Verbum caro factum est: A Christmas Greeting Bach Collegium Japan Chorus, Masaaki Suzuki & Masato Suzuki

• Traditional:
• 1 Verbum caro factum est 00:57
• Louis-Claude Daquin (1694 - 1772):
• 2 Nouveau livre de noëls, Op. 2: No. 1, Noël sur les jeux d'anches sans tremblant 03:38
• Traditional:
• 3 Let All Mortal Flesh Keep Silence (Arr. M. Suzuki for Choir) 03:13
• Louis-Claude Daquin:
• 4 Nouveau livre de noëls, Op. 2: No. 2, Noël en dialogue, duo, trio, sur le cornet de récit, la tierce du positif et la pédalle de flûte 04:07
• Johann Sebastian Bach (1685 - 1750):
• 5 Ich steh an deiner Krippen hier, BWV 469 (Arr. M. Suzuki for Choir) 02:24
• Louis-Claude Daquin:
• 6 Nouveau livre de noëls, Op. 2: No. 3, Noël en musette, en dialogue, et en duo 06:04
• Franz Xaver Gruber (1787 - 1863):
• 7 Silent Night, H. 145 (Arr. M. Suzuki for Voice & Choir) 03:15
• Traditional:
• 8 In dulci jubilo (Arr. M. Suzuki for Choir) 01:29
• Traditional:
• 9 The First Noel (Arr. M. Suzuki for Choir) 03:54
• Traditional, Felix Mendelssohn (1809 - 1847):
• 10 Festgesang, WoO 9, MWV D4: No. 2, Lied (Adap. W.H. Cummings as Hark! The Herald Angels Sing) - Verbum caro factum est [Arr. M. Suzuki for Voice & Choir] 04:36
• John Francis Wade (1711 - 1786):
• 11 Adeste fideles (Arr. M. Suzuki for Choir & Organ) 02:23
• William J. Kirkpatrick (1838 - 1921), Traditional, Richard S. Willis (1819 - 1900):
• 12 Away in a Manger - It Came Upon a Midnight Clear - Ding, Dong! Merrily on High (Arr. M. Suzuki for Choir) 03:51
• Louis-Claude Daquin:
• 13 Nouveau livre de noëls, Op. 2: No. 6, Noël sur les jeux d’anches, sans tremblant, et en duo 04:50
• 14 Nouveau livre de noëls, Op. 2: No. 7, Noël en trio et en dialogue, le cornet de récit de la main droite, la tierce du positif de la main gauche 03:53
• Samuel Scheidt (1587 - 1654):
• 15 O Jesulein süss! O Jesulein mild! (Arr. M. Suzuki for Choir) 02:48
• Louis-Claude Daquin:
• 16 Nouveau livre de noëls, Op. 2: No. 10, Noël grand jeu et duo 05:08
• Traditional:
• 17 Veni, veni Emmanuel (Arr. M. Suzuki for Choir) 04:04
• Louis-Claude Daquin:
• 18 Nouveau livre de noëls, Op. 2: No. 12, Noël grand Jeu et duo "Suisse" 03:56
• Anonymous:
• 19 Verbum caro factum est (Arr. M. Suzuki for 3 Voices) 01:17
• Total Runtime 01:05:47

Info zu Verbum caro factum est: A Christmas Greeting

Bach Collegium Japan and Masaaki Suzuki have sung of the wonders of Christmas a number of times, in Bach’s cantatas and Christmas Oratorio as well as in Handel’s Messiah. Here, instead, we hear the choir a cappella in a selection of classic Christmas carols. Masato Suzuki, son of the ensemble’s founder and director, has selected some of the best-loved songs of Christmas, such as Adeste fideles and Silent Night, as well as less familiar hymns, arranging them especially for these singers. A consummate organist, he also performs a number of Louis-Claude Daquin’s noëls variés – keyboard variations on Christmas songs which became a highly popular genre in 18th-century France.

Aki Matsui, soprano
Hiroya Aoki, counter-tenor
Toru Kaku, bass
Masato Suzuki, organ
Bach Collegium Japan Chorus
Masaaki Suzuki, conductor

Bach Collegium Japan
is an ensemble consisting of performers of original instruments and choir formed in 1990 by Masaaki Suzuki, the internationally renowned and highly reputed Bach performer, organist, harpsichordist, conductor and musicologist.

Bach Collegium Japan performs frequently in Japan and overseas with the aim of presenting ideal interpretations of Baroque music centring on the religious works of J.S. Bach. In 1995 the ensemble embarked on a project aimed at recording Bach’s complete church cantatas in chronological order. This project was eventually completed in February 2013 and has met with lavish praise in Japan and overseas as an internationally outstanding and exceptional achievement of the first order.

Bach Collegium Japan and Masaaki Suzuki were awarded the 45th Suntory Music Prize in 2014. This was also the year when they performed for the first time as far afield as New Zealand and Mexico. The activities of the ensemble are thus increasingly overstepping national borders to win the ensemble a high degree of international recognition.

Masaaki Suzuki
Since founding Bach Collegium Japan in 1990, Masaaki Suzuki has established himself as a leading authority on the works of Bach. He has remained their Music Director ever since, taking them regularly to major venues and festivals in Europe and the USA and building up an outstanding reputation for the expressive refinement and truth of his performances.

In addition to working with renowned period ensembles, such as Collegium Vocale Gent and Philharmonia Baroque, he is invited to conduct repertoire as diverse as Britten, Beethoven, Fauré, Mahler, Mendelssohn, Mozart and Stravinsky, with orchestras such as the Baltimore Symphony, Danish National Radio Symphony, Deutsches Symphonie Orchester Berlin, Leipzig Gewandhausorchester, New York Philharmonic and the San Francisco Symphony Orchestra amongst others. This season sees Suzuki debut with the Orchestra of the Age of Enlightenment on a European tour.

Suzuki’s impressive discography on the BIS label, featuring all Bach’s major choral works as well as complete works for harpsichord, has brought him many critical plaudits – the Times has written: “it would take an iron bar not to be moved by his crispness, sobriety and spiritual vigour”. 2014 marked the triumphant conclusion of Bach Collegium Japan’s epic recording of the complete Church Cantatas initiated in 1995 and comprising fifty-five volumes. This major achievement has been recognised with a 2014 ECHO Klassick ‘Editorial Achievement of the Year’ award. In 2010, Suzuki and his ensemble were awarded both a German Record Critics’ Award (Preis der Deutschen Schallplattenkritik) and a Diapason d’Or de l’Année for their recording of Bach motets, which was also honoured in 2011 with a BBC Music Magazine Award. The ensemble has now embarked upon extending their repertoire with recent releases of Mozart’s Requiem and Mass in C minor; Suzuki recently released a disc of works by Stravinsky with the Tapiola Sinfonietta.

Recent highlights with Bach Collegium Japan include a visit to North America performing in cities such as Boston, Chicago, Los Angeles, New York and Washington, as well as a European tour including a weekend residency at the Barbican Centre, London, return visits to the Amsterdam Concertgebouw and Théâtre des Champs Elysées, Paris, and debut appearances at Dublin’s National Concert Hall, the Vienna Konzerthaus and the Mariinsky Theatre, St. Petersburg.

Masaaki Suzuki combines his conducting career with his work as organist and harpsichordist. Born in Kobe, he graduated from the Tokyo University of Fine Arts and Music with a degree in composition and organ performance and went on to study harpsichord and organ at the Sweelinck Conservatory in Amsterdam under Ton Koopman and Piet Kee. Founder and Professor Emeritus of the early music department at the Tokyo University of the Arts, he was on the choral conducting faculty at the Yale School of Music and Yale Institute of Sacred Music from 2009 until 2013, where he remains affiliated as the principal guest conductor of Yale Schola Cantorum. Regularly collaborating with Juilliard Historical Performance, this season sees them on a tour of New Zealand.

In 2012 Suzuki was awarded with the Leipzig Bach Medal and in 2013 the Royal Academy of Music Bach Prize. In April 2001, he was decorated with ‘Das Verdienstkreuz am Bande des Verdienstordens der Bundesrepublik’ from Germany.

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