Sweet Chaos Damian Lewis

Album Info

Album Veröffentlichung:
2026

HRA-Veröffentlichung:
05.06.2026

Label: Thin Red Duke

Genre: Rock

Subgenre: Blues-Rock

Interpret: Damian Lewis

Das Album enthält Albumcover

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  • 1 No Man's Land 03:59
  • 2 Traffic Jam 03:41
  • 3 Sweet Chaos 03:56
  • 4 King 03:57
  • 5 Leech 04:37
  • 6 Advent 04:10
  • 7 Question Mark 04:00
  • 8 Pentonville Prison 04:40
  • 9 Grey at the Temple 01:54
  • 10 Fix Me Up 03:25
  • Total Runtime 38:19

Info zu Sweet Chaos

Damian Lewis, weltweit anerkannt und mittlerweile als überzeugender Musiker fest etabliert, kehrt mit „Sweet Chaos“ zurück – einem kraftvollen Nachfolger seines gefeierten Debütalbums „Mission Creep“ aus dem Jahr 2023, das Blues-Rock, Indie-Rock und gefühlvollen Pop mit filmischer Erzählkunst und roher emotionaler Intensität verbindet.

Aufgenommen in West-London mit dem renommierten Produzenten Guy Chambers (Robbie Williams) sowie den Mitwirkenden Dave Archer (Gitarre) und Will Cleasby (Schlagzeug), fängt das Album einen weitreichenderen und dynamischeren Sound ein.

Vom nachdenklichen, bluesgetränkten Opener „No Man’s Land“ über die selbstbewusste Pop-Funk-Erzählung von „Pentonville Prison“ bis hin zur hymnischen Kraft von „Traffic Jam“ erkundet „Sweet Chaos“ Themen wie Liebe, Verlust, Frustration und Befreiung. Zu den Höhepunkten zählen „Leech“, eine scharfsinnige Indie-Rock-Kritik an der Einmischung der Medien, das eindringliche und intime „Question Mark“ sowie der mitreißende Schlusstrack „Fix Me Up“ mit Alison Mosshart von The Kills.

Geschrieben in den Jahren nach einem tiefgreifenden persönlichen Verlust, markiert Sweet Chaos einen Wandel von der Zärtlichkeit von Lewis’ Debüt hin zu etwas Dringenderem, Unruhigerem und bisweilen Konfrontativem. Hier gibt es Wut, aber auch Wärme, Humor und Momente der Erhebung – besonders in Titeln wie dem temperamentvollen „Advent“ und dem weitläufigen, nachdenklichen „King“. Mit lebhafter Lyrik und einer unverwechselbaren Gesangsstimme widmet sich Lewis einer Erzählkunst, die sich sowohl zutiefst persönlich als auch universell anfühlt.

Das Album wurde im Studio mit einem zeitgemäßeren Ansatz neu konzipiert und überarbeitet und spiegelt Lewis’ kontinuierliche Entwicklung als Songwriterin und Performerin wider. Inspiriert von der Energie live auftretender Musik wirkt „Sweet Chaos“ unmittelbar und mitreißend – ein Album, das Unvorhersehbarkeit und Wandel begrüßt, auf dem Momente des Umbruchs etwas unerwartet Kraftvollem weichen.

Damian Lewis, Gitarre, Gesang
Alison Mosshart, Gesang (Tracks 1, 10)
Dave Archer, Rhythmusgitarre
Will Cleasby, Schlagzeug




Damian Lewis
was raised on Abbey Road in London until the age of 8 with his siblings Gareth, William and Amanda. Beginning in 1979, he attended Ashdown House Boarding School in Forest Row, East Sussex and went on to Eton College where, at the age of 16, he formed his own theatre company The Chameleons. After Eton, he took a year to travel in Africa and upon his return studied at Guildhall School of Music and Drama between 1990 and 1993. He began his work as a stage actor at Birmingham Repertory Theatre in Romeo and Juliet and Rope soon after graduating from drama school. Damian performed in Moliere’s School for Wives at the Almeida, played the Dane himself in Hamlet at the Open Air Theatre and made his Broadway debut as Laertes to Ralph Fiennes’ Hamlet in 1995. Damian then joined the Royal Shakespeare Company until 1999 and received the Ian Charleson Award, rewarded annually to the best classical stage performances in Britain by actors under age 30, for his portrayal of Borghejm in Henrik Ibsen’s Little Eyolf.

Damian got his first major television break in Warriors (1999), followed by his portrayal of U.S. Army Officer and decorated war veteran Major Richard “Dick” Winters in the HBO/BBC miniseries Band of Brothers (2001), which earned him critical acclaim and his first Golden Globe nomination. He went on to do several other major projects over the next decade, including The Forsyte Saga (2002) and Life (2007) on the small screen, Keane (2004), An Unfinished Life (2005), The Escapist (2008), and more on the big screen, and Five Gold Rings, Pillars of the Community and The Misanthrope on stage.

His equally notable role as U.S. Marine Sergeant Nicolas Brody in the Showtime hit series Homeland (2011) earned him a Primetime Emmy Award and a Golden Globe Award. His performance as Henry VIII in BBC/PBS miniseries Wolf Hall (2015) earned him his third Primetime Emmy nomination and fourth Golden Globe nomination. Damian played New York hedge fund titan Bobby Axelrod in the Showtime hit series Billions from 2016-2021, and again in 2023 for the final season.

Damian returned to stage in the last few years in two modern American plays, David Mamet’s American Buffalo and Edward Albee’s The Goat, or Who is Sylvia? In 2019 he played the Guest Inspector in the play Whodunnit [Unrehearsed] and again in 2024 for Whodunnit3 [Unrehearsed]. During the 2020-2021 pandemic, Damian performed in various virtual theatrical projects for Theater of War Productions, such as Sophocles’ Ajax and Philoctetes, as well as Oedipus. And he played Percy Bysshe Shelley in the virtual production of Lift Me Up, I am Dying. In 2022 Damian returned to musical theatre in Stephen Sondheim’s Old Friends tribute concert and gala, playing the wolf alongside Bernadette Peters from Into the Woods. In October 2023 Damian performed in Noel Coward’s London Calling! at the Duke of York’s theatre in the West End. In 2024 Damian performed various roles, such as Mark Antony, Hamlet, Pothumus, Quince, and Henry V in Shakespeare for Everyday of the Year – Live! at Regent’s Park Open Air Theatre.

His recent film credits include Our Kind of Traitor (2016), Run This Town (2019), Once Upon a Time…in Hollywood (2019), Dream Horse (2020), The Radleys (2024), Pressure (2025) and Fackham Hall (2025). Damian played vampire twins Peter and Will Radley in the dark comedy The Radleys, which had its World Premiere at the Edinburgh International Film Festival on August 20, 2024. Wide release was October 4, 2024 in the US and October 18 in the UK. Damian also served as executive producer on the film through his Ginger Biscuit Entertainment company. In September of 2024 it was announced Damian would be returning to Normandy, this time as Senior British Army Officer and Field Marshall Bernard Law Montgomery, 1st Viscount Montgomery of Alamein, nicknamed “Monty,” which is currently in production.

His latest television projects include Damian Lewis: Spy Wars (2019), A Spy Among Friends (2022), and Wolf Hall: The Mirror and the Light (2024). Spy Wars is a television docu-series that examines some of the most important international spy operations of the last forty years. The History Channel series was commissioned by A+E Networks, directed by Damian’s brother Gareth Lewis and produced by Alaska TV in association with the Damian’s recently launched Rookery Productions. A Spy Among Friends is a television mini-series based on the true story of Nicholas Elliott (Lewis) and Kim Philby, two spies and lifelong friends, one of whom was betraying the other all along, at the height of the Cold War. The show aired in December, 2022 on new streaming platform ITVX (UK) and MGM+ (US). Damian served as executive producer through his production company Ginger Biscuit Entertainment, LTD. Damian reprised his role as King Henry VIII for the final installment of the trilogy, Wolf Hall: The Mirror and the Light, released in November 2024 on BBC in the UK and scheduled for release in the US on PBS in March, 2025.

From actor to musician: Meeting with various London-based musicians, including Giacomo Smith, Damian wrote songs and found himself in the recording studio cutting tracks that were released on his debut album Mission Creep out June 16, 2023. The first single ‘Down on the Bowery’ was released April 13, 2023 and a special double-sided vinyl release of tracks ‘Zaragoza’ and ‘Never Judge a Man by His Umbrella’ was released April 22, 2023 for Record Store Day. ‘Zaragoza’ was his official second release, followed by ‘Makin’ Plans’ and ‘She Comes.’ His band of five has jazz roots and the album is described as a bluesy sound, with originals and a few covers.



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