Elgar: String Quartet in E Minor & Piano Quintet in A Minor Martin Roscoe & Brodsky Quartet

• Edward Elgar (1857 - 1934): String Quartet in E Minor, Op. 83:
• 1 String Quartet in E Minor, Op. 83: I. Allegro moderato 09:17
• 2 String Quartet in E Minor, Op. 83: II. Piacevole. Poco andante 10:48
• 3 String Quartet in E Minor, Op. 83: III. Finale. Allegro molto 09:04
• Piano Quintet in A Minor, Op. 84:
• 4 Piano Quintet in A Minor, Op. 84: I. Moderato - Allegro 13:46
• 5 Piano Quintet in A Minor, Op. 84: II. Adagio 13:01
• 6 Piano Quintet in A Minor, Op. 84: III. Andante - Allegro 10:40
• Total Runtime 01:06:36

Info zu Elgar: String Quartet in E Minor & Piano Quintet in A Minor

The three great chamber works, the String Quartet, Piano Quintet, and Violin Sonata, were among the very last works that Elgar wrote, composed during an intensive and productive period in 1918 and 1919 whilst living at Brinkwells in Sussex, and under the twin shadows of the horrors of the Great War and the terminal illness of his wife, Alice.

The String Quartet was dedicated to the original Brodsky Quartet (the name subsequently taken by the current group when they arrived as students at the Royal Northern College of Music) and was championed by this new Brodsky Quartet from the off, sitting alongside Delius’s Quartet on their debut recording (1984). It has remained a cornerstone of their repertoire ever since.

The Brodsky Quartet took the opportunity of the centenary year of both works to perform the String Quartet alongside the Piano Quintet with their frequent co-performer Martin Roscoe, and this recording is a result of that commemoration.

“… They play the work [Quartet] very sensitively …” (Andrew Clements, The Guardian)

“…I do urge you to hear these fine performances, which are, as always, with Chandos (about to celebrate their 40th Anniversary) exceptionally well recorded, and very well played by all concerned.” (David Mellor, ClassicFM)

Martin Roscoe, piano
Brodsky Quartet

Martin Roscoe
With an extraordinary career spanning over four decades, Martin Roscoe is unarguably one of the UK’s best loved pianists. Renowned for his versatility at the keyboard, Martin is equally at home in concerto, recital and chamber performances. In an ever more distinguished career, his enduring popularity and the respect in which he is universally held are built on a deeply thoughtful musicianship allied to an easy rapport with audiences and fellow musicians alike.

With a repertoire of over 100 concertos performed or recorded Martin works regularly with many of the UK’s leading orchestras, having especially close links with the BBC Philharmonic Orchestra, BBC National Orchestra of Wales, BBC Scottish Symphony Orchestra, Hallé, Manchester Camerata, Northern Chamber Orchestra and with the Royal Liverpool Philharmonic Orchestra, where he has given over ninety performances. Martin has also performed with orchestras and festivals across Europe, Canada, Australia and the Far East, and shared the concert platform with eminent conductors such as Sir Simon Rattle, Sir Mark Elder and Christoph von Dohnányi.

A prolific recitalist and chamber musician, Martin tours the UK extensively every season, including regular appearances at Wigmore Hall and Kings Place. He has long-standing associations with Peter Donohoe, Kathryn Stott, Tasmin Little and the Endellion and Maggini Quartets as well as more recent collaborations with Jennifer Pike, Ashley Wass, Matthew Trusler, Liza Ferschtman and the Brodsky, Escher and Vertavo Quartets. One of his most important ensembles, the Cropper Welsh Roscoe Trio, performed many times across the UK, most notably at Wigmore Hall.

Recent highlights include BBC Philharmonic Orchestra, BBC Symphony Orchestra and Royal Philharmonic Orchestra, whilst future plans include engagements with the BBC Philharmonic, BBC Scottish Symphony Orchestra and Northern Chamber Orchestra.

Martin is Artistic Director of Ribble Valley International Piano Week, Beverley Chamber Music Festival and the Manchester Chamber Concerts Society.

Having made over 500 broadcasts, including seven BBC Prom appearances, Martin is one of the most regularly played pianists on BBC Radio 3. Martin has also made many commercial recordings for labels such as Hyperion, Chandos and Naxos. He has recorded the complete piano music of Nielsen and Szymanowski, as well as four discs in the Hyperion Romantic Piano Concerto series. For the Deux-Elles label, Martin has recorded the complete Beethoven piano sonatas, the first four discs of which have been released to unanimous critical acclaim. Martin’s most recent disc is Volume 3 of the complete piano music of Dohnányi, released on Hyperion in 2015; the disc has been yet another success with reviews such as “commanding and warm-hearted... a delectable disc” (Gramophone) and “exuberant and expressive...brilliant technical precision” (BBC Music Magazine, 5 stars).

Teaching has always been an important part of Martin’s life and the development of young talent helps him to constantly re-examine and re-evaluate his own playing. He is currently a Professor of Piano at the Guildhall School of Music in London and has been awarded his Fellowship there.

Martin lives in the beautiful English Lake District which provides inspiration and relaxation, and also enables him to indulge his passions for the countryside and hill-walking.

Brodsky Quartet
Since forming in 1972, the Brodsky Quartet have performed over 3,000 concerts on the major stages of the world and have released more than 60 recordings. A natural curiosity and an insatiable desire to explore has propelled the group in a number of artistic directions and continues to ensure them not only a prominent presence on the international chamber music scene, but also a rich and varied musical existence. Their energy and craftsmanship have attracted numerous awards and accolades worldwide, while their ongoing educational work provides a vehicle to pass on experience and stay in touch with the next generation. ​

Throughout their career of over 45 years, the Brodsky Quartet have enjoyed a busy international performing schedule, and have extensively toured the major festivals and venues throughout Australasia, North and South America, Asia, South Africa and Europe, as well as in the UK, where the quartet is based. The quartet are also regularly recorded for television and radio with their performances broadcast worldwide. ​

Over the years, the Brodsky Quartet have undertaken numerous performances of the complete cycles of quartets by Schubert, Beethoven, Tchaikovsky, Britten, Schoenberg, Zemlinsky, Webern and Bartok. It is, however, the complete Shostakovich cycle that has now become synonymous with their name: their 2012 London performance of the cycle resulted in their taking the prestigious title ‘Artistic Associate’ at London’s Kings Place and, in October 2016, releasing their second recording of the cycle, this time live from the Muziekgebouw, Amsterdam. ​

The Brodsky Quartet have always had a busy recording career and currently enjoy an exclusive and fruitful relationship with Chandos Records. Releases on the label include ‘Petits Fours’, a celebratory album of ‘Encore’ pieces arranged exclusively by the quartet for their 40th anniversary; a Debussy compilation; ‘In the South’, featuring works by Verdi, Paganini, Wolf and Puccini; ‘New World Quartets’, comprising works by Dvorak, Copland, Gershwin and Brubeck; the quartets of Zemlinsky, including the world premiere recording of his unpublished early quartet; two Brahms discs, featuring the iconic Piano and Clarinet Quintets; the Shostakovich Complete Quartets.

As well as partnering many top classical artists for their performances and recordings, the quartet have made musical history with ground-breaking collaborations with some of the world’s leading artists across many genres and have commissioned and championed many of the world’s most respected composers.

Awards for recordings include the Diapason D'Or and the CHOC du Monde de la Musique and the Brodsky Quartet have received a Royal Philharmonic Society Award for their outstanding contribution to innovation in programming.

The quartet have taught at many international chamber music courses and have held residencies in several music institutes including, at the start of their career, the first such post at the University of Cambridge and latterly at the Royal Conservatoire of Scotland, where they are visiting International Fellows in Chamber Music. They were awarded Honorary Doctorates by the University of Kent and an Honorary Fellowship at the University of Teesside, where they were founded.

The quartet took their name from the great Russian violinist Adolf Brodsky, the dedicatee of Tchaikovsky's violin concerto and a passionate chamber musician. Daniel Rowland plays a violin made by Lorenzo Storioni of Cremona in 1793; Ian Belton’s violin is by Giovanni Paolo Maggini, c.1615. Paul Cassidy plays on La Delfina viola, c.1720, courtesy of Sra. Delfina Entrecanales and Jacqueline Thomas’s cello is by Thomas Perry of Dublin, 1785.

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