Bach in Venice Sestier Armonico & Giulio De Nardo

• Antonio Vivaldi (1678 - 1741), Johann Sebastian Bach (1685 - 1750): Concerto in D Major, BWV 972:
• 1 Vivaldi, Bach: Concerto in D Major, BWV 972: I. Allegro 02:13
• 2 Vivaldi, Bach: Concerto in D Major, BWV 972: II. Larghetto 03:31
• 3 Vivaldi, Bach: Concerto in D Major, BWV 972: III. Allegro 02:21
• Concerto in G Major, BWV 973:
• 4 Vivaldi, Bach: Concerto in G Major, BWV 973: I. Allegro assai 02:18
• 5 Vivaldi, Bach: Concerto in G Major, BWV 973: II. Largo, cantabile 02:28
• 6 Vivaldi, Bach: Concerto in G Major, BWV 973: III. Allegro 02:19
• Concerto in C Major, BWV 976:
• 7 Vivaldi, Bach: Concerto in C Major, BWV 976: I. Allegro 03:49
• 8 Vivaldi, Bach: Concerto in C Major, BWV 976: II. Largo 04:04
• 9 Vivaldi, Bach: Concerto in C Major, BWV 976: III. Allegro 02:50
• Alessandro Marcello (1673 - 1747), Johann Sebastian Bach: Concerto in D Minor, BWV 974:
• 10 Marcello, Bach: Concerto in D Minor, BWV 974: I. Andante 03:14
• 11 Marcello, Bach: Concerto in D Minor, BWV 974: II. Adagio 03:43
• 12 Marcello, Bach: Concerto in D Minor, BWV 974: III. Presto 04:12
• Concerto in G Major, BWV 980:
• 13 Vivaldi, Bach: Concerto in G Major, BWV 980: I. Allegro 03:38
• 14 Vivaldi, Bach: Concerto in G Major, BWV 980: II. Adagio 03:46
• 15 Vivaldi, Bach: Concerto in G Major, BWV 980: III. Allegro 03:48
• Concerto in F Major, BWV 978:
• 16 Vivaldi, Bach: Concerto in F Major, BWV 978: I. Allegro 02:27
• 17 Vivaldi, Bach: Concerto in F Major, BWV 978: II. Largo 02:20
• 18 Vivaldi, Bach: Concerto in F Major, BWV 978: III. Allegro 02:37
• Total Runtime 55:38

Info zu Bach in Venice

Die Transkription ist ein Prozess, bei dem eine Komposition für ein anderes Solo-Instrument gesetzt wird als das ursprünglich bestimmte. Früher war dies eine gängigere Praxis als heute, die aus verschiedenen Gründen und zu verschiedenen Zwecken eingesetzt wurde. So entstand auch die Idee, durch Verwendung der originalen Orchesterpartituren von Antonio Vivaldi und Alessandro Marcello sowie dem Cembalopart der Transkriptionen von Johann Sebastian Bach sechs neue Konzerte für Solocembalo und Orchester zu schaffen. Diese von Giulio De Nardo vorgenommene Neubearbeitung bietet also einerseits die Möglichkeit, das Repertoire für Tasteninstrument und Orchester zu erweitern und andererseits dem heutigen Hörer, der bereits mit den Originalfassungen vertraut ist, mit dieser Weltersteinspielung die Farben und Nuancen dieser neuen Klangkombination näher zu bringen. Da Bach sich nie persönlich in Venedig aufhielt, wurde der Albumtitel in Anführungszeichen gesetzt.

Giulio de Nardo, Cembalo
Sestier Armonico

Giulio de Nardo
was born in Treviso in 1994 and received his first organ and piano lessons in his hometown. He then attended Roberto Antonello's organ class at the Conservatorio di Musica 'Arrigo Pedrollo' in Vicenza where, in the autumn of 2016, he obtained his first-level academic diploma. At the same time, having completed his musical studies in Italy, he moved to Basel where he was admitted to the Schola Cantorum Basiliensis and continued his organ studies in Tobias Lindner's class. At the same time, he began, in the same institute, the study of the harpsichord under the guidance of Francesco Corti. In spring 2018, he brilliantly completed his Master's degree in organ. He currently continues his musical studies at the Schola Cantorum Basiliensis, where he attends a second Master's degree specialising in harpsichord in the class of Andrea Marcon, also continuing his organ studies with Tobias Lindner and Wolfgang Zerer. In March 2019 he was awarded second prize at the 'Gianni Gambi' International Harpsichord Competition in Pesaro and in August of the same year he won first prize and the audience prize at the International Organ Competition held in the Valère Basilica in Sion. He performs concerts in Italy and abroad and regularly collaborates with various orchestras and vocal groups as a continuist on organ and harpsichord.

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