Haydn - Ligeti: Concertos & Capriccios Shai Wosner

Cover Haydn - Ligeti: Concertos & Capriccios

Album Info

Album Veröffentlichung:
2016

HRA-Veröffentlichung:
24.05.2016

Label: PM Classics / Onyx

Genre: Classical

Subgenre: Concertos

Interpret: Shai Wosner, Danish National Symphony Orchestra and Nicholas Collon

Komponist: Franz Joseph Haydn (1732–1809), György Ligeti (1923–2006)

Das Album enthält Albumcover Booklet (PDF)

?

Formate & Preise

Format Preis Im Warenkorb Kaufen
FLAC 96 $ 13,50
  • 1 I. Allegro moderato 09:19
  • 2 II. Adagio 07:33
  • 3 III. Finale (Rondo - Presto) 04:09
  • 4 Capriccio No. 2 02:08
  • 5 1 Acht Sauschneider muessen sein 07:14
  • 6 I. Vivace molto ritmico e preciso 03:51
  • 7 II. Lento e deserto 06:20
  • 8 III. Vivace cantabile 04:07
  • 9 IV. Allegro risoluto, molto ritmico 04:37
  • 10 V. Presto luminoso, fluido, constante, sempre molto ritmico 03:25
  • 11 Capriccio No.1 02:53
  • 12 4 Fantasia 06:16
  • 13 I. Vivace 07:31
  • 14 II. Un poco Adagio 05:49
  • 15 III. Rondo all' Ungarese. Allegro assai 04:19
  • Total Runtime 01:19:31

Info zu Haydn - Ligeti: Concertos & Capriccios

Two great Hungarian composers to compare and contrast in a highly original programme from pianist Shai Wosner. Haydn & Liget's Capriccios for solo piano and both the Haydn piano concertos together with the Ligeti piano concerto complete this delightful and thought provoking recording.

Pianist Shai Wosner presents a pairing of concertos and capriccios from Haydn and Ligeti. Both prodigious figures in their lifetimes, they are connected through Central-European folk music and a shared affinity for combining humor and seriousness.

This program includes Haydn's Piano Concertos Nos.4 and 11, Capriccio in G Major (subtitled, 'It takes eight of you to castrate a boar') and Fantasia (Capriccio in C) alongside Ligeti's Capriccios Nos. 1 and 2 and his celebrated Piano Concerto, which flirts with disorder and reveals his love of the absurd.

Shai Wosner, piano
Danish National Symphony Orchestra
Nicholas Collon, conductor


Shai Wosner
has attracted international recognition for his exceptional artistry, musical integrity and creative insight. His performances of a broad range of repertoire, from Beethoven and Mozart to Schoenberg and Ligeti, as well as music by his contemporaries, communicate his imaginative programming and intellectual curiosity. Mr. Wosner has appeared with major orchestras worldwide including the Chicago Symphony, Cleveland Orchestra, Los Angeles Philharmonic, Orpheus Chamber Orchestra, Philadelphia Orchestra and San Francisco Symphony in the US, and the Barcelona Symphony, Frankfurt Radio Symphony, Hamburg Symphony, LSO St. Luke’s and Staatskapelle Berlin in Europe, among others. He has worked with conductors Daniel Barenboim, James Conlon, Alan Gilbert, Zubin Mehta and Leonard Slatkin. Mr. Wosner is the recipient of Lincoln Center’s Martin E. Segal award, an Avery Fisher Career Grant, and a Borletti-Buitoni Trust Award—a prize he used to commission Michael Hersch’s concerto Along the Ravines, which he then performed with the Seattle Symphony and Deutsche Radio Philharmonie-Saarbrücken.

Widely praised for his interpretations of Schubert’s solo repertoire, Mr. Wosner has been focused on the composer in recent seasons and has performed his solo works in recitals across the US and at London’s Wigmore Hall. Mr. Wosner is widely sought after by colleagues for his versatility and spirit of partnership and often performs duo recitals with violinists Jennifer Koh, Viviane Hagner and Veronica Eberle. He is a former member of Lincoln Center's Chamber Music Society Two and performs regularly at various chamber music festivals. For several consecutive summers, he took part in the West-Eastern Divan Workshop led by Daniel Barenboim and toured as soloist with the West-Eastern Divan Orchestra. Mr. Wosner has recorded three albums of solo works which were released by Onyx: Schubert’s Six moments musicaux, D. 780, Missy Mazzoli’s Isabelle Eberhardt Dreams of Pianos, and Schubert’s Sonata in A Major, D. 959. in November 2014; a selection of piano works by Schubert that incorporate elements of folk music in October 2011; and his debut solo recording of works by Brahms and Schoenberg in August 2010. His first joint recording with Jennifer Koh, Signs, Games + Messages, featuring works by Bartók, Janáček and Kurtág, was released in October 2013 on the Cedille Records label.

During the 2015-16 season, Mr. Wosner continues his collaborations with violinist Jennifer Koh with the Bridge to Beethoven series. The project explores the impact and significance Beethoven has had on a diverse group of composers and musicians. By pairing Beethoven’s ten sonatas for violin and piano with new works over four programs, this project seeks to ignite creative conversations around his music not only as a cornerstone of classical music but as a universal, culture-crossing source of inspiration. Bridge to Beethoven features new commissions from composers Vijay Iyer, Andrew Norman and Anthony Cheung. Bridge to Beethoven will be presented in venues such as the 92nd Street Y in New York City, Hahn Hall in Santa Barbara, and Herbst Theatre in San Francisco, among others. Mr. Wosner’s upcoming orchestral engagements include performances with the Badische Staatskapelle Karlsruhe, Hungarian National Philharmonic Orchestra, Columbus Symphony, Florida Orchestra, Jacksonville Symphony, Phoenix Symphony Orchestra, and Helsinki Philharmonic Orchestra.

Booklet für Haydn - Ligeti: Concertos & Capriccios

© 2010-2024 HIGHRESAUDIO