Christmas Memories (2024 Remaster) Barbra Streisand

• 1 I'll Be Home for Christmas (2024 Remaster) 04:12
• 2 A Christmas Love Song (2024 Remaster) 03:57
• 3 What Are You Doing New Year's Eve? (2024 Remaster) 03:54
• 4 I Remember (2024 Remaster) 04:57
• 5 Snowbound (2024 Remaster) 02:59
• 6 It Must Have Been the Mistletoe (2024 Remaster) 03:10
• 7 Christmas Lullaby (2024 Remaster) 03:30
• 8 Christmas Mem'ries (2024 Remaster) 04:45
• 9 Grown-Up Christmas List (2024 Remaster) 03:30
• 10 Ave Maria (2024 Remaster) 04:42
• 11 Closer (2024 Remaster) 03:58
• 12 One God (2024 Remaster) 03:39
• Total Runtime 47:13

Info zu Christmas Memories (2024 Remaster)

"Christmas Memories" ist Barbra Streisands zweites Weihnachtsalbum, das eine Reihe von modernen und traditionellen Songs vereint. Im Vergleich zu dem 1967 erschienenen A Christmas Album geht von diesem zweiten Album ein gereifter, jazziger Charme und manchmal auch eine rauchige Atmosphäre aus, die aber nicht unbedingt an das Rösten von Kastanien an einem Kaminfeuer erinnert.

Barbra Streisand setzt normalerweise Musik als Mittel zur Steigerung der Dramatik ein. Sie hat daher auch die Weihnachtsfeiertage als Ausgangspunkt dafür eingesetzt, starke Emotionen hervor zu rufen, wenn auch nicht unbedingt sentimentale Gefühlsausbrüche. Wie bei dem Vorgängeralbum aus den 60er-Jahren ist ihre Auswahl des Materials meistens geradlinig und voller Überraschungen. Zu den modernen, gängigeren Stücken (David Fosters "Grown-up Christmas List", "A Christmas Love Song" und "Christmas Mem'ries" von Alan und Marilyn Bergman) gehören aber auch vertraute Kostbarkeiten ("I'll Be Home For Christmas", "What Are You Doing Christmas Eve?") und Raritäten (Sondheims modernisierte Versionen von "I Remember", "It Must Have Been The Mistletoe").

Barbra Streisand ist zwar nicht immer ohne falsches Pathos (hören Sie sich "Closer" einmal etwas näher an), aber ihre bedeutungsvolle, ausdrucksstarke Stimme geleitet uns souverän durch diese Sammlung, die sich vom "Ave Maria" (dieses Mal die Schubert-Version) bis hin zu dem zeitlosen, alle Religionen verbindenden "One God" erstreckt. (Jerry McCulley)

Barbra Streisand, Gesang (Tracks 1–8, 10–13)
Jorge Calandrelli, Arrangeur (Tracks 2, 7, 8), Dirigent (Tracks 2, 7, 8)
Sue Ann Carwell, Hintergrundgesang (Track 6)
Bob Esty, Chorleiter (Tracks 10, 12), Gesangsarrangeur (Track 10)
avid Foster, Mundharmonika (Track 1), Rhythmusarrangeur (Track 9)

Produziert von Barbra Streisand, David Foster

Digitally remastered

Barbra Streisand
is the only recording artist to have number one albums in five consecutive decades. She has achieved 51 Gold, 30 Platinum and 18 multi-Platinum albums, each of which, according to the Recording Industry Association of America, exceeds all other female singers. Her most recent GRAMMY® nominated album, What Matters Most, and Release Me became her 31st and 32nd to reach the Top Ten in the charts, with which she passed The Beatles to become the third highest achiever in that significant statistic, exceeded only by the Rolling Stones and Frank Sinatra. She is the only female among the top ten album-selling recording artists and also the only one to have done so in the pop music field during decades dominated by rock and country sales dominance. In her sixth decade of providing music magic, Barbra Streisand continues to reach the top of the charts. Her Back To Brooklyn concert DVD was confirmed as No. 1 on the Billboard Top DVD Music Video chart. Achieving that distinction with the Columbia Records release, Streisand now has topped the DVD charts five times. Her success in the DVD field also includes having earned nine Gold DVDs, six Platinum and three multi-Platinum titles.

The Streisand Foundation has given millions of dollars in more than 2100 grants to over 700 non-profit organizations including her substantial underwriting of The Cedars-Sinai Barbra Streisand Women's Cardiovascular Research and Education Program which addresses the leading cause of death among women in the United States. The legendary artist also has raised many millions more for a variety of causes through her performances. Barbra Streisand was recently honored by the Cedars-Sinai Board of Governors for her generous support and dedication to the Barbra Streisand Women's Heart Center at Cedars Sinai Hospital.

About Funny Girl:

The musical by librettist Isobel Lennart, composer Jule Styne (Gypsy, Bells Are Ringing) and lyricist Bob Merrill (Carnival, New Girl in Town) depicted the rise to fame of comedienne/Ziegfeld Follies star Fanny Brice (Streisand, in her second Broadway role) and her troubled relationship with husband Nicky Arnstein (Sydney Chaplin, son of Charlie and star of Styne’s Bells Are Ringing and Subways Are For Sleeping). Kay Medford and Danny Meehan also starred as Mrs. Brice and Eddie Ryan, respectively, and future All in the Family “Dingbat” Jean Stapleton was featured as Mrs. Strakosh. Funny Girl, directed by Garson Kanin and produced by Brice’s son-in-law Ray Stark, opened on March 26, 1964 after 17 previews at the Winter Garden Theatre (today, home to the musical Rocky). It then transferred to two more theaters before closing in 1967 after 1,348 performances; Mimi Hines succeeded Streisand as Fanny.

The show earned eight Tony nominations, but won none of them thanks to the unstoppable competition from David Merrick’s production of Hello, Dolly!. Streisand would be awarded for her portrayal of Fanny, however, when she won Golden Globe and Academy Awards for the 1968 film version. It would be her first role in a film. The musical produced a number of standards, including “I’m The Greatest Star,” “Don’t Rain on My Parade” and, of course, “People,” not to mention one of the most electrifying overtures ever composed.

The original cast album, one of Streisand’s only recordings not on Columbia Records, was recorded over just one session (as was standard practice at the time) at the Manhattan Center studios on April 5, 1964 and was produced by Dick Jones. Longtime Broadway champion Goddard Lieberson, the president of Columbia, reportedly passed on the cast album but made a stipulation that Streisand record a number of songs from the score for Columbia which she did in December of that year. (Two – “Who Are You Now” and “Cornet Man” – still remain locked in the Columbia vaults.) Lieberson might have rethought his passing on the album if he could have foreseen its success. In stores just a scant week after it was recorded, it went on to spend 51 weeks on the Billboard chart. It peaked at No. 2, kept from pole position only by The Beatles’ Second Album (illuminating how much the charts have changed over 50 years!). The Original Broadway Cast Recording of Funny Girl would eventually be certified Gold in September of 1964 and go on to win the Grammy for Best Original Cast Album. It was released on CD in 1987 on Capitol and in 1992 on EMI’s Broadway Angel Label, and was inducted into the Grammy Hall of Fame in 2004.

Dieses Album enthält kein Booklet