I Was Made To Love Her (Remastered) Stevie Wonder

Album Info

Album Veröffentlichung:
1967

HRA-Veröffentlichung:
16.06.2016

Label: UNI-MOTOWN

Genre: R&B

Subgenre: Soul

Interpret: Stevie Wonder

Komponist: Henry Cosby, Lula Mae Hardaway, Ronald White, Smokey Robinson, John S. Marascalco, Leo Price, Sylvia Moy, Stevie Wonder

Das Album enthält Albumcover

Entschuldigen Sie bitte!

Sehr geehrter HIGHRESAUDIO Besucher,

leider kann das Album zurzeit aufgrund von Länder- und Lizenzbeschränkungen nicht gekauft werden oder uns liegt der offizielle Veröffentlichungstermin für Ihr Land noch nicht vor. Wir aktualisieren unsere Veröffentlichungstermine ein- bis zweimal die Woche. Bitte schauen Sie ab und zu mal wieder rein.

Wir empfehlen Ihnen das Album auf Ihre Merkliste zu setzen.

Wir bedanken uns für Ihr Verständnis und Ihre Geduld.

Ihr, HIGHRESAUDIO

  • 1 I Was Made To Love Her 02:36
  • 2 Send Me Some Lovin' 02:33
  • 3 I'd Cry 02:34
  • 4 Everybody Needs Somebody (I Need You) 02:37
  • 5 Respect 02:21
  • 6 My Girl 02:56
  • 7 Baby Don't You Do It 02:12
  • 8 A Fool For You 03:16
  • 9 Can I Get A Witness 02:43
  • 10 I Pity The Fool 03:05
  • 11 Please, Please, Please 02:41
  • 12 Every Time I See You I Go Wild 02:53
  • Total Runtime 32:27

Info zu I Was Made To Love Her (Remastered)

Excellent work from Stevie Wonder – and a record that really has him emerging strongly as an adult soul singer! The set's got a joyous power that's undeniable – a sense of pride and place that really points the way at the Stevie of the 70s, and which has Wonder stretching out wonderfully on his vocals. Titles include the stellar 'I Was Made To Love Her' – a cut with a choppy groove that made it one of the more unique crossover tunes of the late 60s, and with a complicated mix of vocal and musical bits that still always blows us away. Other tracks include 'Baby Don't You Do It', 'A Fool For You', 'I'd Cry', 'Send Me Some Lovin', and the ill-titled 'Every Time I See You I Go Wild'.

„This album was rushed out to capitalize on the success of the title song, which was Wonder's biggest pop hit since 'Fingertips, Pt. 2,' and would not be bettered until 'Superstition' in 1972. Other than the hit, it's all filler, but not uninteresting for that. There are several contributions from the Wonder team at Motown, covers of other Motown hits, and stabs at sounding like Ray Charles, James Brown, and Otis Redding. At 17, Wonder was becoming both a remarkable mimic, and an original talent on his own.“ (William Ruhlmann, AMG)

Digitally remastered

Keine Biografie vorhanden.

Dieses Album enthält kein Booklet

© 2010-2024 HIGHRESAUDIO