neighbours 03:34
  • 16 The miller's dance 02:35
  • 17 El sombrero de tres picos / Part 2 06:09
  • 18 Introduction 03:24
  • 19 Variation of the Firebird 01:15
  • 20 Round Dance of the Princesses 05:30
  • 21 Infernal Dance of King Kaschei 03:56
  • 22 Lullaby (Berceuse) 03:26
  • 23 Finale 03:25
  • Total Runtime 01:04:58

Info zu Stravinsky: The Firebird Suite / Falla: El Amor Brujo; El Sombrero De Tres Picos

'The most striking thing about Maazel's El amor brujo is the splendid contribution of Grace Bumbry ... she catches the flamenco style vibrantly and her dark timbre has an idiomatic 'throaty' clang. There has never been a finer recorded account of the 1919 version of the Firebird Suite than Maazel's. This is a truly legendary performance.' (The Penguin Guide)

Radio-Symphonie-Orchester Berlin
Lorin Maazel, Conductor
Grace Bumbry, Mezzo-Soprano

Lorin Maazel - Conductor
The conductor Lorin Maazel was born in France of American parents. He was brought up and educated in the USA. His possession of absolute (perfect) pitch and photographic memory were discovered when he was four years of age. His musical studies began the next year with violin and piano. He also studied conducting in Pittsburgh with Vladimir Bakaleinikoff. At the age of seven, he was invited by Arturo Toscanini to conduct the N.B.C. Symphony, and subsequently led the New York Philharmonic Orchestra in summer concerts at Lewisohn Stadium. In 1939, at the age of nine, he conducted the Interlochen Orchestra at the New York World's Fair, and the Los Angeles Philharmonic Orchestra in the Hollywood Bowl, sharing a program with Leopold Stokowski. He made his Cleveland Orchestra debut on March 4, 1943, at a pension fund concert in Public Music Hall.

At the age of sixteen, Lorin Maazel entered the University of Pittsburgh to study languages, mathematics, and philosophy. While a student, he was a violinist with the Pittsburgh Symphony Orchestra, served as apprentice conductor during the 1949-1950 season, and organized the Fine Arts Quartet of Pittsburgh. In 1951 he studied baroque music in Italy on a Fulbright Fellowship, and began conducting leading European orchestras. In the summer of 1952, he conducted the Cleveland Summer Orchestra (Cleveland Pops) in two concerts at Public Hall.

Lorin Maazel was the first American and youngest conductor to conduct at Byreuth. He has conducted throughout Europe, Australia, North and South America, Japan, the former Soviet Union, at most international festivals and opera houses including Salzburg, Edinburgh and Lucerne, the Metropolitan Opera, La Scala, Paris Opera, and Covent Garden. He has appeared with all the major symphony orchestras including the Boston Symphony Orchestra, New York Philharmonic Orchestra, Chicago Symphony Orchestra, and Philadelphia Orchestra.

Lorin Maazel began his tenure as the fifth Music Director of the Cleveland Orchestra at the beginning of the 1972-1973 season, a position he held for ten years. During his tenure in Cleveland, he appeared with the orchestra in some 700 performances, made seven international tours with the orchestra: The opening week of the Sydney Opera House in Australia (1973), Japan (1974), Latin America (1975), Europe (1976 and 1979), Mexico City (1977), and the Orient (Hong Kong, Korea, Japan, 1978). He brought opera back to Severance Hall in 1974 with the performance of Richard Strauss, Elektra.

From September 1982 to 1984, Lorin Maazel was General Manager and Artistic Director of the Vienna State Opera. He was the first American to hold that position. He is currently the Music Director of the Pittsburgh Symphony Orchestra. Among his many decorations, awards, and recording prizes are the Comander's Cross of Merit of the Federal Republic of Germany, the Legion of Honor of France, and the Commander of the Lion of Finland. He has also been awarded the title of Ambassador of Good Will by the United Nations. He was named an honorary life member of the Israel Philharmonic Orchestra in 1985 when he conducted its 40th Anniversary concert. He has received ten Grand Prix du Disque awards.

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