Turn it Up! LIVE At The Sidedoor! Mike LeDonne & The Groover Quartet

• 1 Slow Freight (Live) 08:03
• 2 Mary Lou's Blues (Live) 09:46
• 3 Love Don't Love Nobody (Live) 08:15
• 4 Who Can I Turn To (Live) 12:13
• 5 I Love Music (Live) 09:59
• 6 This Will Be (Live) 08:53
• 7 Blues For Edith (Live) 09:57
• 8 After The Love Has Gone (Live) (44 kHz) 10:39
• 9 11 Years (Live) (44,1 kHz) 12:35
• 10 Lament (Live) (44,1 kHz) 09:48
• 11 You'll See (Live) (44,1 kHz) 09:42
• 12 Delilah (Live) (44,1 kHz) 10:14
• 13 Cherokee (Live) (44,1 kHz) 08:52
• 14 Outro (Live) (44,1 kHz) 00:56
• Total Runtime 02:09:52

Info zu Turn it Up! LIVE At The Sidedoor!

The concept of these recordings is to give the listener the complete Groover experience as you would hear it live in a club. Many recordings today are limited for time so you don’t get the full experience of hearing solos develop and people stretching out like you do on live dates. And then there’s the energy of the audience feeding the band which I think is an essential part of playing music. These recordings were made as if we weren’t recording at all so the listener gets a completely uninhibited performance that sounds great.

Releasing these 2 recordings together gives the listener a 25 year span of The Groover Quartet. It is very rare to have bands that last decades these days and it’s interesting that we have live material from back in the beginning and from right now. When we recorded the Anniversary Quartet it was back when I first started really focusing on using tunes by the R&B groups I grew up listening to and making them into vehicles for swinging and for improvisation.

The Original Groover Quartet, or “OGQ” are some of the baddest cats on the planet bar none. We were all so young when we started, well at least they were, I have 10 years on them. We’ve been friends for decades, started our families during our time together and have been all over the world. They are my musical family and I think you can hear that in the music. (Mike LeDonne)

Mike LeDonne, Hammond B3 organ
Eric Alexander, tenor saxophone
Peter Bernstein, guitar
Joe Farnworth, drums

Recorded September 6th & 7th, 2024 at The Side Door Jazz Club in Old Lyme, CT
Engineered by Nick Sexton
Mixed and Mastered by Chris Sulit
Produced by Mike LeDonne and Cory Weeds
Executive Producer: Cory Weeds

Mike LeDonne
started playing piano at the age of 5 and was raised in his parent’s music store. By the age of 10 his father, a jazz guitarist, began booking him on gigs. He is now an internationally renowned pianist and organist with the unique experience of having played with a wide spectrum of jazz masters from Benny Goodman to Milt Jackson and Sonny Rollins. He has won praise not only from critics but from master musicians: Oscar Peterson picked him as one of his favorite pianists of today.

At age 21, Mike graduated from New England Conservatory in 1979 and moved to New York City with the Widespread Jazz Orchestra. In 1981, he left Widespread to travel to the UK with Panama Francis and the Savoy Sultans. On returning, he began a two-year stint as the house pianist at Jimmy Ryan’s, then one of New York’ s oldest jazz clubs. It was there that he came under the influence of and played with many old masters such as Roy Eldridge, Papa Jo Jones and Vic Dickenson. He spent 1982-1983 with the Benny Goodman sextet and went on to play with Buddy Tate, Al Grey, Ruby Braff and many others. Later he worked 1 year with the Art Farmer-Clifford Jordan Quintet, went to Paris with Grady Tate, and played with more modern masters like James Moody, Dizzy Gillespie, Stanley Turrentine, Charles McPherson, Sonny Rollins and Bobby Hutcherson. He also spent time as accompanist to singers Ernestine Anderson, Annie Ross and Etta Jones.

In 1988 he started playing with the Milt Jackson Quartet (along with Mickey Roker and Bob Cranshaw). Mr. Jackson recorded Mike’s compositions and arrangements. Mike also became the band’s musical director. In the fall of 1992, Mike was chosen to be part of a group of top young musicians for the Phillip Morris Superband World Tour. Mike served as musical director for that group, which featured Ryan Kisor on trumpet, Joshua Redman on tenor saxophone, Jesse Davis on alto saxophone, Christian McBride on bass and Lewis Nash at the drums. Around this time, Mike toured with the Newport All-Stars in lineups that featured Harry “Sweets” Edison and Clark Terry. Mike has been playing and recording with Benny Golson since 1997. He has also been leading trios that have included greats like Ron Carter, Jimmy Cobb, Billy Hart, Pete LaRoca and Louis Hayes.

Mike is on over 100 CD’s as a sideman and starting in 1988 recorded his first of 16 CD’s as a leader. Five on Criss Cross Jazz, three on Double Time Records, seven on Savant and one on Cellar Live. Many of hem award winning and include the greatest musicians around today including Tom Harrell, Gary Smulyan, Dennis Irwin, Kenny Washington, Steve Nelson, Ryan Kisor, Jim Rotondi, Joshua Redman, Lewis Nash, Peter Washington, Peter Bernstein, Eric Alexander, Jeremy Pelt, Joe Farnsworth, John Webber, Bob Cranshaw, Mickey Roker and Ron Carter.

In 2003 Mike recorded his first CD as a leader on the Hammond Organ, an instrument he’s been playing since he was 10. It documented the music of his organ band The Groover Quartet with Eric Alexander, Peter Bernstein and Joe Farnsworth. The CD went to #1 and together they’ve held down a now legendary gig on Tuesday nights at Smoke in NYC. He has since released 3 more CD’s of this band, on the Savant label, which he calls The Groover Quartet. They’ve toured in Europe and Japan as well as the States. Mike also caught the ears of George Coleman, Lou Donaldson and David Fathead Newman who all hired him to play organ in their bands. The Jazz Journalists Association nominated Mike for Best Keyboards 2012 for his “Keep The Faith” CD. Also in 2012, Mike won the Downbeat Rising Star Award for Organ.

Mike is the co-author of Jim Snidero’s Jazz Conception for Piano and Piano Comping books, on Advance Music. In Sept. In 2002 he joined the faculty at the Juilliard School of Music and spent 4 years there. He is also one of the founders of the Jazz For Teens program at the New Jersey Performing Arts Center in Newark, N.J.

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