Album Info
Album Veröffentlichung:
2021
HRA-Veröffentlichung:
12.02.2021
Label: Navona
Genre: Classical
Subgenre: Chamber Music
Interpret: Moore, Phillips, Leventhal, Miller, Usiskin, Hodgkinson, Samolesky
Komponist: Carl Vollrath (1931)
Das Album enthält Albumcover
- Carl Vollrath (b. 1931):
- 1 Vollrath: Merging Memories 08:27
- 2 Vollrath: Testament II 11:46
- 3 Vollrath: The Unknown Harbinger 11:22
- Trio for Violin, Clarinet & Piano:
- 4 Vollrath: Trio for Violin, Clarinet & Piano: I. Moonlit Shadows 06:11
- 5 Vollrath: Trio for Violin, Clarinet & Piano: II. Haunting Thoughts 08:25
- 6 Vollrath: Trio for Violin, Clarinet & Piano: III. Scherzare 04:37
- Pollock's Pictures:
- 7 Vollrath: Pollock's Pictures: I. Guardians of the Secret 06:58
- 8 Vollrath: Pollock's Pictures: II. Convergence 08:21
- 9 Vollrath: Pollock's Pictures: III. Cathedral 09:33
- Carl Vollrath:
- 10 Vollrath: Testament I 08:50
- Clarinet Sonata No. 4:
- 11 Vollrath: Clarinet Sonata No. 4: I. Swiftly and Lightly 02:35
- 12 Vollrath: Clarinet Sonata No. 4: II. Dreamily 05:17
- 13 Vollrath: Clarinet Sonata No. 4: III. Rustic 01:36
- 14 Vollrath: Clarinet Sonata No. 4: IV. Swiftly 03:23
- 15 Vollrath: Clarinet Sonata No. 5: I. Expressive 07:00
- 16 Vollrath: Clarinet Sonata No. 5: II. Fast 05:19
- Carl Vollrath:
- 17 Vollrath: Bela's Bash 09:52
- 18 Vollrath: Farewell to a Virgin 10:17
Info zu Transit Voices
Navona Records is proud to release TRANSIT VOICES from composer Carl Vollrath. Featuring a series of works for clarinet, the album grapples with existential questions; who were the humans of prehistory, and what defining qualities do our spirits share in common with theirs? Vollrath imagines these clarinet pieces as found archaeological objects, voices from long ago that have somehow made their way to our present-day ears. Inspired by Andrew Robinson's book Lost Languages: The Enigma of the World's Undeciphered Scripts, the music plums a cavernous underworld for clues toward a deeper understanding of human existence. This newest album comes on the heels of Vollrath’s acclaimed THE UNFOLDING FLUTE (2020) and is sure to delight listeners with its rich and dynamic works for clarinet.
Rane Moore, clarinet
Timothy Phillips, clarinet
Sharan Leventhal, violin
Jonathan Miller, cello
Laura Usiskin, cello
Randall Hodgkinson, piano
Jeremy Samolesky, piano
Rane Moore
is well-regarded for her thoughtful, provocative interpretations of standard and contemporary repertoire. Fiercely devoted to the new music communities of the East Coast and beyond, Moore is a founding member of the New York based Talea Ensemble which regularly gives premieres of new works at major venues and festivals around the world. Ms. Moore has recently joined the award winning wind quintet, The City of Tomorrow, and is also a member of Boston’s Callithumpian Consort and Sound Icon.
Recent projects with legendary saxophonist Steve Coleman have yielded recordings and performances at The Village Vanguard, Newport Jazz Festival, Saalfelden Jazz Festival, and Jazz à la Villette in Paris. Moore is also a regularly invited collaborator with the International Contemporary Ensemble (ICE), Bang on a Can All-Stars, New York New Music Ensemble, Boston Musica Viva, Emmanuel Music, A Far Cry, Boston Modern Orchestra Project, Boston Ballet Orchestra and is the principal clarinetist for the Boston Philharmonic and Boston Landmarks Orchestra.
Ms. Moore's latest festival and series performances include high profile events at the Tanglewood Music Festival, Lincoln Center Festival, Wien Modern, Warsaw in Autumn, ECLAT in Stuttgart, Darmstadt International Music Festival, Resonant Bodies Festival in New York, Festival Musica Strasbourg, Luxembourg Philharmonie, Project Gruppe Neue Musik in Bremen, Monday Evening Concerts in Los Angeles, Ojai Music Festival, Cervantino Festival in Mexico, Time of Music in Finland, Bludenzer Tage Zeitgemäßer Musik, Transit Festival in Belgium, Time Spans in Colorado and New York, Contempuls 5 in Prauge, Sacrum Profanum in Krakow, June in Buffalo, as well as local and emerging series such as Monadnock Music, Rockport Music, Kingston Chamber Music Festival, Town Hall Concerts in Seattle, and Trinity Wall Street in New York.
Ms. Moore is a passionate educator and is on the faculty at Boston Conservatory at Berklee, Longy School of Music of Bard College, and the Summer Institute for Contemporary Performance Practice at New England Conservatory.
Ms. Moore is the co-artistic director of Winsor Music, a much beloved chamber music series and musical outreach organization in the Boston area.
She has recordings on over a dozen labels including Tzadik, Pi, Wergo, Kairos and ECM records. Critics have praised her "enthralling," "tour-de-force," and "phenomenal" performances.
Timothy Phillips
is Associate Professor of Clarinet at the John M. Long School of Music at Troy University in Troy, Alabama. Since joining the Troy University faculty in 2006, he founded Troy University Clarinet Day, which brings high school, college, and professional clarinetists together each spring at the John M. Long School of Music for performances and master classes. Timothy is also creator and host of a weekly program on Troy Public Radio WTSU called “Clarinet Corner,” and a Buffet Crampon, BG, and Vandoren Performing Artist. His teaching is featured on the PlayWind “app” developed by Buffet Crampon.
Timothy has served as President of the Higher Education Division of the Alabama Music Educators Association and he has performed at previous AMEA Conferences. He has served as Social Media Editor of the International Clarinet Association and has performed at numerous ICA ClarinetFest® conferences including those in: Lawrence, KS (2016), Baton Rouge, LA (2014), Assisi, Italy (2013), Los Angeles, CA (2011), Austin, TX, (2010), and Kansas City, MO (2008). He presented his paper, “The Longing Voice: Schubert’s Der Hirt auf dem Felsen” at ClarinetFest® 2004 in College Park, Maryland. He also performed at the National Association of College Wind and Percussion Instructors National Conference in Gainesville, Florida in 2011 and the College Music Society National Conference in Atlanta, Georgia in 2008.
As soloist, he has performed with Concerto Avenna in Warsaw, Poland, University of Illinois Symphonic Band, University of Illinois Summer Band, and with the Troy University Symphony Band, Troy University Concert Chorale, Troy University Percussion Ensemble, and various high school bands in the Southeastern United States. In 2011, he premiered works as soloist with the International Clarinet Choir, organized by the Träumerei Clarinet Ensemble in New York City and with the Troy University Symphony Band in Vancouver and Whistler, Canada on their first-ever international tour. Timothy has performed as principal clarinetist of the Northwest Florida Symphony Orchestra and he has performed with Sinfonia da Camera in Illinois.
An active proponent of music by living composers, he has commissioned works from Lane Harder, Noah D. Taylor, David Maslanka, Jeff Brooks, Gary Schocker, Jorge Montilla, James M. Stephenson, James David, Scott McAllister, and Bill Douglas, and he has premiered works by Alain Mayrand, Jorge Montilla, Traci Mendel, Don Bowyer, and Carl Vollrath.
In 2013, 2011, and 2009, Timothy performed and taught at Clarimania, a bi-annual event held at the Karol Lipinski Academy of Music in Wrocław, Poland. In 2013, he taught master classes at the Prague Conservatory of Music, the Prague Academy of Music, and the Royal Northern College of Music. He also performed recitals of “American Music for Clarinet and Marimba” with his colleague T. Adam Blackstock on this tour. In 2010, Timothy served on the jury for the International Woodwind Instruments Clarinet Competition in Warsaw, Poland with clarinetists Florent Héau, Ludmila Peterkova, and Nicolas Fargeix. Timothy has also served as a judge for the International Clarinet Association High School Competitions in 2017, 2016, and 2015, the Young Artists Woodwind Competition for the Mississippi chapter of the Music Teachers National Association in 2015, the University of Oklahoma Clarinet Symposium Young Artists Competition in 2010, and the Northwest Florida Symphony Orchestra Guild Concerto Competition in 2008 and 2006.
Timothy completed the Doctor of Musical Arts and Master of Music degrees in clarinet performance at the University of Illinois at Urbana-Champaign. He holds the Bachelor of Music Education degree from the University of Colorado at Boulder. His principal teachers included: J. David Harris, Daniel Silver, Bil Jackson, and Philip Aaholm. Timothy received the Phi Kappa Phi Artist Award from the Troy University chapter of Phi Kappa Phi and the Albert Austin Harding Award from the University of Illinois Bands.
Timothy lives in Montgomery, Alabama with his wife Katrina, daughter Violet, son Evan, and two giant dogs.
Carl Vollrath
Born in New York City to German parents, Carl Vollrath attended Newton High School. He received a B.A. from Stetson University, a M.A. from Columbia University, and the Ed.D from Florida State University. Vollrath studied composition with Ernst von Dohnanyi, Carlisle Floyd, and John Boda. He served with the West Point Military Band at West Point NY from 1953 to 1956 and was a music consultant in Miami FL from 1956 to 1958. He joined the Troy University (AL) faculty in 1965.
Major works include 6 symphonies for band, an opera - The Quest - and a large collection of chamber music, all published by Tap Music. MMC Recordings has released 3 albums of Vollrath’s works, including a 2-disc album of clarinet works recorded by Richard Stoltzman entitled Jack’s Fat Cat (2008).
Dieses Album enthält kein Booklet