Live in Tokyo (Remastered) Charles Tolliver & Music Inc

• 1 Drought (Live) 12:21
• 2 Stretch (Live) 10:44
• 3 Truth (Live) 07:08
• 4 Effi (Live) 10:45
• 5 Round Midnight (Live) 08:39
• Total Runtime 49:37

Info zu Live in Tokyo (Remastered)

One of the standouts in a great 70s run of albums from trumpeter Charles Tolliver – standard-setting records for the spiritual jazz scene of the time – and maybe one of his most far-reaching records for the Strata East label!

Toilliver's in very strong company – as the group on the set features Stanley Cowell on piano, Clint Houston on bass, and Clifford Barbaro on drums – and although Tolliver's trumpet solos are always a treat, the interplay between Houston's bass and Cowell's piano is enough reason to buy the record!

The highlight of the album is a great take of Cowell's modal groover "Effi", but the set also contains some masterful compositions by Tolliver – long versions of "Truth", "Stretch", and "Drought". Complicated, spiritual work – even more so than some of Tolliver's studio sessions – with very long live performances that really step out!

It's incredible to witness this resurgence of Strata-East's recordings over the last few years - an appreciation for the label's ground-breaking approach to music-making, backed by a phenomenal catalogue, continues to attract listeners both new as well as it's devoted faithful once again giving rise to it's revered and cult-like status. The label's return to prominence and it's subsequent reintroduction to new audiences has been aided, in no small part, by reissues like these - Pure Pleasure as a prime example of a label that lovingly curates these treasured releases, repackaging them for vinyl enthusiasts the world over. There's certainly a keen eye that goes into the joyous task of plunging through the Strata-East vaults and although Charles Tolliver and Music Inc's 'Live in Tokyo 1973' isn't as forgotten a treasure as previous Pure Pleasure reissues of projects like Stanley Cowell's 'Such Great Friends' may be, it's no less of an incredible project to revisit in this way. Recorded 7th December 1973, the fifth album by trumpeter Charles Tolliver and his quartet of musicians comprising Music Inc performed a 50-minute set in Tokyo's Yubinchokin Hall. The performance was initially released through Strata-East the following year and would even be revisited a further time by Mosaic Records in 2005 as part of a three-disc box set - all of this a true testament to the masters of the craft gracing the stage on this night. Despite the slew of releases with Music Inc, Tolliver boasts an incredible resume that has seen him perform alongside luminaries including Horace Silver, Andrew Hill, Roy Ayers, Gary Bartz amongst others. Born in Jacksonville, Florida, and raised in New York from the age of 10 years old, Tolliver's inspired contributions to jazz couldn't be celebrated enough - from his innumerable successes as a musician in his own right to his achievements as co-founder of Strata along with Stanley Cowell. Despite neither having any formal or business training, Tolliver and Cowell's pioneering efforts positioned them as beacons for being an independent, black-owned success story. With the Music Inc quartet comprised of bassist Clint Houston, drummer Clifford Barbaro and Stanley Cowell on piano, Tolliver and company present a set of five compositions including tracks from the pen of the trumpeter himself ('Drought' and 'Stretch') as well as a heralded rendition of 'Round Midnight' initially composed by Thelonious Monk. Kicking the project off with the exquisite slow build of 'Drought' which starts with Tolliver's trumpet holding court on centre stage while the glorious crescendo builds around him. 'Stretch' eschews in another high-energy number before making way to the sublime lament of 'Truth'. 'Live in Tokyo 1973' is certainly a project that has been afforded it's due reverence over the years but once again, an exceptional performance from Charles Tolliver and Music Inc benefits from an unrivalled presentation at the hands of Pure Pleasure.

Charles Tolliver, trumpet
Stanley Cowell, piano
Clint Houston, bass
Clifford Barbaro, drums

Recorded on 7th December 1973 at Yubinchokin Hall Tokyo, Japan

Digitally remastered

Charles Tolliver
began his professional career and simultaneously his recording debut with the saxophone giant Jackie McLean on Blue Note Records in 1964. Since then he has become one of the all time preeminent trumpeters in Jazz as well as one of its most gifted composer/arranger bandleaders. He is also a Grammy nominated recipient for his Blue Note Records recording “With Love”.

With a career that has spanned five decades he has recorded and/or performed with such renowned artists as Roy Haynes, Hank Mobley, Willie Bobo, Horace Silver, McCoy Tyner, Sonny Rollins, Booker Ervin, Gary Bartz, Gerald Wilson Orchestra, Oliver Nelson, Stanley Cowell, Herbie Hancock, Andrew Hill, Louis Hayes, Roy Ayers, Art Blakey & the Jazz Messengers, and owned the trumpet chair with the great Max Roach for some years.

Dizzy Gillespie, when asked in a Downbeat magazine interview with Herb Nolan, “what trumpet players do you hear today whom you like”, Dizzy’s reply, “Charles Tolliver – I like him”. Charles Tolliver, entirely self-taught, is a remarkable talent who has gained an outstanding reputation as a trumpetist, bandleader, composer, arranger, and educator. Born in Jacksonville, Florida in 1942, his musical career began at the age of 8 when his beloved grandmother, Lela, presented him with his first instrument, a cornet, and the inspiration to learn.

After a few years of college majoring in pharmacy at Howard University, and formulating his trumpet style, Charles began his professional career with the saxophone giant Jackie Mclean. Making his recording debut with McLean on Blue Note Records in 1964, Charles has since recorded and/or performed with such renowned artists as Roy Haynes, Hank Mobley, Willie Bobo, Horace Silver, McCoy Tyner, Sonny Rollins, Booker Ervin, Gary Bartz, Herbie Hancock, The Gerald Wilson Orchestra, Oliver Nelson, Andrew Hill, Louis Hayes, Roy Ayers, Art Blakey & the Jazz Messengers, and Max Roach.

Charles Tolliver has been a recipient of the Downbeat Critic’s Choice for the Trumpet category. In 1969 he formed the quartet Music Inc which has become internationally respected for its innovative trumpet quartet approach. Charles and his Music Inc, has toured in North and South America, Europe, Scandinavia, and Japan performing at festivals, concerts, radio and television stations. In 1970 he and his alter ego fellow musician artist Stanley Cowell created Strata-East Records which he has steadfastly kept alive straight into the present. During the ’80s and ’90s he continued touring with his small group, MUSIC INC, and on a number of occasions performed his large ensemble compositions and arrangements as soloist with practically every European Radio/TV Jazz orchestra. Having already issued on his Strata-East label two critically acclaimed big band LPs, “Music Inc & Big Band” and “Impact”, now in the new millennium he once again returned to the big band format. In 2007 he issued on Blue Note Records his big band recording entitled, “With Love” which was immediately Grammy Nominated. The Jazz Journalists Association presented him with the “Best Large Ensemble of the Year 2007” award for his new tour de force group The Charles Tolliver Big Band. In an historic reenactment & presentation at Town Hall in 2009 for the 50th anniversary celebration of Thelonious Monk’s historic 1959 Town Hall concert, he was featured performing his definitive transcription of the lost scores of arranger Hal Overton’s orchestrations of Thelonious’ music exactly as it was performed & recorded for the original concert. His newest big band CD “Emperor March” recorded live at the Blue Note New York City was released in March 2009.

Charles has perfected an extremely individual and distinctive sound which clearly sets him apart from other trumpet players. Characterized by a strong sense of tradition, he said in a recent Downbeat magazine interview about his approach to improvising that, “I like to rumble. I take the most difficult routes for improvisation. It’s easy to play a number of choruses effortlessly and never make a mistake, never break down. That’s no fun. You need to get in hot water by trying something out right from the jump, get yourself out of that, and move on to the next chorus.”

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