In The Key of Joy Sergio Mendes

• 1 Sabor Do Rio 04:12
• 2 Bora Lá 03:21
• 3 La Noche Entera 02:54
• 4 Samba In Heaven 03:56
• 5 Muganga 04:13
• 6 In The Key Of Joy 03:14
• 7 Love Came Between Us 04:16
• 8 Catch The Wave 03:12
• 9 Romance In Copacabana 02:57
• 10 This Is It (É Isso) 02:56
• 11 Times Goes By 04:27
• 12 Tangara 03:59
• Total Runtime 43:37

Info zu In The Key of Joy

Wenn der brasilianische Ohrwurmspezialist Sérgio Mendes ein neues Album auf den Markt bringt, dann ist der Frühling nicht mehr allzu fern und man kann sich mit seinem vor Lebensfreude schier überbordenden Soundmix schon einmal musikalisch auf die wärmere Jahreszeit einstimmen.

"In The Key Of Joy" ist sein erstes Album nach 5 Jahren und vereint ein Potpourri an sehr namenhaften Gästen, wie: Common, Cali y El Dandee, Hermeto Pascoal und viele mehr.

Starbesetzung mit besonderen Gästen wie Common, Cali y El Dandee, João Donato, Buddy, Sugar Joans, Joe Pizzulo, Gracinha Leporace, Hermeto Pascoal, Rogê, Guinga und Sheléa.

Gleichzeitig erscheint ein neuer Dokumentarfilm des renommierten Filmemachers John Scheinfeld über Mendes‘ bemerkenswertes Leben und Karriere.

Von seinen bahnbrechenden Beiträgen zu den Grundlagen des Bossa Nova an der Seite von Antonio Carlos Jobim, über den zeitgemäßen Latin-Pop-Sound seiner legendären Gruppe Brasil 66, seine faszinierende Zusammenarbeit mit Jazz-Legenden wie Cannonball Adderley und Herbie Mann bis hin zu seinem Smash Hit „Never Gonna Let You Go“, der im 21. Jahrhundert mit den Black-Eyed Peas und John Legend oder seinem Oscar-nominierten Titelsong aus dem animierten Hit Rio neu erfunden wurde: sein ansteckender Frohsinn durchdringt alles.

"Obwohl sich das Album stilistisch und rhythmisch zwischen Havannas Rumba-Tanzlokalen und der Copacabana von Rio bewegt, schwingt und klingt es wie aus einem Guss." (Audio)

Sergio Mendes, Klavuer
Leo Costa, Schlagzeug
Andre de Santana, Bass
Paul Jackson Jr., Gitarre
Mika Mutti, Gitarre, Synthesizer, Percussion

Brazilian music legend Sergio Mendes spins his remarkable magic on his newest recording, Encanto (Enchantment), which is among the maestro’s most beautifully realized in his unparalleled career. The collection refines Sergio’s singular blend of infectious rhythms and irresistible melodies from the great Brazilian Songbook, with his always thoroughly modern arrangements and masterful production approach. The resulting collection is a bona fide Sergio Mendes classic-- a kaleidoscopic album that underscores the maestro's ear for addictive melodies, as well as his ability to cast incredibly talented singers and musicians from all over the world.

Every time I make a new record, it’s a new adventure. explains the affable Mendes from his Los Angeles home. “My main motivation, he enthuses, is to record wonderful songs. In the process, I enjoy sharing with the world the diversity of Brazilian music-- both in terms of rhythm and melody.

This time, I wanted to go full circle. So I decided to begin this journey in my homeland, Brazil. I traveled to Rio and Bahia, meeting a number of old friends that I hadn't played with in quite a while. There’s a very special musically creative environment in Brazil, which inspires me tremendously.

Mendes was still living in Brazil during the momentous era between the late '50s and the early '60s when the samba-based bossa nova was born. In fact, he was one of the first practitioners of the new genre, together with composer Antonio Carlos Jobim, guitarist Joao Gilberto and lyricist Vinicius de Moraes.

True to his desire to go back full circle, Mendes recorded four seminal Jobim compositions: a hip-hop version of Agua De Beber with Toninho Horta on guitar, Mendes' wife Gracinha Leporace on vocals, and the man himself showcasing his instrumental chops on a bewitching Rhodes solo; Waters of March, which features Grammy nominated,super talented new artist Ledisi; Somewhere In The Hills, with vocals by none other than Natalie Cole and Flugel Horn solo by great German jazz artist Till Bronner; and Dreamer, which marks the first time that former mentor Herb Alpert actually plays the trumpet on a Sergio Mendes album, with brilliant vocals by Lani Hall, Alpert’s wife and the original lead singer of Mendes’ Brasil ‘66. (Source: Entertainment Resource Group, Inc.)

Dieses Album enthält kein Booklet