Badinerie Julien Beaudiment & Marie-Pierre Langlamet

• Francis Poulenc (1899 - 1963): Sonata for Flute and Piano, FP 164:
• 1Poulenc: Sonata for Flute and Piano, FP 164: Allegretto malinconico04:53
• 2Poulenc: Sonata for Flute and Piano, FP 164: Cantilena: Assez lent03:58
• 3Poulenc: Sonata for Flute and Piano, FP 164: Presto giocoso03:54
• Wolfgang Amadeus Mozart (1756 - 1791): Adagio from Flute Quartet in D major, KV 285:
• 4Mozart: Adagio from Flute Quartet in D major, KV 28502:39
• Johann Sebastian Bach (1685 - 1750): Badinerie from Orchestral Suite No.2 in B minor, BWV 1067:
• 5Bach: Badinerie from Orchestral Suite No.2 in B minor, BWV 106701:27
• Christoph Willibald Gluck (1714 - 1787): Dance of the Blessed Spirits from Orpheus and Eurydice:
• 6Gluck: Dance of the Blessed Spirits from Orpheus and Eurydice02:53
• Béla Bartók (1881 - 1945): Suite Paysanne Hongroise:
• 7Bartók: Suite Paysanne Hongroise: Rubato01:05
• 8Bartók: Suite Paysanne Hongroise: Andante poco sostenuto01:49
• 9Bartók: Suite Paysanne Hongroise: Poco rubato00:40
• 10Bartók: Suite Paysanne Hongroise: Andante01:16
• 11Bartók: Suite Paysanne Hongroise: Allegro00:56
• 12Bartók: Suite Paysanne Hongroise: Vielles danses00:55
• 13Bartók: Suite Paysanne Hongroise: Allegretto00:52
• 14Bartók: Suite Paysanne Hongroise: Allegretto00:16
• 15Bartók: Suite Paysanne Hongroise: L’istesso Tempo00:51
• 16Bartók: Suite Paysanne Hongroise: Assai moderato00:50
• 17Bartók: Suite Paysanne Hongroise: Allegretto00:34
• 18Bartók: Suite Paysanne Hongroise: Poco più vivo00:31
• 19Bartók: Suite Paysanne Hongroise: Allegro00:32
• 20Bartók: Suite Paysanne Hongroise: Allegro01:40
• Camille Saint-Saëns (1835 - 1921): Danse macabre:
• 21Saint-Saëns: Danse macabre03:08
• Claude Debussy (1862 - 1918): Beau soir:
• 22Debussy: Beau soir02:18
• Nicolai Rimsky-Korsakov (1844 - 1908): Hindu lied:
• 23Rimsky-Korsakov: Hindu lied03:06
• Manuel de Falla (1876 - 1946): Nana:
• 24Falla: Nana02:02
• Polo:
• 25Falla: Polo01:26
• Asturiana:
• 26Falla: Asturiana02:23
• Astor Piazzolla (1921 - 1992): L’Histoire du tango:
• 27Piazzolla: L’Histoire du tango: Bordel 190004:06
• 28Piazzolla: L’Histoire du tango: Café 193006:36
• 29Piazzolla: L’Histoire du tango: Nightclub 196005:48
• 30Piazzolla: L’Histoire du tango: Concert d’aujourd’hui03:19
• Total Runtime01:06:43

Info zu Badinerie

Dieses wunderschöne neue Album des Flötisten Julien Beaudiment und der Harfenistin Marie Pierre Langlamet, benannt nach dem Tanzsatz "Badinerie" aus dem 18. Jahrhundert, bietet ein breit gefächertes Repertoire mit einer reichhaltigen Sammlung von Werken aus allen Jahrhunderten. Im Mittelpunkt des Albums steht Francis Poulencs Sonate FP 164 mit ihren drei gefühlvollen Sätzen, von denen jeder ein lebhaftes musikalisches Bild zeichnet. Das wehmütige Allegro malinconico und das verspielte Presto giocoso zeigen Poulencs stilistische Feinheiten, während Mozarts gefühlsbetontes Adagio aus KV 285 den Hörer in ein Reich heiterer Schönheit entführt. Johann Sebastian Bachs ikonische Badinerie verleiht der Sammlung barocken Charme. Das Album zeigt die Virtuosität der beiden Künstler. Julien Beaudiments Karriere erstreckt sich über renommierte Bühnen weltweit, während Marie Pierre Langlamet seit 1993 Solo-Harfenistin der Berliner Philharmoniker ist.

Julien Beaudiment, Flöte
Marie-Pierre Langlamet, Harfe

Julien Beaudiment
brilliantly represents the French flute school. Born in 1978, he crossed the Channel when he was 18 years old, to study at the Guidhall School of Music in London with Paul Edmund-Davies and Averill Williams. He stayed there two years, before finishing his studies at the "Conservatoire National Superieur de Musique de Paris" with Sophie Cherrier, assisted by Vincent Lucas and Michel Moragués for Chamber Music. He successfully obtained the flute and chamber music awards. His studies enabled him to rub shoulders with other great professors, such as Vicens Prats, Maxence Larrieu, Jacques Zoon, Benoît Fromanger, Ramson Wilson, Joshua Smith.

While he was at 22 still as student at the Conservatoire, he was appointed principal flute at the "Orchestre de l'Opéra National de Lyon", today conducted by Kazushi Ono. Very quickly his concert career led him to perform on great stages and renown festivals such as: "Théâtre du Châtelet" in Paris, "Kumho Art Hall" in Seoul for the "World famous flutists serie", the "Essen Philharmonie", the "Palau de la Musica" in Barcelona, the "Opéra National de Lyon", the "Palais des Beaux Arts" in Brussels, "Tokyo Bunka Kaikan", "Beijing National Centre for the Performing Arts", "Seoul Art Centre", "Rheingau Festival", "festival de Musique et de Danse de Montpellier", "Varna International Festival" in Bulgaria, "Mostly Mozart festival" in London, with the Orchestre de l'Opera de Lyon, the Stuttgart Kammerorchester, the Beijing Symphony Orchestra, the Cannes Symphony Orchestra, the Seoul Art center orchestra……He also performed within celebrated orchestras: the Los Angeles Philharmonic, the Beijing Opera Orchestra, l'Orchestre de Paris, l'Orchestre de l'Opéra National de Paris, the London Symphony Orchestra, the London Philharmonic Orchestra, the Philharmonia Orchestra, the Lausanne Chamber Orchestra, the Scottish Chamber Orchestra, the Hallé Orchestra in Manchester, the Orchestre National du Capitole de Toulouse, the Orchestre National de Bordeaux, as well as in the greatest halls in the world, such as the Walt Disney Hall, Concertgebouw in Amsterdam, the Royal Albert Hall, Barbican Hall, London Royal Festival Hall, Usher Hall in Edinburgh, Munich Philharmonie,Frankfurt Alte Oper, Vienna Konzerthaus, Madrid Auditorium, Athens Megaton, Prague Rudolfimum, salle Pleyel, Théâtre des Champs Elysées, Cité de la Musique in Paris, Tonhalle in Zurich, Tokyo Opera City Hall, Tokyo Bunkamura, Pekin Opera, Shanghai Grand theatre...under the direction of Gustavo Dudamel, Christoph schenbach, Sir Colin Davis, Michael Tilson Thomas, Ivan Fischer, Sir Roger Norrington, Yuri Temirkanov, Emmanuel Krivine, William Christie, Evelino Pido, Louis Langrée, Thomas Hengelbrocht, Philippe Jordan, Vladimir Jurovski...

From 2005 to 2006 he was appointed principal flute of the BBC National Orchestra of Wales under Thierry Fischer and he temporarily took leave from his Orchestra in Lyon, which he rejoined the following year. He is currently the only French flautist to have held this position in a great British Orchestra.

A chamber music enthusiast, he is a Laureate of the Barcelona international sonata competition. He performed beside artists like Lawrence Foster, Enrico Onofri from the "Giardino Armonico", Stefano Montanari, Marie-Pierre Langlamet, Philippe Bernold, Lluis claret, Sarah Nemtanu, Hervé Nkaoua, Denis Pascal, Ishiro Nodaira, Jean Francois Zygel, Oliver Triendl, the jazzman Antoine Hervé, the members of the “Wiener Philharmoniker” and the "Berliner Philharmoniker", Ariane Jacob, the "quatuor Psophos", the "quatuor Diotima", Rachel Brown, Michel Moragues, Elizabeth Vidal, Christine Icart...

He is also a member of the “Faust wind quintet", made up of talented representatives of the new generation of French woodwind players (Nicolas Baldeyrou, Nora Cismondi, Julien Hardy and Benoit de Barsony) and accompanied the famous dancer/choreographer Regine Chopinot and Benjamin Millepied, performing the Bach's Partita the world over. He is regularly invited to play with the worldwide renown "Academy of Saint Martin in the Fields" in London with whom he plays in the most beautiful halls, besides Joshua Bell and Murray Perahia, to only name two.

His particularly rich musical career has nevertheless left him time to teach. He is assistant teacher at the Conservatoire National Supérieur de Musique de Lyon" and artistic deputy at the "Haute Ecole de Musique de Lausanne", in Switzerland. He also teaches in many academies: "Vanderbilt Academy” in Aix en Provence, the "Nice International summer Academy", the "Bruges Academy" in Belgium, the "Academie Internationale des Arcs" and in many master classes in USA, Europe and Asia (China, Japan, Korea and Taiwan). His prestigious career has led him to closely collaborate with his instrument maker SANKYO, for several years now.

Marie-Pierre Langlamet
born in 1967, completed her musical studies at the Conservatory of Nice under Elizabeth Fontan-Binoche. At just 17, she secured the position of principal harpist with the Nice Orchestra but decided to deepen her education in the United States at the Curtis Institute of Music in Philadelphia after a year. She quickly won numerous international awards: in 1983, the 2nd Prize (1st Laureate) at the Maria Korchinska Competition (England); in 1984, the 1st Prize at the Louise Charpentier Competition of the Cité des Arts in Paris; in 1986, the 2nd Prize (1st Laureate) at the CIEM in Geneva; in 1989, the 1st Prize at the Concert Artists Guild in New York; and in 1992, the 1st Prize at the International Harp Competition of Israel. Since 1993, Marie-Pierre Langlamet has been the principal harpist of the Berlin Philharmonic Orchestra (under the direction of Simon Rattle), after holding the same position at the Metropolitan Opera Orchestra in New York from 1988 to 1993 (under James Levine). Concurrently, Marie-Pierre Langlamet continues her career as a soloist and chamber musician. She has performed with the Berlin Philharmonic Orchestra, the Rundfunk Sinfonie Orchester Berlin (RSO), the Israel Philharmonic Orchestra, the Orchestre de la Suisse Romande, the Swiss Radio Orchestra, the Orchestre National de Lille, among others. She has appeared as a soloist alongside Claudio Abbado, Simon Rattle, Marek Janowski, Donald Runnicles, Hugh Wolf, François-Xavier Roth, Ilan Volkov, Horst Stein, in prestigious venues such as the Berlin Philharmonie, Suntory Hall in Tokyo, Concertgebouw in Amsterdam, Royal Albert Hall in London, Avery Fisher Hall in New York, Salle Pleyel in Paris, and KKL in Lucerne. In chamber music, she has collaborated with Emmanuel Pahud, François Leleux, Paul Meyer, Renaud and Gautier Capuçon, Tabea Zimmermann, Jean-Guihen Queyras, and Marc Coppey. Marie-Pierre Langlamet is a Juventus laureate (Council of Europe). She was awarded the Cino del Duca Prize by the Academy of Fine Arts for the year 2003, and has been a Knight of the Order of Arts and Letters since 2009. Additionally, she has developed a close relationship with American composer Sebastian Currier, commissioning several works from him, including a concerto for harp and orchestra titled “Traces,” which she premiered in December 2009 with the Berlin Philharmonic. Marie-Pierre Langlamet has taught at the UdK (Universität der Künste) in Berlin and teaches as part of the Herbert von Karajan Academy since 1995.

Dieses Album enthält kein Booklet