They Call Us Wild The Wild Magnolias

• 1 They Call Us Wild 03:14
• 2 New Suit 03:07
• 3 Ah Anka Ting Tang Boo Shanka Boo 04:28
• 4 Fire Water 03:46
• 5 Injuns, Here We Come 05:24
• 6 New Kinda Groove 04:02
• 7 Jumalaka Boom Boom 05:14
• 8 We'Re Gonna Party 03:07
• 9 Ho Na Nae 05:02
• Total Runtime 37:24

Info zu They Call Us Wild

The New Orleans Mardi Gras "Indian Tribe" the Wild Magnolias issued a critically acclaimed LP for Polydor in 1974. Bo Dollis, Monk Boudreaux, June Johnson, Jr., Crip Adams, Tobias Johnson, Bubba Scott, and James Smothers brought the rich, fervent flavor of New Orleans to vinyl, backed by Willie Tee's band. A second LP They Call Us Wild was released in Europe a year later but not in the US.

"New Orleans legends the Wild Magnolias released their second album, THEY CALL US WILD, in Europe in 1975, but it didn't come out in the States until the '90s, when the band finally went national. Today they're thought of as an old-school Mardis Gras party band, but these early recordings reveal a greasier, murkier sound that owes something to the swamp-funk shadings of late-'60s/early-'70s Dr. John, as well as the slightly jazzy West Coast funkateers in War." (AMG)

Bo Dollis, vocals, tambourine
Monk Boudreaux, vocals, congas
James Johnson Jr., vocals, tambourine
Lawrence Adams, vocals, cow bells, tambourine
Johnny Tobias, vocals, tambourine, whistle
Leonard Johnson, vocals, tambourine
Washington Scott, vocals, triangle, tambourine
James Smothers, vocals, bongos, congas
Norwood Johnson, bass drum
Willie Tee, keyboards, percussion, vocals
Earl Turbinton Jr., alto and soprano saxophones, bass clarinet
Julius Farmer, bass
Snooks Eaglin, guitar
Larry Panna, drums
Alfred “Uganda” Roberts, congas

Digitally remastered

The Wild Magnolias
Among the many Mardi Gras "Indians" in New Orleans, The Wild Magnolias are well-known for their talent and flamboyance. Mardi Gras "Indians" are not, by the way, Native Americans. The Mardi Gras Indians are black working-class groups that are part secret and spiritual society and part neighborhood social club. Fifteen or so "tribes" parade on Mardi Gras Day, chanting, singing, and beating percussion instruments. They are costumed in elaborate handmade outfits that fancifully recall the dress of Native Americans, complete with feathers, ornate beadwork, and enormous headdresses. The origins of this tradition, which has striking parallels in the Caribbean, especially in Trinidad, have yet to be conclusively documented. The "Indian" tradition is also cited as another instance of New OrleansÆ status as the northern frontier of Caribbean culture. African, Creole, Indian and Spanish roots have been suggested, and some synthesis of all theseemsources seems likely. This is also true of the meanings and etymologies of the chants. The original words and context are difficult to trace, but today the function is assertive peer-group bonding. Big Chief Theodore ile "Bo" Dollis was born in New Orleans in 1944. As a child he followed a tribe known as the White Eagles, and he began "masking" as a Mardi Gras "Indian" in 1957 as a member of the Golden Arrows. In 1964 Dollis became the Big Chief of the Wild Magnolias. In 1970 the Wild Magnolias recorded a single entitled Handa Wanda for the Crescent City label; nearly 30 years later Handa Wanda r ains a local favorite and a perennial Mardi Gras classic. Two albums were produced in the mid-'70s, The Wild Magnolias and They Call Us Wild, on Rounder Records. Life is a Carnival marked their debut on the Metro Blue label. Joseph Pierre "Monk" Boudreaux was born in New Orleans in 1941. He has "masked Indian" since the late 1950s, and collaborated with Bo Dollis and the Wild Magnolias since the mid-'70s. Boudreaux is exclusively featured on Lightning and Thunder: The Golden Eagles Recorded Live and in Context at the H& R&Bar, New Orleans, a 1988 release on Rounder. Dollis and Boudreaux continue to revel in their culture, music, Afro-Caribbean rhythms, and splendid costumes, just as they have done for decades.

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