The Wall (2011 Remastered Version) Pink Floyd

Cover The Wall (2011 Remastered Version)

Album Info

Album Veröffentlichung:
2016

HRA-Veröffentlichung:
22.10.2021

Label: Pink Floyd Records

Genre: Rock

Subgenre: Modern Rock

Interpret: Pink Floyd

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  • 1 In The Flesh? (2011 Remastered Version) 03:19
  • 2 The Thin Ice (2011 Remastered Version) 02:27
  • 3 Another Brick In The Wall, Pt. 1 (2011 Remastered Version) 03:11
  • 4 The Happiest Days Of Our Lives (2011 Remastered Version) 01:51
  • 5 Another Brick In The Wall, Pt. 2 (2011 Remastered Version) 03:59
  • 6 Mother (2011 Remastered Version) 05:35
  • 7 Goodbye Blue Sky (2011 Remastered Version) 02:47
  • 8 Empty Spaces (2011 Remastered Version) 02:08
  • 9 Young Lust (2011 Remastered Version) 03:30
  • 10 One Of My Turns (2011 Remastered Version) 03:37
  • 11 Don't Leave Me Now (2011 Remastered Version) 04:16
  • 12 Another Brick In The Wall, Pt. 3 (2011 Remastered Version) 01:14
  • 13 Goodbye Cruel World (2011 Remastered Version) 01:14
  • 14 Hey You (2011 Remastered Version) 04:40
  • 15 Is There Anybody Out There? (2011 Remastered Version) 02:42
  • 16 Nobody Home (2011 Remastered Version) 03:23
  • 17 Vera (2011 Remastered Version) 01:33
  • 18 Bring The Boys Back Home (2011 Remastered Version) 01:28
  • 19 Comfortably Numb (2011 Remastered Version) 06:22
  • 20 The Show Must Go On (2011 Remastered Version) 01:36
  • 21 In The Flesh (2011 Remaster) 04:16
  • 22 Run Like Hell (2011 Remastered Version) 04:23
  • 23 Waiting For The Worms (2011 Remastered Version) 03:57
  • 24 Stop (2011 Remastered Version) 00:31
  • 25 The Trial (2011 Remastered Version) 05:19
  • 26 Outside The Wall (2011 Remastered Version) 01:44
  • Total Runtime 01:21:02

Info zu The Wall (2011 Remastered Version)

The Wall is the eleventh studio album by the English rock band Pink Floyd, released on 30 November 1979 by Harvest and Columbia Records. It is a rock opera that explores Pink, a jaded rock star whose eventual self-imposed isolation from society forms a figurative wall. The album was a commercial success, topping the US charts for 15 weeks and reaching number three in the UK. It initially received mixed reviews from critics, many of whom found it overblown and pretentious, but later received accolades as one of the greatest albums of all time and one of the band's finest works.

Bassist Roger Waters conceived The Wall during Pink Floyd's 1977 In The Flesh tour, modelling the character of Pink after himself and former bandmate Syd Barrett. Recording spanned from December 1978 to November 1979. Producer Bob Ezrin helped to refine the concept and bridge tensions during recording, as the band were struggling with personal and financial issues at the time. The Wall was the last album to feature Pink Floyd as a quartet; keyboardist Richard Wright was fired by Waters during production but stayed on as a salaried musician.

"The Wall was Roger Waters' crowning accomplishment in Pink Floyd. It documented the rise and fall of a rock star (named Pink Floyd), based on Waters' own experiences and the tendencies he'd observed in people around him. By then, the bassist had firm control of the group's direction, working mostly alongside David Gilmour and bringing in producer Bob Ezrin as an outside collaborator. Drummer Nick Mason was barely involved, while keyboardist Rick Wright seemed to be completely out of the picture. Still, The Wall was a mighty, sprawling affair, featuring 26 songs with vocals: nearly as many as all previous Floyd albums combined. The story revolves around the fictional Pink Floyd's isolation behind a psychological wall. The wall grows as various parts of his life spin out of control, and he grows incapable of dealing with his neuroses. The album opens by welcoming the unwitting listener to Floyd's show ("In the Flesh?"), then turns back to childhood memories of his father's death in World War II ("Another Brick in the Wall, Pt. 1"), his mother's over protectiveness ("Mother"), and his fascination with and fear of sex ("Young Lust"). By the time "Goodbye Cruel World" closes the first disc, the wall is built and Pink is trapped in the midst of a mental breakdown. On disc two, the gentle acoustic phrasings of "Is There Anybody Out There?" and the lilting orchestrations of "Nobody Home" reinforce Floyd's feeling of isolation. When his record company uses drugs to coax him to perform ("Comfortably Numb"), his onstage persona is transformed into a homophobic, race-baiting fascist ("In the Flesh"). In "The Trial," he mentally prosecutes himself, and the wall comes tumbling down. This ambitious concept album was an across-the-board smash, topping the Billboard album chart for 15 weeks in 1980. The single "Another Brick in the Wall, Pt. 2" was the country's best-seller for four weeks. The Wall spawned an elaborate stage show (so elaborate, in fact, that the band was able to bring it to only a few cities) and a full-length film. It also marked the last time Waters and Gilmour would work together as equal partners." (AMG)

Roger Waters, vocals, bass guitar, synthesizer, acoustic guitar on "Mother" and "Vera", electric guitar on "Another Brick in the Wall, Part 3"
David Gilmour, vocals, electric and acoustic guitars, bass guitar, synthesizer, clavinet, percussion
Nick Mason, drums, percussion
Richard Wright, acoustic and electric pianos, Hammond organ, synthesizer, clavinet, bass pedals
Additional musicians:
Bob Ezrin, production, piano, Hammond organ, synthesizer, reed organ, orchestral arrangement, music on "The Trial", backing vocals
James Guthrie, percussion, synthesizer, sound effects, co-producer, engineer
Jeff Porcaro, drums on "Mother", snare drums on "Bring the Boys Back Home"
Lee Ritenour, rhythm guitar on "One of My Turns", additional acoustic guitar on "Comfortably Numb"
New York Orchestra
New York Opera, choral vocals
Children of Islington Green School on "Another Brick in the Wall Part II"
Bruce Johnston, backing vocals
Toni Tennille, backing vocals on "In the Flesh?", "The Show Must Go On", "In the Flesh" and "Waiting for the Worms"
Joe Chemay, backing vocals
Jon Joyce, backing vocals
Stan Farber, backing vocals
Jim Haas, backing vocals

Recorded December 1978 – November 1979 at Britannia Row (London); Super Bear (Nice, France); Miraval (Correns, France); 30th Street (Manhattan, New York); Producers Workshop (Los Angeles, California)
Produced by Bob Ezrin, David Gilmour, James Guthrie, Roger Waters

Digitally remastered



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Booklet für The Wall (2011 Remastered Version)

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