The Soundtrack - American Epic: The Soundtrack (Mono) American Epic

Album Info

Album Veröffentlichung:
2017

HRA-Veröffentlichung:
12.05.2017

Label: Columbia/Legacy

Genre: Blues

Subgenre: Classic Blues

Interpret: American Epic

Das Album enthält Albumcover

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  • 1 Gonne Die with My Hammer in My Hand 03:26
  • 2 On the Road Again 02:51
  • 3 Frankie 03:28
  • 4 Bury Me Under the Weeping Willow 03:00
  • 5 Mal Hombre 03:32
  • 6 Peg and Awl 02:57
  • 7 Tomi Tomi 02:43
  • 8 The Indian Tom Tom 02:37
  • 9 Cocaine Habit Blues 02:52
  • 10 Up Above My Head 02:58
  • 11 Down the Dirt Road Blues 02:57
  • 12 Allons A Lafayette 02:58
  • 13 Stackalee 03:07
  • 14 Waiting for a Train 02:48
  • 15 Jole Blon 02:10
  • Total Runtime 44:24

Info zu The Soundtrack - American Epic: The Soundtrack (Mono)

American Epic: The Soundtrack highlights 15 recordings from the three-part documentary on one album, including original recordings by The Carter Family, Mississippi John Hurt, Charley Patton, Sister Rosetta Tharpe and more all restored to unprecedented levels of sonic fidelity. For this release, engineer Nicholas Bergh refined a transfer process using a mix of both modern and vintage equipment in order to extract the remarkable resolution from the records that is often missed. This reverse engineering approach to the transfer process enabled the restoration team of Grammy Award-winning engineer Peter Henderson, Duke Erikson and Joel Tefteller to get the resulting audio closer to the original performance than ever before.

The recordings they made of all the ethnic groups of America democratized the nation and gave a voice to everyone. Country singers in the Appalachians, Blues guitarists in the Mississippi Delta, Gospel preachers across the south, Cajun fiddlers in Louisiana, Tejano groups from the Texas Mexico border, Native American drummers in Arizona, and Hawaiian musicians were all recorded. It was the first time America heard itself.

This is not "remastering," in the normal sense, but something closer to fine art restoration. The intent is not for people to marvel at the antiquity of these discs, but rather to experience them as vital, immediate performances that speak to us as directly as they did on the day they were recorded not simply great art for their time, but great art for all times.

Digitally remastered

Please note: these are Mono recordings from 1928.



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