Johann Sebastian Bach - Six Motets Ottawa Bach Choir & Lisette Canton

• Johann Sebastian Bach (1685 - 1750): Singet dem Herrn ein neues Lied, BWV 225:
• 1 Bach: Singet dem Herrn ein neues Lied, BWV 225: Singet dem Herrn ein neues Lied (Chor) 04:14
• 2 Bach: Singet dem Herrn ein neues Lied, BWV 225: Wie sich ein Vater erbarmet/Gott, nimm dich ferner unser an (Choral/Aria) 04:37
• 3 Bach: Singet dem Herrn ein neues Lied, BWV 225: Lobet den Herrn in seinen Taten (Chor) 03:02
• Jesu meine Freude, BWV 227:
• 4 Bach: Jesu meine Freude, BWV 227: Jesu, meine Freude 01:13
• 5 Bach: Jesu meine Freude, BWV 227: Es ist nun nichts Verdammliches 02:20
• 6 Bach: Jesu meine Freude, BWV 227: Unter deinem Schirmen 01:04
• 7 Bach: Jesu meine Freude, BWV 227: Denn das Gesetz des Geistes 01:08
• 8 Bach: Jesu meine Freude, BWV 227: Trotz dem alten Drachen 02:11
• 9 Bach: Jesu meine Freude, BWV 227: Ihr aber seid nicht fleischlich 02:55
• 10 Bach: Jesu meine Freude, BWV 227: Weg mit allen Schätzen! 01:03
• 11 Bach: Jesu meine Freude, BWV 227: So aber Christus in euch ist 01:52
• 12 Bach: Jesu meine Freude, BWV 227: Gute Nacht, o Wesen 03:44
• 13 Bach: Jesu meine Freude, BWV 227: So nun der Geist 01:19
• 14 Bach: Jesu meine Freude, BWV 227: Weicht, ihr Trauergeister 01:27
• Der Geist hilft unser Schwachheit auf, BWV 226:
• 15 Bach: Der Geist hilft unser Schwachheit auf, BWV 226: Der Geist hilft unser Schwachheit auf (Chor) 03:09
• 16 Bach: Der Geist hilft unser Schwachheit auf, BWV 226: Der aber die Herzen forschet (Chor) 01:59
• 17 Bach: Der Geist hilft unser Schwachheit auf, BWV 226: Du heilige Brunst, süßer Trost (Choral) 01:43
• Komm, Jesu, komm, BWV 229:
• 18 Bach: Komm, Jesu, komm, BWV 229: Komm, Jesu, komm (Chor) 06:26
• 19 Bach: Komm, Jesu, komm, BWV 229: Drum schließ ich mich in deine Hände (Aria) 01:29
• Fürchte dich nicht, ich bin bei dir, BWV 228:
• 20 Bach: Fürchte dich nicht, ich bin bei dir, BWV 228: Fürchte dich nicht, ich bin bei dir (Chor) 07:33
• Lobet den Herrn, alle Heiden, BWV 230:
• 21 Bach: Lobet den Herrn, alle Heiden, BWV 230: Lobet den Herrn, alle Heiden (Chor) 05:40
• Total Runtime 01:00:08

Info zu Johann Sebastian Bach - Six Motets

Die neueste Aufnahme des mit dem Juno-Award ausgezeichneten Ottawa Bach Choir beim Label ATMA Classique enthält sechs Motetten von J.S. Bach: Singet dem Herrn, BWV 225; Der Geist hilft, BWV 226; Jesu, meine Freude, BWV 227; Fürchte dich nicht, BWV 228; Komm, Jesu, komm, BWV 229; und Lobet den Herrn, BWV 230. Begleitet wird der Chor von einem erweiterten barocken Continuo, bestehend aus Jonathan Oldengarm, Organist; Matthew Larkin, Cembalo; Lucas Harris, Theorbe; Jean-Christophe Lizotte, Cello; und Reuven Rothman, Kontrabass.

Der 2002 von Lisette Canton gegründete Ottawa Bach Choir führt Musik aus allen historischen Epochen auf, wobei Bachs Chorwerk im Mittelpunkt seines Repertoires steht. Der Chor, der sich aus einigen der versiertesten Künstler Kanadas und Spitzenchorsängern aus der Region National Capital und darüber hinaus zusammensetzt, hat nationale und internationale Anerkennung erhalten.

Lucas Harris, Theorbe
Matthew Larkin, Cembalo
Jonathan Oldengarm, Orgel
Reuven Rothman, Kontrabass
Jean-Christophe Lizotte, Violoncello
Bach-Chor Ottawa
Lisette Canton, Dirigentin

Lisette Canton
is a choral and orchestral conductor, vocal coach and technician, guest conductor, adjudicator, workshop leader and early music specialist. She is the founder and artistic director of the Juno Award-winning Ottawa Bach Choir (OBC), and is also associate professor and head of choral music at York University in Toronto, where she conducts the Chamber Choir and Concert Choir and is in charge of the graduate program in choral music.

Prior to her appointment at York, Dr. Canton taught and conducted at Carleton University, the University of Ottawa, the University of Illinois at Urbana-Champaign and McGill University. She has been a guest conductor at Carnegie Hall and Lincoln Center in New York City, and, in addition to directing a large concert series in Ottawa, has taken the Ottawa Bach Choir on five successful European tours (2022, 2014, 2009, 2007 and 2005), including two invitations as the first Canadian choir to perform at the prestigious Bachfest Leipzig, in 2014 and again in 2022. Dr. Canton has conducted numerous concerts in London, Paris, Venice, Leipzig, Lübeck, Stuttgart, Bayreuth, Vienna, Salzburg, Prague, Amsterdam, Groningen, Ypres, Passendale, Mexico City, at Roy Thomson Hall in Toronto, the Winspear Centre in Edmonton and across Canada, and has prepared choirs for Franz-Paul Decker, Johannes Ullrich, Pinchas Zukerman, Helmuth Rilling and John Rutter. She was also invited to perform at the International Choral Festival at the University of Caen, France, in conjunction with the 60th anniversary of D-Day in 2004. She has taken the York University Chamber Choir on two international tours (2015, 2012) and has conducted performances with the Ottawa Bach Choir, Ensemble Caprice and the Qingdao Symphony Orchestra at the prestigious Meet in Beijing international festival in Beijing and Shanghai, China, in 2016. Dr. Canton was named the artistic director of the Canada International Choral Festival, partnering with the China International Chorus Festival for concerts, tours and collaborations in Canada and China. She was invited to conduct at Carnegie Hall in New York City in May 2019 with the New England Symphonic Ensemble, as well as to represent Canada at the III International Symposium for Women Conductors 2020, based in Brazil, and to conduct at Bachfest Leipzig 2022, with the Ottawa Bach Choir and the Pauliner Baroque Ensemble, in Leipzig, Germany.

Dr. Canton has recorded for the Canadian Broadcasting Corporation (CBC) and Radio-Canada radio and television, and has appeared as guest conductor with numerous ensembles worldwide. Her recording with the Ottawa Bach Choir Handel: Dixit Dominus ; Bach & Schütz: Motets on the ATMA Classique label, with Ensemble Caprice and countertenor Daniel Taylor, won the 2020 Juno Award for Classical Album of the Year: Vocal or Choral Performance, as well as the Choral Canada 2020 Outstanding Choral Recording award. She is a strong advocate of music education and has undertaken a number of outreach initiatives, bringing choral music to children and students from diverse backgrounds in the Ottawa–Carleton region and beyond in several communities. These have included concerts and workshops in over 55 schools.

Lisette Canton has a Doctor of Musical Arts in choral conducting from the University of Illinois at Urbana-Champaign, a Master of Music in choral conducting from the Eastman School of Music and a Bachelor of Music in performance from McGill University. She has studied conducting with Donald Neuen, Don Moses, Fred Stoltzfus, Ann Howard Jones, Chet Alwes and Paul Vermel ; voice with Jan Simons, Lorie Gratis and James Bailey; and piano with Esther Master and Dorothy Morton. She is a member of numerous professional associations and has collaborated with several musicians and arts organizations worldwide.

Ottawa Bach Choir
The Juno Award-winning Ottawa Bach Choir (OBC), founded in 2002 by Dr. Lisette Canton, offers audiences a wide range of choral music of the finest quality, performing music from all historical periods while keeping Bach’s choral oeuvre as the focus of its repertoire. Through a combination of both a scholarly and emotional approach to choral music, the professional chamber ensemble expands all aspects of the artistic spectrum. Joining some of Canada’s most accomplished artists and top choristers from the National Capital region and beyond, the choir has received national and international recognition.

The Ottawa Bach Choir, now in its 21st season, performs a large subscription concert series in Ottawa and travels extensively in Canada and abroad. In 2022, the choir was invited to return to Bachfest Leipzig as one of a select number of ensembles worldwide (and the only Canadian ensemble) to present Bach’s entire chorale cantata cycle. In 2016, the OBC toured China, where it was invited to represent Canada at the festival Meet in Beijing, in Beijing and Shanghai. In 2014, the choir received an invitation to perform at the prestigious international festival

Bachfest Leipzig, becoming the first Canadian choir to receive such an invitation. The choir made its debut at Carnegie Hall in New York City in 2011, and has performed in London, Paris, Venice, Amsterdam, Bayreuth, Leipzig, Stuttgart, Prague, Vienna, and more. Past appearances have also included concerts at the Palacio de Bellas Artes in Mexico City, Roy Thomson Hall in Toronto, the National Arts Centre in Ottawa, and in numerous cities and festivals across Canada. The OBC was invited as the first Canadian choir to perform and take over the duties of the Thomanerchor in May 2005 at the St. Thomas Church, in Leipzig, and again in 2007 and 2009.

In addition to its successful performances of all of Bach’s major works, the OBC has sung sacred and secular works from all musical periods and collaborated with numerous national and international artists and ensembles. The choir also engages in an educational outreach program each season and has performed in over 55 schools in the Ottawa–Carleton region.

The OBC has been broadcast nationwide on CBC Radio 1 and Radio 2, Radio-Canada, and internationally. The choir has recorded seven previous compact discs to critical acclaim, including the Juno Award-winning album Handel: Dixit Dominus; Bach & Schütz: Motets (Classical Album of the Year: Vocal or Choral Performance) on the ATMA Classique label (2019), exclaimed as “among the very best” (American Record Guide) and “staggering and movingly performed” (Gramophone magazine), ’Twas But Pure Love (2016), Cantate Domino (2011), Jesu, meine Freude (2008), A Christmas Story (2005) and Festival Baroque (2005).

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