Rachmaninoff: All-Night Vigil, Op. 37 "Vespers" Kansas City Chorale, Phoenix Chorale & Charles Bruffy

• Sergei Rachmaninoff (1873 - 1943): All-Night Vigil, Op. 37 "Vespers":
• 1 All-Night Vigil, Op. 37 "Vespers": Come, Let Us Worship God, Our King (Amen) 03:27
• 2 All-Night Vigil, Op. 37 "Vespers": Bless the Lord, O My Soul 06:08
• 3 All-Night Vigil, Op. 37 "Vespers": Blessed Is the Man 06:32
• 4 All-Night Vigil, Op. 37 "Vespers": Gladsome Light 04:03
• 5 All-Night Vigil, Op. 37 "Vespers": Lord, Now Lettest Thou Thy Servant Depart in Peace 04:49
• 6 All-Night Vigil, Op. 37 "Vespers": Rejoice, O Virgin Theotokos (Ave Maria) 03:52
• 7 All-Night Vigil, Op. 37 "Vespers": Glory to God in the Highest (Hexapsalmos) 03:19
• 8 All-Night Vigil, Op. 37 "Vespers": O Praise the Name of the Lord 02:45
• 9 All-Night Vigil, Op. 37 "Vespers": Blessed Art Thou, O Lord 07:21
• 10 All-Night Vigil, Op. 37 "Vespers": Having Beheld the Resurrection of Christ 03:50
• 11 All-Night Vigil, Op. 37 "Vespers": My Soul Magnifies the Lord 10:34
• 12 All-Night Vigil, Op. 37 "Vespers": Great Doxology. Glory to God in the Highest 09:19
• 13 All-Night Vigil, Op. 37 "Vespers", Troparion: Today Salvation Has Come to the World 02:13
• 14 All-Night Vigil, Op. 37 "Vespers", Troparion: When You Had Risen 03:59
• 15 All-Night Vigil, Op. 37 "Vespers": To Thee, the Victorious Leader of Triumphant Hosts 01:52
• Total Runtime 01:14:03

Info zu Rachmaninoff: All-Night Vigil, Op. 37 "Vespers"

The Grammy-Award-winning conductor Charles Bruffy brings together his two professional choirs, the Kansas City Chorale and Phoenix Chorale, for this recording of Serge Rachmaninoff's All-night Vigil. The scheduled release date marks the 100th anniversary of the world premiere of the work, which was given by the Moscow Synodal Choir on 10 March 1915.

The recording follows live performances of the work by the combined ensembles in April and May 2014, respectively in Phoenix and Kansas City. The Phoenix Chorale and Kansas City Chorale are regarded as among the finest professional choral ensembles in the world. Their recordings have earned a combined total of ten Grammy-Award-nominations and four wins. Building on the success of previous collaborations, the performances marked the seventh time that the two choirs have performed together. Of their 2009 performance at Alice Tully Hall in New York, Vivien Schweitzer of The New York Times wrote that the choirs 'performed with a buoyant pulse and energetic finesse', and praised 'the choirs' refined sound and elegant phrasing'.

Serge Rachmaninoff's All-night Vigil stands as the crowning achievement of the 'Golden Age' of Russian Orthodox sacred choral music. The texts are drawn from the Russian Orthodox liturgy and the music goes beyond the strict requirements of the liturgical ritual, making it better suited for concert presentations of sacred choral music than for worship services.

“… The sound as caught in Kansas’s Cathedral of St Peter the Apostle is rich, especially in the great blazes of the two big settings towards the end …” (David Nice, BBC Music)“… The combined 56 voices are beautifully balanced and set back at some distance from the microphones in the cavernous acoustic of the Cathedral of St Peter the Apostle in Kansas City. Intonation is spot-on throughout this taxing work and there are no audible edits… Full marks … to the splendid soloists, especially Julia Scozzafava, whose alto solo sounds like the genuine article.” (Malcolm Riley, Gramophone Magazine)

"overwhelming devotional intensity The US conductor Charles Bruffy and the Phoenix and Kansas City Chorales have long been outstanding interpreters of this repertory and their performance has a devotional intensity that is often overwhelming. The recording itself is on the reverberant side. But by the end, you know exactly why it one of Rachmaninov’s favourites among his own works, and why many consider it his greatest." (Tim Ashley, The Guardian)

Bryan Taylor, bass
Paul Davidson, bass
Julia Scozzafava, mezzo-soprano
Toby Vaughn Kidd, bass
Frank Fleschner, tenor
Joseph Warner, bass
Bryan Pinkall, tenor
Phoenix Chorale
Kansas City Chorale
Charles Bruffy, conductor

Kansas City Chorale
Since the debut performance in 1982, the Kansas City Chorale has provided audiences with a high caliber of choral artistry, performing a diverse repertoire of new and traditional music. Under Charles Bruffy’s leadership the choir has garnered international recognition for artistic merit, having been praised for its refined sound, phrasing and flawless intonation.

As a cornerstone of the Kansas City performing arts community, the Chorale creates concert programs and recordings that educate, engage, provoke, and inspire listeners. The Chorale’s ongoing outreach efforts facilitate the development of local talent, while providing students and their instructors with the opportunity to learn from world-class vocalists.

Beyond the traditional season of local concerts, Bruffy has brought the choir’s talent to the global stage. In 2009, Bruffy led the Kansas City and Phoenix Chorales in a moving performance at Lincoln Center’s Alice Tully Hall. Highlights from the a cappella concert included “Canticum Calamitatis Maritimae” by Jaakko Mantyjarvi and “Drei Geistliche Gesänge” by 19th-century composer Josef Rheinberger. The New York Times review noted that Bruffy “…seemed to be sculpturing in air: carefully molding each finely hued note he coaxed from his choristers,” and “the choirs performed with a buoyant pulse and energetic finesse.”

In the same year, the Kansas City Chorale was invited as one of four choral groups—and the only one from the United States—to perform at the prestigious Incheon Choral Festival in South Korea. The group more recently performed at Canada’s Podium 2014, in Halifax, Nova Scotia—once again as the only American ensemble.

The Kansas City Chorale has an award-winning collection of albums with Chandos Records. The Chorale’s recording of Grechaninov: Passion Week, made with the Phoenix Chorale, received the 2007 GRAMMY® Award for Best Engineered Classical Album, and received three other nominations that year, including Best Classical Album. The Chorale expanded their discography with the 2012 release of Life and Breath: Choral Works of René Clausen, and it won GRAMMY Awards for Best Choral Performance and Best Engineered Album, Classical.

Additionally, SoundMirror senior producer Blanton Alspaugh won the GRAMMY Award for Producer of the Year, Classical, thanks in part to his contribution in recording Life and Breath. Most recently, the Chorale was thrilled to receive the Best Choral Performance GRAMMY nomination and win with the Phoenix Chorale for their 2015 joint recording of Rachmaninoff: All-Night Vigil.

Charles Bruffy
One of the most admired choral conductors in the United States, GRAMMY® winner Charles Bruffy began his career as a tenor soloist, performing with the Robert Shaw Festival Singers in recordings as well as concerts in France and at Carnegie Hall. Shaw encouraged his development as a conductor, and in 1996 he was invited by American Public Media’s Performance Today to help celebrate Shaw’s 80th birthday with an on-air tribute. In 1999, The New York Times named him as the late, great conductor’s potential heir.

Bruffy has been artistic director of the Kansas City Chorale since 1988. He has been chorus director for the Kansas City Symphony Chorus since 2008 and was artistic director of the Phoenix Chorale from 1999-2017. He has been director of music at Rolling Hills Church since 1994. He conducts workshops and clinics across the U.S., including teaching at the Westminster Choir College Summer Conducting Institute since 2006.

In the summer of 2013, Bruffy was involved with the Anúna International Choral Summer School in Dublin, Ireland, and in 2014 conducted the Kansas City Chorale in a performance at the Association of Canadian Choral Communities convention in Halifax, Nova Scotia. He has conducted performances in Alice Tully Hall in New York, the Incheon Cultural and Arts Center in South Korea, and the Sydney Opera House.

Bruffy is a member of the advisory boards of the Atlanta Young Singers of Callanwolde and WomenSing in the San Francisco Bay area, and served on the board of Chorus America for seven years. He is an advisor for MusicSpoke and has a choral series on their marketplace, MusicSpoke.com. A graduate of the UMKC Conservatory of Dance and Music masters program in conducting, Bruffy was recognized in 2016 as the Conservatory’s Alumnus of the Year.

Bruffy is renowned for his fresh and passionate interpretations of standards of the choral repertoire and for championing new music. He has commissioned and premiered works by Kansas City composers Jean Belmont Ford, Zhou Long and Chen Yi, as well as works by Ola Gjeilo, Matthew Harris, Anne Kilstofte, Libby Larsen, Michael McGlynn, Cecilia McDowall, Stephen Paulus, Stephen Sametz, Philip Stopford, Steven Stucky, Joan Szymko, and Eric Whitacre.

Bruffy’s eclectic discography includes six recordings with Nimbus Records and seven with Chandos Records. The National Academy of Recording Arts and Sciences has recognized five of these recordings with a total of 12 GRAMMY® nominations and three GRAMMY® wins, most recently in 2015 for “Best Choral Performance” for his recording of Rachmaninoff’s “All-night Vigil.”

In his spare time, Bruffy breeds and raises Arabian and Saddlebred horses on his ranch just south of Kansas City in Cass County.

Booklet für Rachmaninoff: All-Night Vigil, Op. 37 "Vespers"